4063. Brunel Way (132)

I knew about this piece, by Lemak, a long time ago, but never actually knew exactly where it was. I never found out at the time and then forgot it had even existed, so I was super happy to find it a week or two back, and although it has been a bit tagged, the quality of the piece shines through.

Lemak, Brunel Way, Bristol, November 2021
Lemak, Brunel Way, Bristol, November 2021

Lemak is an artist who spends a lot of time in his studio, but occasionally he treats us with one of his highly complex multi-layered stencils on the streets. I’ve not seen anything new since lock down, but that doesn’t mean to say there hasn’t been anything.

This piece, on the Greville Smyth Park side of Brunel Way was painted way back in April 2019 and features Daddy’s Lil Monster, Harley Quinn, a DC comics character. Superb work from a superb artist.

4054. Princess Street (4), Burnham-on-Sea

You will be seeing a lot of work by John D’oh on Natural Adventures over the coming weeks, for which I make no apology. I love his stencils and the contemporary commentary accompanying them that give us a sense of time and place, important for chronicling our political and societal landscape.

John D'oh, Princess Street, Burnham-on-Sea, September 2021
John D’oh, Princess Street, Burnham-on-Sea, September 2021

This piece in Burnham-on-Sea was painted a little while back, but seems so very timely, and the message is clear, it is just such a shame that we need reminding. Greta, behind the mask, has been instrumental in galvanising the popular discourse on climate change and I’m sure she will not stop now. If anything the hard work of putting pressure on governments, and holding them to account, begins now.

4038. Purdown HAA Battery (38)

A timely commentary piece from John D’oh, that is rightly sceptical about our ability to face up to the challenges of climate change, when we can’t even keep our rivers clean. As somebody who has spent more than half my working life on protecting rivers and river-based recreation, it is a pity that our rivers are still subjected to the most terrible pollution, but on the other hand, we must recognise the huge improvements that have occurred since the 1980s when Britain was referred to as the ‘dirty man of Europe’. I fear, for a host of reasons, that the  phrase may once again be used to describe our nation as we continue to prioritise company profits over environmental outcomes.

John D'oh, Purdown Battery, Bristol, October 2021
John D’oh, Purdown Battery, Bristol, October 2021

The single-layer stencil from John D’oh features Brian Cox (I think) pondering whether “COP26 is going to be like our rivers… full of shit”. I sincerely hope not, and we must all rally round this conference as best we can to push forward better outcomes for our planet. The hard work begins now, and it will be up to citizens to demand more from their governments, but also to take personal responsibility for modifying their own behaviours. Less talk, more doing.

A thought-provoking stencil piece – thank you, John D’oh.

4012. Princess Street (2), Burnham-on-Sea

John D’oh is an artist whose work I have enjoyed enormously over the years, but I simply don’t see his work all that often as he tends to scatter it around the West of England and often in places I don’t visit often. Well Burnham-on-Sea is a bit of a John D’oh goldmine, so this is the first of several posts of his work from this sleepy town.

John D'oh, Princess Street, Burnham-on-Sea, September 2021
John D’oh, Princess Street, Burnham-on-Sea, September 2021

This is a typical single-layer stencil from John D’oh that is humorous with strong undertones of seriousness. His work often features political satire, and he is definitely a visual commentator, chronicler and observer of our time. Here though the simple message is illustrated with a mildly macabre scene, and one that many cat owners will be all too familiar with. It was great to find this and several other pieces on my trip to the coast.

4003. Walliscote Road (1), Weston-super-Mare

I will never quite understand why some artists never have as high a profile on Natural Adventures as they deserve, this is even more puzzling when those artists are as talented and creative as I bee W. I have several of his pieces in my archive simply waiting to be posted, but they are trapped. I wasn’t going to let that happen with this wonderful stencil piece in Weston-super-Mare

I bee W, Walliscote Road, Weston-super-Mare, September 2021
I bee W, Walliscote Road, Weston-super-Mare, September 2021

The stencil is unusual, because it features a nude figure which is very unusual in UK street art. Maybe we were prudish or something, but nude art is rarely seen. The complex, multi-layered stencil is typical of the excellent work we see from I bee W, and has a sense of optimism and freedom about it. I will be unearthing more work from this fabulous stencil artist.

