I took a little wander into my archive and unearthed this little beauty by Mest at the end of St Werburghs tunnel painted back in August. It has been really great to see his work again in Bristol, albeit only occasionally, after what feels like quite a long absence.
Mest, St Werburghs, Bristol, August 2024
There is something very pleasing about Mest’s letters, and he has presented them beautifully in this tight and clean piece. A little bit more background would have masked out the bits of the previous piece distracting around the edges, however the focus remains on his beautiful fills, afforded lots of space inside his fat letters. Nice to see this one.
Kosc and Humor, St Werburghs, Bristol, October 2024
Every now and again, something very special appears on the walls of Bristol, without warning or fanfare, and when you find them they blow your socks off. This collaboration between Bristol artist Kosc and Tunbridge Wells-based artist Humor is one such collaboration.
Kosc, St Werburghs, Bristol, October 2024
The collaboration, I gather, celebrates the birthday of actor Jenna Ortega, who I must admit is a little bit off my radar, although I faintly recognise her from her Wednesday Addams character, and the 2021 film The Fallout looks like it might be worth watching. She clearly has a large fan base, which I assume would include Kosc and Humor. Kosc has painted a gorgeous piece of graffiti writing which picks up the colours used for the birthday candles.
Humor, St Werburghs, Bristol, October 2024
I haven’t come across Humor’s work before, but this photorealistic portrait of Jenna Ortega is quite stunning, and something we don’t see nearly enough of in Bristol, outside of festivals or commissions.
Humor, St Werburghs, Bristol, October 2024
On the day I originally photographed this collaboration, there was quite a lot of glare on the wall, it can be a difficult wall to photograph, because it gets impacted by shadows and sunlight at all times of the day. I did return on a duller day, and think I got a slightly better picture with less glare (and a few more autumn leaves on the ground). Stunning work, especially when you consider it is a greyscale portrait. I would love to think that this might be the first of many visits to Bristol by Humor, but I won’t be holding my breath.
In a post only a couple of days ago I mentioned how no two Omie pieces are the same, and this one in the tunnel rather supports my assertion. In this one, Omie presents some irregular letters in a stunning three-layered red fill, decorated in the top half with some ephemeral blue dots.
Omie, St Werburghs, Bristol, September 2024
It is the 3D drop shadow that really grabs the eye in this piece though. The shadow is nice and deep, and veers off to the left of the letters in a blue tint with black stripes. If I were being picky I might note that not all of the black stripes are parallel, but fortunately it doesn’t spoil the overall effect, and most people probably wouldn’t even notice. I must say that I am very much enjoying Omie’s work, and am never quite sure what could be coming next, which is fun.
Hypo has been on fire for a couple of years now, re-emerging during Covid, and keeping up a regular rhythm of fine graffiti writing that just seems to be getting better and better. His letters lend themselves to bilateral symmetry like those of Werm, but there the similarity of graffiti writing between the two artists ends.
Hypo, St Werburghs, Bristol, September 2024
The colours in this piece are its crowning glory. Set on a neutral cream background, the wildstyle letters ‘HYPO’ are festooned with a beautifully blended selection of rainbow colours that manage to remain reasonably subtle, and whilst a colourful piece it avoids being gaudy. Very fine work from a lovely graffiti writer.
Mr Draws, St Werburghs tunnel, Bristol, September 2024
I have said it so many times before, but Mr Draws really is one of the most consistent graffiti artists in Bristol, and has been for as long as I have been writing this blog. This is a lovely piece of writing at the entrance to the tunnel and is bright, cheerful and welcoming.
Mr Draws, St Werburghs tunnel, Bristol, September 2024
Mr Draws has several different fill styles, and this camouflage pattern is one that he uses a fair bit, although not always as colourful as this one. His curvy letters are propped up with a deep drop shadow, and he has added a peace symbol for good measure. I think we could all do with a bit of peace in the world at the moment. Nice work from Mr Draws.
Scrapyardspec, St Werburghs. Bristol, September 2024
I rather like it when visiting artists come to Bristol, drop a couple of pieces and then disappear. This is what Scrapyard spec seems to do on a reasonably regular basis – quarterly I’d say. Perhaps he has friends that he visits when in town, or maybe he simply likes going on tour around the country.
