Thursday doors – 11 December 2025 – Marrakesh doors, the Tanneries

Doors 336 – Doors of Marrakesh, the Tanneries, Morocco, January 2025 (Part XVI)

Good morning all – a slightly longer read this morning – if you don’t have time, feel free to jump straight to the doors below.

Towards the end of our stay in Marrakesh, my wife and daughter decided to treat themselves to some pampering in the hotel spa. Of course, I am far too rugged and manly for such things, and decided to go for a random walk through the souk markets in the Medina. I possibly bit off more than I could chew.

It took me about twenty minutes to get to the souks from our riad hotel in the south of the city, along roads and lanes that we had become quite familiar with during our stay. Once in the souks, though, it was a different matter. Navigating these narrow covered streets filled with tourists, mopeds, donkeys pulling carts and a million things to look at in the shops and stalls, can be challenging and bewildering to say the least. After about an hour of aimless meanderings, I became a little peckish and got it into my head that I wanted a crêpe pancake from a street seller. Surely a former French colony would have such a thing, although I hadn’t seen one since we arrived in the country.

It was something of a small miracle that I found exactly what I was looking for, a small stall, and so I ordered a lemon crêpe from a nice lady working two heated rings behind a Perspex screen. When it was ready, I took my treat to a small triangular open area away from the bustling crowds to eat it in relative peace. Almost immediately, a man came out of a doorway next to where I was standing and struck up a conversation. He asked me if I was heading to the tanneries, as it was the last day of a Berber festival, and it would be well worth a visit. I said that I might wander over there, and asked if he could point me in the right direction.

While he was explaining the route I should take, he spotted an acquaintance on a moped passing by. He called over to his ‘friend’ and asked if he wouldn’t mind leading me to the Tanneries if he was going that way. The young man said it would be no problem and walked alongside his moped, gesturing for me to follow him through the pulsing crowds of the souk. After a minute or two, he suggested I jump on the back of the scooter, as we could get there much quicker than walking. In for a penny, in for a pound I thought, so I duly joined him as his pillion passenger.

This episode was completely out of character for me, as I am usually quite cautious about such things. I imagine the spectacle was quite hilarious… a middle-aged Englishman wearing a green ‘Tilly’ sun hat, holding a crêpe in one hand and hanging on for dear life to a man he had met only minutes before with the other, perched on the back of a scooter, weaving through the crowds of the souks. The hair-raising journey took a few minutes, but knocked years off my life.

We eventually pulled up outside the Tanneries in the far north of the Medina, to my great relief. I had survived the first part of this adventure. Of course, there was no Berber festival, and I was beginning to sense that this might have been a bit of a ruse.

Next up, the young man led me into the Tanneries, looking for his ‘uncle’ who was a worker there who could show me round. A rather haggard old man showed up and took over from his ‘nephew’, who scooted off into the dusty streets. The old man waved me along and handed me a bunch of mint to help with the terrible smells of the Tanneries. As someone who worked on a fishing boat for a year, potent smells like that don’t particularly bother me, but I accepted the kind gesture.

The tour party consisted of him and me… no entry fee, no turnstile. I have to say I found this ancient place fascinating. There were dozens of pits filled with different agents – the only one I remember was the ‘pigeon poo’ which my guide took great pleasure in saying many times over. Thousands of animal hides were at different stages in the process of tanning – it looked like a complete mess to me, but I guess that there was a method going on that had been practiced over centuries. The guide was most obliging and informative and let me take as many pictures from various vantage points as I wanted.

The catch.

After the tour, I was ready to work out my route home, but the old man ushered me along a street and into ‘the gift shop’. I was welcomed into a leather emporium by a rather large and cheerful fellow who urged me to take my time looking at the leather goods. At this point I realised what this whole surreal adventure was a tried and tested ‘scam’ to get people to buy authentic leather goods at extortionate prices.

I milled about the place, without any intention of buying anything at all. The shopkeeper became a little bit more pushy, suggesting all sorts of things I might want. I spotted some belts on a rack, I had actually been looking for a belt, and asked about the prices. The shopkeeper’s opening offer was insane, so I thought about what I’d pay for such a belt in the UK. I suggested my price, he said a price about four times my price.

This conversation was doomed, as I wasn’t going to budge, and I think we both sensed it. I stated for a final time my offer, which proved to be a turning point. The shopkeeper became angry and rude and told me to get out of the shop, an outcome I wasn’t bothered about, but his rudeness was quite unlike anything we had experienced throughout our time in Marrakesh.

