A time for clowns

.

Too much to endure

quite incomprehensible

four more years of pain?

.

by Scooj

– Written before the final result of the Biden/Trump election, fingers tightly crossed. A Trump win will give Boris succour and further self-belief, on the other hand a Biden win will come as a huge wake up call for Boris and his populist cronies.

Stormtroopers

.

‘You are warriors’

the language of a despot

rallying his troops
.

by Scooj

 

* Over the last two weeks, my wife, daughter and I have watched all 11 of the Star Wars movies at my daughter’s request. It has been a real pleasure and a great way to spend our evenings.

The basic plot is good versus evil. What stands out are the parallels with our current times. The Empire presided over by ruthless self-interest in the shape of Trump, Johnson, Bolsonaro, Putin, Assad, Kim and others, against the rebellion in the shape of Black Lives Matter, Greta Thunberg, science, medicine, law, faith and humanity. I wonder how the despots would cast themselves in the Star Wars analogy.

 

1790. Upfest 2018 (66)

Often humorous and always tinged with a bit of edge, John D’oh’s stencils can be found on walls all around Bristol (and Cheltenham) and of course at Upfest. This year’s ‘official’ piece was a double-header, the first part of which was a witty corruption of the Infinite Monkey Theory.

John D'oh, Upfest, Bristol, July 2018
John D’oh, Upfest, Bristol, July 2018

The second board is another pithy pop at Brexit, featuring Noel Edmond’s Deal or no Deal as its headline. I absolutely love these topical political stencils, and look forward to his injects about the place.

Street art and Graffiti, John D'oh, Bristol, October 2018
Street art and Graffiti, John D’oh, Bristol, October 2018

Coincidentally, his new book arrived yesterday and I can’t recommend highly it enough, it is one of the best graffiti/street art books that I have read in a while, intelligently written and full of photographs and commentary on his own work. Brilliant.

1119. The Bearpit (105)

This is the second of two wonderful pieces by Christian Hooker in The Bearpit which add a breath of fresh air to the place. It is a poster-sized paste up, with the same basic Trump design as the other piece I posted but the adornments are different.

Christian Hooker, The Bearpit, Bristol, October 2017
Christian Hooker, The Bearpit, Bristol, October 2017

There is something about this, the image, the colours and the subversive nature of the whole that I really like. As I said in my last post, it is a pity I didn’t see any of his work in New York. Maybe next time.

Christian Hooker, The Bearpit, Bristol, October 2017
Christian Hooker, The Bearpit, Bristol, October 2017

1105. The Bearpit (103)

Without doubt, this is one of my favourite pieces of recent weeks. Bright and garish, I first saw this when driving around The Bearpit roundabout, and made a mental note to take a closer look next time I walked into work. Fortunately this large wheatpaste was still there, and I was able to look at it more carefully and find out who it was by.

Christian Hooker, The Bearpit, Bristol, October 2017
Christian Hooker, The Bearpit, Bristol, October 2017

The artist is Christian Hooker who judging from his Instagram account handle is from New York (@nychooker). Quite what he was doing here I don’t know but I am really pleased that he visited the city and even more pleased that he left us a couple of gifts.

Christian Hooker, The Bearpit, Bristol, October 2017
Christian Hooker, The Bearpit, Bristol, October 2017

The pasteup itself is mocking Trump (I guess) and he posted it on Instagram under the heading ‘subvertising’ which is a term new to me, but I really rather like it. It is, a little like Lemak’s work, a stencil piece that has been printed off and pasted up. I simply love it. Having just visited NYC, I was a little disappointed not to see any of his work. Maybe next time.