This doorway (if you care to look on streetview, which is a little out of date now) used to be reasonably clean, and only the little squirrel stencil (bottom right) by Bristol’s Stewy occupied the space. Things move fast in the street art/graff world and I have seen dozens of wheatpastes and larger pieces on the doors. This one I think has to be the pick of the bunch.
Although I had been aware of this beautiful piece by Nether410 from my trip to Shoreditch last November, it wasn’t until I visited in April this year that I actually found it. There is a big story unfolding, which touches on incarceration and freedom, humanity and nature. A stunning and thoughtful piece. Skylark security can piss off though. (My apologies).
I have a terrible feeling that I might have walked past this marvellous piece by Stik several times over the last year or two. It doesn’t look especially new, but I have just never noticed it before… there is always reward in looking up.
I have said it before about his pieces, but it is incredible how much emotion he manages to convey with these simplest of characters that have no features other than dots for eyes. It is also interesting how your mind completes the picture where the windows break up the artwork. Rivington Street is a great place to see street art, and if you should happen to go, don’t forget to look up.
I find it hard to believe that it was October 2017 when I went to NYC with my family. In many ways it feels so recent in others it feels like a lifetime ago. One of the great things about being there was staying in Rivington Street, which was at the heart of a whole bunch of great street art spots, and it wasn’t even me who chose the hotel!
I was surprised and delighted to find quite a few pieces by Bristol’s very own Nick Walker, including this one at the top of a hotel in the street. I think this piece is called ‘Raining Love’. I appreciate it isn’t a very good picture, but it was a long way up and I only had my crappy little camera with me on this particular walk. This is the first of a few more posts from that trip.
Just a quick canter back to last summer when I spent a while working in London and, of course, took quite a lot of pictures of street art in Shoreditch and Camden Town. Most of the pictures I took are so far unpublished, but I will try to post a few more.
This amazing piece in Shoreditch is by Ananda Nahu. I will let her Facebook profile do her talking for her:
‘Ananda Nahu was born in Juazeiro, on Bahia, Brazil, in 1985. Moved to Salvador in 2001, in 2003 she attended College of Design abandoning it to start in 2004 to attend Fine Arts at the Federal University of Bahia. In this period, she became interested in studying photography and engravings, marked by time studies and research lithography, Serigraphs, metal engraving, and consequently a deepening works in references to these engraving techniques that are Posters.
In 2005 begins to develop the stencil, one type of engraving that is leaked into the mold to obtain shapes of and pictures. From the beginning of the fitting colors of the pictures, apply this combination on the stencil and began to work with multiple layers of color. Use these pictures in creating artistic compositions in urban environments and canvases, also begins to improve regional fabric painting, oriental and African, as well as calligraphy and sources together to compose the picture stencil.
The photographs used to make stencil or free hand painting of his (sic) characters are mostly written by the artist itself, which is done a photographic essay for construction work, or if not, are based on photographs from renowned photographers of Latin America.
In her references are album covers and movie posters, posters and banners, black culture, Latin, Islamic and Asian, urban and goticas calligraphy, printing and fabrics Brazilian, African, Chinese and Japanese, also classical and religious paintings.
Ananda has established itself as a reference in the technique of stenciling and painting, she maintains an international presence for the Arts since 2006, mainly in Holland, Germany, France and Brazil, having many collectors around the world.’
This was one of the first pieces I saw in London and it had a lasting impression on me. There is something about it that reminds me of Gustav Klimt. It is a lovely piece.
Just to mix things up a bit, I am going to write a few posts about some street art I photographed last Summer/Autumn when I was working two days a week in London. I thought I’d start with this rather eye-catching piece from Thierry Noir at the East end of Rivington Street in the archway by Cargo.
Thierry Noir’s pieces are simple and colourful, almost falling into the category of ‘well I could probably do that’ art. Well I probably couldn’t and the idea and style are his and he executes them brilliantly. The more of his work that I see, the more I like it.
Another great artist to claim a wall in Rivington Street is My Dogs Sighs, and his piece is alongside other greats such as Fanakapan, Stinkfish and Thierry Noir. This is a piece typical of My Dog Sighs, composed of a pair of eyes, and on closer inspection a scene going on in the reflection of the eye itself.
This is a clever technique used by My Dog Sighs, and it is in the detail of the eye that the story lies. Difficult to make out, but the artist knows. It is always nice to stumble upon anything by My Dog Sighs.
I am still working through a gigantic backlog of images from a wonderful late Summer spree in Shoreditch. This is a really great piece by Fanakapan in the amazing Rivington Street – a street with loads of superb walls.
Fanakapan never ceases to impress with his mastery of chrome and helium balloon reflection works. It is a technique he has refined and he now owns it. Boom. If I were being brutally honest though, I would say that this is not his best work, it seems to lack some of the freedom of other pieces he has done. Maybe the space is a bit awkward. It is very good nonetheless.