7558. M32 roundabout J2 (16)

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

Another fine stencil from the ever-expanding gallery of work by John D’oh under the M32. This little spot is a haven of wit, pathos, observation and political commentary captured within the artist’s simple and authentic style.

John D'oh, M32 roundabout J2, Bristol, March 2026

In this piece John D’oh highlights the pleasure and mental health benefits derived by artists from painting on the streets (a very real thing), while commenting on the futility of  Bristol City Council putting those serving community service to work on buffing the walls of popular graffiti spots. A great observation of his own craft and responses to it.

7550. M32 Roundabout J2 (15)

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

This is another wonderful stencil piece by John D’oh, underneath the M32 in what he has made into a bit of a personal gallery. This simple, playful piece is packed with humour and wordplay.

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

A gorilla is featured alongside a banana which has a bit of tape over it, to give the illusion that a real banana is attached to the column.The words ‘guerilla street art is better than a grey wall’ mess with the homonym ‘guerilla and gorilla’. Fun stuff nicely executed.

7532. M32 roundabout J2 (13)

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

In a world filled with terrifying and depressing headlines, it is refreshing to be able to enjoy a moment of lighthearted humour, and this lovely column piece by John D’oh under the M32 is just what the doctor ordered.

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

How often have we heard that ‘love is just around the corner’? Well, John D’oh takes the saying literally with this two-part stencil. A simple and clever piece that would bring a smile to even the most cold-hearted viewer. Just another piece in a superb ‘gallery’ of John D’oh’s work under the M32 adjacent to Eastville Park.

7526. M32 roundabout J2 (12)

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

This is an absolute beauty from John D’oh in amongst the treasure trove of column stencils under the M32. There is no overt political commentary as far as I can see, although meanings can be read into almost anything if you put your mind to it.

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

A cloaked woman is holding out a lamp, which is attracting some moths over her gently extended hand. This is actually a three-colour stencil, with a very subtle yellow white colour used in the lamp, and blended onto the woman’s arm and cloak. This is really nice work from John D’oh and rather touching. It demonstrates that sometimes overcomplicating things isn’t needed to create something beautiful and meaningful.

7522. M32 roundabout J2 (11)

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

After what feels like a lengthy absence, John D’oh has been hitting a particular area of Bristol pretty hard recently and making it his own. There is a large area of supporting columns under the M32 north of J2 on the motorway and adjacent to Eastville Park to it’s east, and this is where he has established a veritable gallery of his stencil work.

John D'oh, M32 roundabout J2, Bristol, March 2026
John D’oh, M32 roundabout J2, Bristol, March 2026

John D’oh’s work, often painted in single layer stencils (one colour), usually blends humour with political commentary, and even adds a sprinkling of pathos from time to time. He is never one to shrink away from the big discussion points of the day as you can see in this piece depicting the shredding of important files by the Trump administration. As an aside, I find it unfathomable that the MAGA cult still worship this man in spite of his obvious and overt disregard for everyone and everything, especially his blind followers. Watch this space for a rush of wonderful John D’oh stencils from this spot.

7510. Surbiton Station, London

Paul Don Smith, Surbiton Station, London, February 2026
Paul Don Smith, Surbiton Station, London, February 2026

This is the last of three pieces by Paul Don Smith, that I found at this spot just outside Surbiton Station. I am guessing that the artist favours this spot, perhaps because he is local, or maybe the wall panels favour his square presentation.

Paul Don Smith, Surbiton Station, London, February 2026
Paul Don Smith, Surbiton Station, London, February 2026

Each of his pieces have features popular culture icons, and this one celebrates the hit TV series from South Korea ‘Squid Game’. Paul Don Smith combines his stencils with general spray paint, that softens any hard edges, in a sort of collage presentation. Very nice work, and I’ll be looking out for his stuff the next time I go to any London street art hotspots.

7478. Surbiton Station, London

Paul Don Smith, Surbiton Station, London, February 2026
Paul Don Smith, Surbiton Station, London, February 2026

This is another piece from the surprise wall at Surbiton Station, this time one of three pieces by the artist Paul Don Smith. I know nothing about the artist, but from what I see, it looks like he likes to paint scenes in a collage style from television shows or films.

Paul Don Smith, Surbiton Station, London, February 2026
Paul Don Smith, Surbiton Station, London, February 2026

Paul Don Smith has chosen to feature Edward Scissorhands in this square piece, creating scenes and images from the film, including a nicely trimmed hedge and plenty of pairs of scissors. The artwork is a fusion of stencils and paintwork. It is difficult to know how much is brush work and how much is spray paint, but the overall effect seems to work and is quite unique. More to come from Paul Don Smith.

7166. Brunel Way (355)

RA, Brunel Way, Bristol, July 2025
RA, Brunel Way, Bristol, July 2025

I am a little bit short on time for today’s posts, so this is going to be a quick one. I think that this might be the last piece in a delightful display of stencils painted by RA on a visit to Bristol, probably in July, on the columns under Brunel Way.

RA, Brunel Way, Bristol, July 2025
RA, Brunel Way, Bristol, July 2025

This incredible spider piece might not be everyone’s cup of tea, but it has style and impact through its design and powerful red and black colour selection. It would be great to welcome RA back to Bristol sometime.

7145. Brunel Way (332)

RA, Brunel Way, Bristol, July 2025
RA, Brunel Way, Bristol, July 2025

RA, if that is indeed his/her name, came to Bristol and left behind four or five beautiful insect stencil pieces, which are right up my street combining my love of nature with my interest in street art.

RA, Brunel Way, Bristol, July 2025
RA, Brunel Way, Bristol, July 2025

I am not quite sure if this particular beast is a beetle (I can’t see any wing covers) or something like an ant. It certainly has the right components; six legs, a head, abdomen and thorax and what I imagine to be a compound eye, of an insect. The colours RA has used to decorate the insect are striking and help the piece to stand out on the grey-buffed column. Lovely work.

7101. Brunel Way (329)

RA, Brunel Way, Bristol, July 2025
RA, Brunel Way, Bristol, July 2025

This is a gorgeous column piece under Brunel Way, from visiting artist RA. Several wonderful pieces were deposited by the artist, all in the same area, and each of which really appeal to me. Anything to do with nature, and in particular insects, is going to grab my attention.

RA, Brunel Way, Bristol, July 2025
RA, Brunel Way, Bristol, July 2025

In this strip, RA has used a stencil of an insect and overlaid it three times on a tall rectangle of lime green, which works perfectly for the dimensions of a column. The detail within each of the insects has been hand painted, probably using a Posca pen for the finer detail. The pink and green colours draw attention to the piece on a grey background. Very effective and quite different.