As if that wasn’t bad enough, the Tanneries guide was waiting for me outside and demanding payment for the tour. I figured that I had received a tour for free, so offered him what I considered to be a fair price. Of course, he complained and said that he had to pay fees to some kind of consortium. I told him that was all he was getting. He cursed, followed me for a bit, and then returned to the Tanneries for his next sucker.

Getting back to the hotel on foot took well over an hour, and I photographed a few doors en route, reflecting on the crazy adventure I had had.

I have since read on Trip Advisor that this is a well known scam, and the average rating for a trip to the Tanneries is little over one star. To be honest I had a great experience, not entirely comfortable, but something I could never have planned… a fluid, exciting, unexpected adventure and I wouldn’t have missed it for the world.

Enjoy finding some doors in these Tanneries photographs:

Banner for the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Banner for the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Tanning pits doors and a foreman's shelter, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Tanning pits doors and a foreman’s shelter, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Tanning pits doors and a donkey, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Tanning pits doors and a donkey, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides for tanning, workers and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides for tanning, workers and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides for tanning, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides for tanning, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides and carpets covering tanning pits and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides and carpets covering tanning pits and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides and carpets covering tanning pits and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Hides and carpets covering tanning pits and some doors, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Is there any order in the chaos? Can you spot the chickens?, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Is there any order in the chaos? Can you spot the chickens?, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Pits, hides and carpets, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Pits, hides and carpets, the Tanneries, Rue Errachidia, Marrakesh, Morocco, January 2025
Steps door and a moped, Zankat Sidi Soussane, Marrakesh, Morocco, January 2025
Steps door and a moped, Zankat Sidi Soussane, Marrakesh, Morocco, January 2025
Four-fold iron door, Zankat Sidi Soussane, Marrakesh, Morocco, January 2025
Four-fold iron door, Zankat Sidi Soussane, Marrakesh, Morocco, January 2025
Three different wooden doors, Taoialety Issebtiyenne, Marrakesh, Morocco, January 2025
Three different wooden doors, Taoialety Issebtiyenne, Marrakesh, Morocco, January 2025
Door within a door of a derelict building, Rue Ben Saleh Marrakesh, Morocco, January 2025
Door within a door of a derelict building, Rue Ben Saleh Marrakesh, Morocco, January 2025

I hope you enjoyed the mini-adventure as much as I did, and perhaps if you clutch a sprig of mint, you might sense the masking effect of the other smells around you. Next time it’s off to a Madrassa.

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s weekly Thursday Doors post and his Sunday recap.

Story updated

Three little pigs, St Werburghs City Farm, Bristol, April 2025
Three little pigs, St Werburghs City Farm, Bristol, April 2025

.

Three little piggies

curious to find out more

the dog sniffs the air…

.

by Scooj

  • we have no wolves.

6675. Greenbank (147)

Daz Cat, Greenbank, Bristol, January 2025
Daz Cat, Greenbank, Bristol, January 2025

A few years ago, Daz Cat was painting charming cat portraits, but compared to the pieces he is turning out today, they were flat and unsophisticated and his work since then has elevated several levels. He is now turning out complex pieces that tell stories and have amazing depth to them.

Daz Cat, Greenbank, Bristol, January 2025
Daz Cat, Greenbank, Bristol, January 2025

This cat with ginger hair and plenty of attitude contains so many interesting features and details. I love the wristwatch and the zip on the tracksuit top, small things that add so much to the story. Also interesting is the creative border, which, rather than being a solid black line, is a dynamic red interface between the character and the background. A very nice piece from Daz Cat.

6180. M32 roundabout J3 (596)

Zeks, M32 roundabout, Bristol, April 2024
Zeks, M32 roundabout, Bristol, April 2024

There is something really charming about Zeks’ work that makes it accessible and enjoyable. I don’t quite know how he achieves it, but perhaps it is the naive graffiti writing style that makes it so welcoming, and in this piece there is a kind of narrative around the letters.

Zeks, M32 roundabout, Bristol, April 2024
Zeks, M32 roundabout, Bristol, April 2024

The stylised letters spelling ZEKS form the core of the piece, and the story unfolds around that core. It almost feels like a travel diary, with houses, snow-capped mountains and octopus tentacles all featured. The design of the houses have a South American appearance – it would be great to know the backstory to this one. More from Zeks to come.

6054. Greenbank (119)

Misery, Greenbank, Bristol, February 2024
Misery, Greenbank, Bristol, February 2024

You might be able to tell that I have been doing a little digging through my archive, which I do from time to time, to pull out some pieces that deserve to be posted, but were squeezed out because of the sheer volume of new work appearing on the streets of Bristol every day. This beauty from Misery is a good example of what I mean.