Scrapyardspec, St Werburghs. Bristol, September 2024
This piece has been elongated to fin the wall space at the entrance to the tunnel. I would liken Scrapyardspec’s work to FTG or Full Time Ghoul, in that his pieces are based on the same concept, but are designed to fit the space. The colours are bright and vibrant and the character fun – certainly a piece that will not go unnoticed. Looking forward to his next visit.
I can’t explain why, but there is something that I really like about Nips’ graffiti writing. She first came onto my radar less than a year ago, but in that time her colourful and characterful work has really grown on me. She is an artist I have not yet met, but look forward to doing so some time and asking her about her work.
Nips, St Werburghs, Bristol, August 2024
While Nips tends to keep her letter style fairly consistent, it is the fills where the magic happens, and in this piece she has created a stunning kaleidoscope of colour and patterns. A simple bit of background patterning and a drop shadow help the piece to stand out, along with some white highlighting in the letters. This is a notable piece from a creative writer.
Benjimagnetic is a Bristol artist who tends to paint regularly but not frequently, if that makes any sense. So there is a constant drum beat of his work appearing often enough that he doesn’t fall off the radar.
Benjimagnetic, St Werburghs, Bristol, August 2024
This is a nice piece at the entrance to the tunnel, which is so characteristic of his unique style. The letters spell out BEN and are notable more for what isn’t there than what is. Benjimagnetic tends to avoid using solid or decorative fills for his letters, so what you are left with is the architecture of writing which creates these magnificent pieces full of lines and structures. This is a lovely tight piece from the artist.
Annika Pixie, Jee See and Pekoe, St Werburghs, Bristol, August 2024
As well as being a year when so many new artists have started painting in Bristol it has also been a period of collaboration. Whilst collaborations have always been a thing, I think that I have seen an increase in the number of them and a mixing up of collaborators, with new friendships and partnerships being formed or old ones renewed. This is an eclectic collaboration of styles from Annika Pixie, Jee See and Pekoe.
Annika Pixie, St Werburghs, Bristol, August 2024
To the left, the ephemeral portrait style of Annika Pixie is a welcome return to the streets of Bristol, along with a piece in Brunel Way (to come). I am not sure where she has been for the last few years, but it is a pleasure to see her unique pieces appearing once again. Mysterious as ever, the portrait is quite beautiful and haunting, painted with a lightness of touch that is Annika Pixie’s trademark.
Jee See, St Werburghs, Bristol, August 2024
In the middle Jee See presents us with his customary SEISMIC writing and accompanies it with a little demonic figure and the name Mr Nobody next to it. I’ll be honest and say that I don’t really know what is going on in this piece, but I have always liked his work and know to expect the unexpected.
Pekoe, St Werburghs, Bristol, August 2024
To the right a rather more familiar portrait piece from Pekoe rounds off the collaboration. The wonderful portrait, complete with amazing bunches (is that what they are called? – I am no expert in hairstyles) is accompanied by the magnificent words Pekoe has used before “Hot girls hate fascists”. It is noticeable that her work appears to be more joyful than it has been in the past, and I wonder whether this reflects the artist’s disposition in any way.
Kool Hand and Werm, St Werburghs, Bristol, August 2024
I have so much catching up to do, particularly in respect of Kool Hand, who has been trotting out pieces throughout the year, but doesn’t make it into Natural Adventures nearly as much as he should. This is a lovely collaboration between Kool Hand and Werm painted in the tunnel not so long ago.
Kool Hand, St Werburghs, Bristol, August 2024
The dog character painted by Kool Hand, I would guess is a female character on the account of the lipstick, long nails and hoop earring, although I guess it could be a cross-dressing or drag dog. He/she/they is spraying the adjacent piece by Werm, a common device in street art.
Werm, St Werburghs, Bristol, August 2024
Werm is continuing with his newest design incarnation, which presents the letters WERM in long interlocked lettering that uses bilateral symmetry as a clever presentation of his letters, similar to the symmetry common in Hypo’s work. I think it works very well and disguises the letters perfectly. There is a deep stripy 3D drop shadow that helps the piece to pop a little. Nice work from the Bristol duo.
Natural adventures 