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Yey, the sky is blue
so make hay while the sun shines
time in the garden
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by Scooj
Tag: Sun
5853. Brunel Way (257)
From the first time I saw his work, I have always liked the originality shown by Creamylines, and finding this piece on one of the columns under Brunel Way recently was a special surprise. There is a basic formula to many of Creamylines’ pieces that includes a sun with rays sitting over a landscape scene divided up by black lines.
I am always reminded of stained-glass windows when I see these pieces, for obvious reasons, and there is a calm, tranquil quality to the work – you can almost hear the cries of seagulls in the air. Another aspect of this piece is the suggested faces that emerge through the piece, adding another layer of interest. A great column piece from Creamylines.
5686. Leonard Lane (44)
The second of three pieces painted recently by Creamylines in Leonard Lane is, of course, a fabulous landscape with sun rays and clouds. The space that he has chosen to paint is quite small, and so the black lines feel a little more dominant than when he paints larger walls.
Although his work is quite formulaic, no two pieces are identical, and there is some comfort in knowing what you are going to get from Creamylines. It might be interesting to see him tackle a couple of different ideas – perhaps painting in landscape format or painting a different kind of landscape… urban, desert, forest for example. I remain a big fan of his highly original work.
5666. Leonard Lane (41)
Leonard Lane is one of my favourite graffiti spots in Bristol, and it is also one of the first I stumbled upon when I became interested in and noticed things around me in the city. I don’t venture down to the old narrow lane too often, so that when I do make the trip there is always loads of ‘new’ stuff for me to enjoy.
I love Creamylines’ work, it is so very different from anything else we get to enjoy in Bristol. His sunshine scenes depict landscapes both urban and rural with little figures dotted about thee place, and each segment is bordered with a black line akin to the leading in a stained-glass window. It wouldn’t surprise me at all if Creamylines were a stained-glass window designer. One or two faces are also concealed in this happy and uplifting piece. Charming and gentle, great work from Creamylines.
5427. M32 Spot (169)
I thought that Creamylines might have been a bit of a flash in the pan when his pieces tailed off last year, so it was hugely exciting to find this piece recently under the M32. His work lends itself particularly well to columns, although it would probably work equally well in a landscape format.
I like to think of his work as being similar to stained glass, with each element being surrounded by a solid line, like lead around glass. The way the colours work together would also not look out of place in a window with light shining through. As with much of his work, the sun is prominent with rays emanating out across a scene strewn with little characters and eyes. Great stuff from Creamylines.
5370. Peel Street Green (16)
Not long ago, this wall which had a lovely piece by 3Dom, was severely tagged, and so he has returned to re paint it. To be fair that last one had been there for quite some time and a refresh was long overdue.
There is always a lot to like about 3Dom’s work, not only in his brilliant painting skills, but also in the strong messages of peace and equilibrium for our planet and people. A deep thinker who wants the world to be a better place. In this piece, a sun-like character is meditating, perhaps hoping for a bright future. This is yet another stunning piece from one of Bristol’s very best.
5261. M32 Cycle path (218)
Some artists manage to keep themselves very much to themselves, and that is true of most of the PLB crew, including Solar. I have been featuring Solar’s work for a few years, but have never met the artist and have never found out anything about them. That is fine and how some like to keep it, as anonymity is an important part of illegal graffiti and street art.
I like to post pieces by Solar because they are very different to most of the stuff you see from day to day, often writing with thick letters in a blocky style but with an organic feel to them. Solar has gone full-solar on this one, with a sizzling sun-drenched background around the strong white letters. Nice work from an artist slightly underrepresented on Natural Adventures.
Sunburn
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Unfortunately
advice given not taken
wear a hat next time
.
by Scooj
Siesta
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An afternoon rest
avoiding the midday heat
second wind follows
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by Scooj
Ironic
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Escape to the sun
from a great British heatwave
to cooler weather
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by Scooj
Natural adventures 