Yet another wonderful, happy piece from Soap which I have uncovered from my January archive… it must have been a busy month to overlook this piece. Without question these are happy mouths, and in recent times have softened.
The colours are magnificent and I think the way that Soap has laid them down is rather clever and beautifully done. In my mind I am trying to work out the layering and sequence that the colours were laid down in. What I can say is this is an accomplished piece, and another belter from Soap.
The street art posts I bring you here on Natural Adventures are only a fraction of the total that appear on the streets of Bristol every day. My archives swell under the sheer volume of photographs and our computer barely functions due, in part, to disc space issues (time for a new one?). This means that I have to be reasonably selective about what I post, and this piece on my first trawl was marginal, because I have so many Soap pieces.
On a further inspection though it made the cut. I think that it is a wonderful piece, but the colours somehow send the whole thing into the background and if you weren’t on the ball you could easily miss this piece and walk straight on by. A lovely crown and halo, and ‘hair made of Soap tags. Glad I pulled this one out of the folder and posted it.
This brightly coloured piece by Soap looks almost good enough to eat. Lots of stuff in there that looks like delicious confections, and the trademark mouth/teeth seem to be getting stuck in.
I have said it before about his recent work, that Soap seems to have found a new spring in his step and there is a joi de vivre in his work over the last year or so. It is great to see this, and in my view his work just seems to be getting better and better.
There was a time, and it wasn’t too long ago, when I thought that Soap only ever produced his mushroom-shaped mouths, in a variety of different styles and colours. However, over the last year or so, he has really branched out a whole lot and is doing a lot of writing – it seems many bristol artists are currently doing the same (Decay, Kid Crayon and Tasha Bee has just started too)
In this piece Soap has incorporated his mouths into a rather clever and intricate word SOAP. I love the two triangles that kind of hold the whole thing together and add interest. It reminds me a little of a mint choc-chip…it’s a colour thing.
There is no question about it, Soap seems to have found a new lease of life and appears to be a happy artist. His recent pieces have been an expansion of his basic form and have a sense of joy about them. This one in St Werburghs tunnel is a real beauty.
As well as adding a body to the cheerful mouths, Soap has also adorned the character with hair, cleverly crafted from multi coloured tags – the white one on the left shows clearly what it looks like. He has incorporated further white motifs in the ‘hair’ which look good too. His work is really coming to life and building in sophistication and I really like it. I think other observers are similarly enjoying this journey. Keep it going.
It would appear that Soap is a happy man these days, or at least his mouth motif has a joyous demeanour which may or may not reflect the artist’s own disposition. It is noticeable though that his recent pieces are all a lot more expressive and smiley than some of his older work.
This is a colourful and nicely embellished piece that screams out laughter and fun and is definitely a welcome addition to the rather drab tunnels at Lawrence Hill roundabout. I really like the squiggle decorations around the piece which might be Soap’s original tag. Good work.
OK, so I’m cheating a little bit. Some of you might have seen this piece in my Thursday Doors post last week, but it is deserving of a mention in my street art section too. A ‘belt and braces’ approach to sharing this one.
It is, of course, a collaboration between PWA members Soap and Face 1st and has such a charming quality to it. Add to that the location on some kind of municipal building behind a secured gate and you have all the makings of great urban street art.
I can’t quite figure it out, but there is something about the balance of the piece and the space it occupies that makes this a real winner for me.