Taboo clearly has a great sense of fun which really comes out in his work. He is an unconventional graffiti writer using large curvy and often erratic lettering that appears to be being used by a number of ‘new school’ artists in Bristol.
Taboo has incorporated a policeman, looking very much like an American cop, chasing after a smiley face that is scuttling away to the left of the piece. Although his work sometimes looks a bit ragged, I consider Taboo to be a talented street artist who is pushing the boundaries of convention.
The workmanship of the cop character is skilfully done and almost feels slightly underplayed and modest. On its own it would stand up as a fine piece of work. Looking forward to seeing where Taboo will take us next.
Having not really noticed work by Pl8o before lock down, I now seem to see his work wherever I look. This is a rather nice one in a well selected colour scheme down on the M32 roundabout.
Although this piece wasn’t part of the outstanding paint jam that included Inkie, Tizer, Rusk, Minto, Hemper and Soker, it was just a little bit further along the wall and was in great company. With a few more years hard graft, I can easily see Pl8o painting comfortably alongside such artists.
The last time I posted something by this artist I had mis-identified him as Taboo… how wrong could I be? It is actually by Whos, and although his style is somewhat similar to Taboo’s it is very clear that this says WHOS.
I have a rather soft spot for this piece. The letters feel very home-made if you know what I mean and the simple black pattern running through the middle of all the letters has a charm about it. Some might walk past this without even noticing it, but not me, I like it and look forward to finding more from Whos.
This fine piece by Soker was a part of the graffiti writer paint jam from a week or so back. I do think that there is a lot to be said for prepping a wall beforehand for artists of a certain calibre such as Soker, that makes a kind of statement that this work is worth proper treatment – some might view this as taking the edge out of graffiti and I would understand that, but I like it.
This piece is on the face of it wonderfully simple, until you take a look at the orange fills with blue drips and the use of five colours graded horizontally in the letters. The purple spots just add something special (Imagine the piece without them). Great work from a graffiti master.
In amongst the frenzy of activity in June and July as artists have woken and gone crazy for painting, the steady beating pulse of Bristol graffiti art continues in the form of work from PWA artist Face 1st. Reliable and dependable, Face 1st turns out his face-based pieces that rarely disappoint. His works have become so much a part of the furniture that sometimes we don’t even notice them (when I say we, I don’t mean me of course).
This is a lovely piece in russet tones and present us with FACE hair over a smiling girl’s face. There is something warm and familiar about his work, and something so very Bristol too. This is a modest low-profile piece and I love it.
Fortune favours the brave. I took a lunchtime walk last week and decided to take the dog to the M32 roundabout. I could have gone to any of the other spots, but decided on that one and lucky I did. I arrived to find an ‘A list’ of graffiti writers prepping for and starting a paint jam. Included in this extraordinary line up were Soker, Minto and Tizer from London, Rusk, Inkie, Hemper and Stivs.
Because of my working hours and limited ability to get out I rarely see artists at work, so this was a real treat, and the first piece I am sharing from this paint jam is by Tizer, who is a graffiti writing legend.
I learned two things when I chatted with Tizer the next day (another whole story), the first is that he freestyles all his pieces, which is incredible really – no drafts or prompts, just what’s in his head. The second is that he turned to spray painting and skateboarding as a youngster to escape the gangs where he grew up in Brixton.
It was really interesting to see how Tizer works. From what I saw he drafts an outline and then works on the colour fills from left to right. When that is done he paints on the black outlines and details ending up with a stained-glass window effect. Wonderful to watch and what an amazing finished piece. Of course the whole thing spells out Tizer.
Taboo has been so, so busy lately, and up until yesterday he had three large pieces spread out on this wall of which this is one. Taboo is different and most creative. His writing is unlike any other we see about the place and his characters play an integral role in the writing rather than a cheerful add-on. Ok… let’s get this straight… this is not by Taboo, but by Whos, whose writing looks like Taboo’s. So scratch the first half of this paragraph.
I would love to say that the writing says TABOO, but I can’t fully see it myself, so maybe it says something else (yep, it says WHOS). Embracing the letters is a long-armed character, possibly an inmate, because the thrust of the piece is articulated along the bottom ‘no more super prisons’. The sun and the green dog add extra colour and interest. A fine piece from Whos.
More great graffiti writing from Smak on the south side of the M32 roundabout on a stretch of wall he has painted many times. As one would expect his letters are beautifully designed and presented and the colour patterning really cleverly used in each one.
Smak really sets the bar for this style of writing in Bristol and rarely drops below this exceptionally high standard. It is the care and attention to detail that raises the quality of the piece, for example the darker colours on the background are carefully worked and in synchrony with the letters where he could have just presented the whole thing on a dark plain background. Lovely piece.
Sitting snugly next to an Elvs work is this great chrome piece by Rusk, set on a black background and decorated with pink and purple bubbles. A friend of mine, who is a designer, asked me what is this thing for drawing arrows on the end of graffiti letters all about. Is it simply a design feature? who first did it? does anyone know? I don’t know the answers, but they do feature in most wildstyle writing.
Rusk as always has smashed it with this piece, which is rather different from some of his work I have been posting recently. Maybe I’ll ask him about the arrows next time I see him.
This is a cracking January piece by Smak of Read and Weep (RAW). Alongside a nice piece from Elvs, this fabulous example of wildstyle writing really showcases the technical art involved to create great graff.
With a little bit of training you can read the work SMAK, but it is all tghat surroubnds the letters that makes this piece stand out. the two predominint colours alternating through the piece, freat shadows and shading and a pleasing symetry to the whole work. One of Bristol’s best writers.