Misery, Greenbank, Bristol, February 2024
Misery, Greenbank, Bristol, February 2024

I am more used to seeing tags from Misery, and because of that, this is the first piece I have featured on Natural Adventures, not because I don’t like tags, but because they have to compete with all the other street and graffiti art. This piece looks like an aggregation of tags on a simple white background, along with the word misery repeated, and it appears that there is a bit of a story board going on, but I am not too sure what it is telling us. I hope that this will free me up to start posting aggregations of his tags at some point, We’ll have to wait and see. A nice debut on this blog.

5714. Brunel Way (250)

Sako, Brunel Way, Bristol, November 2023
Sako, Brunel Way, Bristol, November 2023

Although Sako has only painted a handful of pieces in Bristol, they have not gone unnoticed. His colour selection alone gives his work away, often opting for a magenta character, with blues and greens augmenting his work.

Sako, Brunel Way, Bristol, November 2023
Sako, Brunel Way, Bristol, November 2023

Originally from the Basque Country, it would seem that Sako has settled in Bristol for the last year or so. His mystical work seems to be centred around storytelling and mythology. In this piece, his female character appears to be bridging the space between the land and the sky. The urban landscape is represented with the blue circle, with a green mountain backdrop completing the scene. Although he painted this piece alone, Sako often paints alongside Zake and other PWA crew members. Great stuff, rather understated and modest. Time to hit a more prominent wall, I think.

Tree

.

Beneath cooling leaves

we have time to chew the fat

tell me your stories

.

by Scooj

4430. Greenbank (35)

Pretty much my favourite collaborations are those between Billy and Merny, their naive styles complement each other so well and they both tell fabulous stories with their paintings. This collaborative wall was painted a couple of weeks ago.

Billy, Greenbank, Bristol, April 2022
Billy, Greenbank, Bristol, April 2022

To the left, as is usually the case with their collaborations, is Billy’s piece, that claims ‘it used to be different here’. It would appear that the piece is a commentary on the huge development that is going on on the other side of the hoardings. The woman in a strawberry dress, overlooking a new housing development, has the look of a Dick Bruna character, the artist who created Miffy the rabbit. Everything about this piece is perfect… the story, the artwork and the location.

Merny, Greenbank, Bristol, April 2022
Merny, Greenbank, Bristol, April 2022

To the right of Billy’s piece is a rather bleak message from Merny in which a man, perhaps a teacher, is pointing at words on a board that read ‘no one cares’. I would suggest that maybe this is a reflection of the troubled times we live in where we have  an inept and out of touch government that is looking after the interests of the wealthy. The signature numbered labels create interest and humour to the piece.

Billy and Merny, Greenbank, Bristol, April 2022
Billy and Merny, Greenbank, Bristol, April 2022

What a fabulous collaboration from these two. I was pleased to get photographs as often their pieces don’t last long, which is both irritation and disrespectful.

3227. St Werburghs tunnel (193)

This is one of two walls, that happen to be opposite each other at the entrance to St Werburghs tunnel, by Billy, while painting together with her buddy Morny. Billy’s pieces (she is called @billycolours on Instagram) are always brightly coloured and have a child-like simplicity to them.

Billy, St Werburghs, Bristol, September 2020
Billy, St Werburghs, Bristol, September 2020

This fabulous mural shows a figure in bed, presumably looking up at a mobile of planets, with a thought bubble and the words Wake Up! The piece tells a really simple story in a clean and clear way – Billy has a gift for this kinnd of story, and it shows tht you don’t need deep sophistication to get a message across. A bright and cheerful addition to the tunnel. Sadly this piece only lasted a few days before being bombed with rather inferior throw ups.

918. The Bearpit (80)

Another Bearpit piece from the effervescent J. Dior. His child-like style is one of the most recognisable in Bristol, and his work usually seems to tell a story, although the story is often somewhat difficult to unravel.

J. Dior, The Bearpit, Bristol, July 2017
J. Dior, The Bearpit, Bristol, July 2017

I understand the J. Dior is an Italian artist, or so I am told, and that he is rather absorbed in his own space. I have not yet met him, but given the frequency that both of us are in The Bearpit, it is just a matter of time.

I think that J. Dior divides opinion. Some see him as a rather poor artist taking up decent wall space, others see his work as innovative and fresh. For me, the jury is out for a while, but I am drawn to his story telling.