5974. St Werburghs tunnel (419)

Logoe, St Werburghs, Bristol, April 2024
Logoe, St Werburghs, Bristol, April 2024

Logoe has been visiting Bristol again recently, and that generally means that he painted several pieces over a weekend. Unfortunately this time I goofed up some of my photographs and on returning to the pieces they had already gone. Not to worry though, he is so prolific and this is the first of a few posts from his trip earlier in the month

Logoe, St Werburghs, Bristol, April 2024
Logoe, St Werburghs, Bristol, April 2024

This is a particularly fine example of his work; beautiful, clean script writing, spelling out LOGOE in turquoise, set on a grey-green background. He has painted a subtle patterned green drop shadow, that complements rather than dominates the writing. No contemporary Logoe piece is complete without a string of oval spots running through the middle of the writing. All great stuff.

5966. St Werburghs tunnel (418)

IMG_7948_edited
IMG_7948_edited

It took a couple of attempts for Acesartworld to complete this robot head… the first time I saw it, it was just white outlines on the yellow background with a note in pink, that was quite difficult to read saying “pending WIP” (Work in Progress). I think that he was quite lucky that it wasn’t dogged, because it is the kind of place that it can happen.

Acesartworld, St Werburghs, Bristol, April 2024
Acesartworld, St Werburghs, Bristol, April 2024

The bilaterally symmetrical piece is nicely designed and executed, although I note he had to extend his yellow background a little tom accommodate the ‘horns’. There is an interesting colour problem in the piece, which is that pink doesn’t work well on yellow, and the accents around the piece would have benefitted from having black borders. Acesartworld has since painted another of these ‘masks’, and it would seem to be something he is playing with – I look forward to seeing even more.

5931. St Werburghs tunnel (417)

Mr Klue, St Werburghs, Bristol, March 2024
Mr Klue, St Werburghs, Bristol, March 2024

Ooh! I love this abstract writing piece from Mr Klue. It has been a while since I last saw one of his pieces with the distinctive ethereal steps. The colours too are a slight digression from his recent penchant for purples and blues.

Mr Klue, St Werburghs, Bristol, March 2024
Mr Klue, St Werburghs, Bristol, March 2024

It is almost impossible to distinguish them, but the letters Spell out KLUE, as is customary in his pieces… I will get caught out one day, I’m sure, when they spell something else. There is something that is very pleasing on the eye about this piece, and a version of it would not be out of place in an art gallery or hung on a wall. Fabulous work from Mr Klue.

5927. St Werburghs tunnel (416)

Mr Draws, St Werburghs, Bristol, March 2024
Mr Draws, St Werburghs, Bristol, March 2024

I haven’t been posting nearly enough pieces by Mr Draws as I ought to have done, especially as I consider him to be one of a small band of artists who represent the beating heart of the Bristol street art scene. My archive is full of unposted work by Mr Draws, and I might have to do a trawl and put them all into one post.

Mr Draws, St Werburghs, Bristol, March 2024
Mr Draws, St Werburghs, Bristol, March 2024

This recent piece from the tunnel is really typical of his work. Some nice big letters, filled with a camouflage pattern and colour palette bounded by a thin yellow border. There are some nice white highlights with drips for good measure. A cracking piece from an artist who just keeps on plugging away.

5918. St Werburghs tunnel (415)

Stivs, St Werburghs, Bristol, February 2024
Stivs, St Werburghs, Bristol, February 2024

The turnout for Ryder’s paint jam in the tunnel at the end of February was impressive, so much so, that I am way behind with posting many of the pieces, and some will inevitably get left behind in my archive. I felt it important to post this beauty from Stivs though, as it is a really great piece of calligraffiti writing.

Stivs, St Werburghs, Bristol, February 2024
Stivs, St Werburghs, Bristol, February 2024

This piece reverts to Stivs’ former letters which spell ‘KRAP’ or some variant of it. What is nice about this piece is that he has matched the colours with the Inkie piece from the same paint jam, which I posted a little while back. Set on a starry background, this is yet another classy piece from Stivs.

5899. St Werburghs tunnel (414)

Jest Soubriquet, St Werburghs, Bristol, February 2024
Jest Soubriquet, St Werburghs, Bristol, February 2024

I am not sure whether this wonderful portrait piece by Jest Soubriquet was painted as part of Ryder’s RAW paint jam, or was simply painted at the same time (update – it was painted as part of the paint jam). Either way, it brightened up my day, because it is always a bit of a thrill to see new or visiting artists enjoying their passion in Bristol.