3969. Victoria Square, Weston-super-Mare

This is a stunning stencil by an artist to whom I owe my interest in street art, alongside Kid Crayon, Face 1st and Mr Draws; it is of course the unmistakable (apart from those that confuse him with Banksy) JPS, who grew up in Weston-super-Mare but now lives on the continent.

JPS, Victoria Square, Weston-super-Mare, September 2021
JPS, Victoria Square, Weston-super-Mare, September 2021

On the side wall of a café, looking out to sea, is this young girl complete with a camera, snapping up the views of the Pier and Severn Estuary. Her patterned dress is particularly nicely done in this sharp multi-layer stencil.

JPS, Victoria Square, Weston-super-Mare, September 2021
JPS, Victoria Square, Weston-super-Mare, September 2021

On my walk around the town I met an old lady who lives two doors down from where JPS grew up, and she said what a lovely boy he was and was obviously very proud of his art and talent, she seemed very knowledgeable about the new pieces in town and was utterly engaged with the street art scene, so good to see. JPS has played no small part in influencing these positive attitudes. Lots more from JPS to come.

3912. Upfest 2021 75×75 (53)

I met Karl Read at the Cheltenham Paint Festival last year, and what a very nice bloke he is too. He is an artist who appears to enjoy painting at festivals, and he has certainly been to several Upfest events in the past, this is his 75 walls in 75 days contribution.

Karl Read, North Street, Bristol, August 2021, Upfest 21
Karl Read, North Street, Bristol, August 2021, Upfest 21

This is a superb bright and vibrant piece that makes great use of this slightly awkward wall. The message, in large colourful letters, is clear for all to see and will resonate with all but the most miserable people. Karl Read has chosen to paint his characters, a boy and a girl at each end of the letters, in black and white, probably using a stencil. The characters contrast beautifully with the letters and somehow bring out the colour even more. An upbeat and positive piece from the Upfest veteran.

3803. Park Road

Finding pieces you were not looking for is probably the most rewarding part of photographing street art, and with the 75 walls in 75 days event being held by Upfest, I am having to explore a little bit more of Bedminster and in doing so I stumbled upon this wonderful stencil piece from Stewy.

Stewy, Park Road, Bristol, June 2021
Stewy, Park Road, Bristol, June 2021

The stencil is part of a local icon series and features Ken who is something of a character and legend in the neighbourhood. Bristol, like so many towns and cities, seems to have a great many local characters, bringing colour to the city. Stewy’s work is pretty much always a single-layer stencil, and counterintuitively is probably more difficult to portray depth and detail than multi-layered stencils. This is a skilfully crafted and most excellent piece.

3664. Greville Road (12)

One of the notable things about Stewy is that he skulks around, a little bit like the fox depicted in this stencil, without fanfare or pomp and with great modesty leaves us with some beautiful and lasting art to enjoy. Stewy selects his spots very carefully and few if any get tagged or over-painted because of where they are.

Stewy, Greville Road, Bristol, March 2021
Stewy, Greville Road, Bristol, March 2021

Stewy is a well known artist who gets a lot of commissions, and alongside his animal work, he is famous for his stencils of well-known people such as pop stars, politicians and other notable figures. In this gorgeous piece he has painted a fabulous Bristol fox in this three-layer stencil. This fox might have been there forever, or might be relatively recent, but that is the thing with Stewy, it is hard to know sometimes.

3580. M32 Spot (110)

I have only managed to capture a fraction of the Recent John D’oh stencils as he tends to spray them at spots I don’t visit too often (something better change). The last time I looked at this column there was a Pekoe sketch, so I know that this stencil isn’t very old.

John D'oh, M32 Spot, Bristol, March 2021
John D’oh, M32 Spot, Bristol, March 2021

As we are accustomed to seeing, John D’oh once again combines his political commentary with humour in this case ridiculing Rishi Sunak for his astounding 1% pay increase for nurses after all they have done and achieved for the nation in the last year. Yet another jaw-dropping moment from this ‘compassionate’ administration. At this moment I ought to say that it is not only nurses. As someone who works in the public sector, I have been on the wrong end of a pay freeze for ten years which was lifted last year and I received a 2% rise, but we are now back to a pay freeze. Meanwhile MPs and bankers (the architects of the banking crisis) have seen their salaries increase very nicely thank you. Respect to John D’oh for calling out these people.