Jest Soubriquet, St Werburghs, Bristol, February 2024
Jest Soubriquet, St Werburghs, Bristol, February 2024

By the look of it Jest dropped a couple of pieces in Bristol while visiting, but I have struggled to find out where he is based. The portrait piece in the tunnel is beautifully painted and unusual in its incorporation of striking colours, which, whilst disruptive, somehow manage to carve out the features and depth in the face. Very clever stuff. It would be nice to think that Jest will return to Bristol and decorate a few more walls for us.

5895. St Werburghs tunnel (413)

Inkie, St Werburghs, Bristol, February 2024
Inkie, St Werburghs, Bristol, February 2024

With this piece in St Werburghs tunnel, Inkie demonstrates his versatility, and shows that he can paint way outside his ‘house’ style that is so familiar to folk in Bristol. This piece was painted during the incredibly well attended February paint jam organised by Ryder.

Inkie, St Werburghs, Bristol, February 2024
Inkie, St Werburghs, Bristol, February 2024

Inkie has painted something of a tribute to Galaxian, a computer game from 1979 that could be found in pretty much every pub or arcade in the early 1980s usually alongside Asteroids. The INKIE letters have been painted in the Galaxian brand style, and he has included rows of spaceships in formation. This is a wonderfully painted piece of ’80s nostalgia, which would have resonated with most of the other artists who participated in the paint jam.

5891. St Werburghs tunnel (412)

Rowdy, St Werburghs, Bristol, February 2024
Rowdy, St Werburghs, Bristol, February 2024

Although he doesn’t paint all that often these days, Rowdy is responsible for some of the most iconic street art in Bristol. His crude pieces, often featuring his trademark crocodile, have been a mainstay of the Bristol scene for decades. He painted this small piece during Ryder’s RAW paint jam a couple of weeks back.

Rowdy, St Werburghs, Bristol, February 2024
Rowdy, St Werburghs, Bristol, February 2024

In this piece, Rowdy has painted a masked cat character hovering above a vibrant nigh time urban scene. There is an energy to the piece and a hint of subversion which I like. Of course a vertical green crocodile is in attendance. Of course, as is common in many works in the city at the moment, it is accompanied with the words ‘Free Palestine’. It is always a pleasure to see anything by Rowdy.

5882. St Werburghs tunnel (411)

Haka, St Werburghs, Bristol, February 2024
Haka, St Werburghs, Bristol, February 2024

I was fortunate yesterday in being in the right place at the right time and bumped into Inkie, Sepr and Haka who were painting a wall alongside the M32, I think with some links to St Patrick’s Day, or at least that is what Inkie implied. I managed to have a quick chat with Haka who continues to smash it with his writing/character combination pieces, heavily influenced by the picture books in his household.

Haka, St Werburghs, Bristol, February 2024
Haka, St Werburghs, Bristol, February 2024

This wonderful piece, painted as part of Ryder’s RAW paint jam, features The Very Busy Spider, created by Eric Carle (author and illustrator of The Hungry Caterpillar).Bookended by the letters HA-KA, the spider is waiting patiently in its web, faithful to the style of the illustrator. A fun piece that sadly didn’t last very long.

5877. St Werburghs tunnel (410)

Lokey, St Werburghs, Bristol, February 2024
Lokey, St Werburghs, Bristol, February 2024

A couple of weeks ago, Ryder organised a massive Read and Weep (RAW) paint jam in St Werburghs tunnel, drawing artists from Bristol and beyond, to congregate in the darkness and damp and produce some amazing art in a party atmosphere. One of the artists, who doesn’t paint nearly often enough, was Lokey.

Lokey, St Werburghs, Bristol, February 2024
Lokey, St Werburghs, Bristol, February 2024

Lokey has a special place in Bristol graffiti writing, because, other than Zase perhaps, he is the only artist who paints his letters in an anamorphic style. Anamorphic in this sense means that the letters appear to stand out from the wall, almost as if you are looking through 3D glasses. It is on the same spectrum of art as trompe l’oeil, designed to deceive and confuse the eye. Clever stuff, and always very welcome.