5040. St Werburghs tunnel (355)

Billy, St Werburghs, Bristol, February 2022
Billy, St Werburghs, Bristol, February 2022

This magnificent piece by Billy is almost exactly a year old, and although it didn’t last long, it is a poignant reminder that Ukraine is not the only country suffering at the hands of Russian aggression. As Billy says to the left of the piece: “‘My home’ Drawing by a boy from Syria in a workshop I once did – Billy”

Billy, St Werburghs, Bristol, February 2022
Billy, St Werburghs, Bristol, February 2022

Billy’s naive style lends itself very well to replicating the work of children. This composition has a clear message that is delivered with utter simplicity. The horror of war on the left, and the green and pleasant place we call home on the right. When thee two forces meet, there tends to be only one winner. This piece could equally well apply to any war zone, but it somehow feels appropriate to post it on the day after the anniversary of the Russian invasion of Ukraine. Thank you, Billy.

1504. The Bearpit (147)

Going back a little way, this piece was created as part of the Spring paint jam in The Bearpit. Giraffiti (loving that) is by the Graft Workshop, an organisation which to my shame I was unaware of, that run graffiti workshops and paint murals in the Bristol area. Graft Workshop are Rob, Sophie and Collette, and I am sure to be finding out more about them in future.

Graft Workshop, The Bearpit, Bristol, April 2018
Graft Workshop, The Bearpit, Bristol, April 2018

The giraffe itself is nicely worked, but I especially like the writing on the bottom right. The main theme of the paint jam is reflected in the piece, with the message don’t bomb Syria – which dates the piece very specifically.

1503. Stokes Croft

I love this wall. It is next to a bus stop in Stokes Croft, and the hoarding was erected about two years ago or more around a building that had been a rather hip bar. For an eternity, it seemed, nobody tagged or sprayed the wall, but slowly the inevitable succession of vandalism and creativity emerged, and the hoarding has become part of the furniture for some of the more adventurous artists. I believe the owner of the site is not overjoyed.

Daz Cat, Stokes Croft, Bristol, April 2018
Daz Cat, Stokes Croft, Bristol, April 2018

This is a nice piece from Daz Cat, who once again presents us with a dog and not a cat although I think it is a very fine dog and not too unlike my own cocker spaniel. Sprayed at the time of Trump and May joining forces to bomb Syria, the message here is loud and clear. Definitely bomb walls not Syria.

Much of the work here is pretty rubbish, but every now and again we get a gem like this one.

1454. The Bearpit (139)

In some parts of British society there has been considerable discomfort and anger directed towards the Government for joining the USA and France in bombing Syria without consutling with Parliament first. Mistakes have been made in the past, particularly over WMD which has suggested a more considered aproach might be necessary. As a result of the bombing, protests have become prominent in all walks of life. This is a graffiti art protest.

Decay, The Bearpit, Bristol, April 2018
Decay, The Bearpit, Bristol, April 2018

Of course the two pieces (I admire his ability to recreate the same image freehand almost exactly) are by Decay, who has been making a deliberate effort to diversify his customary abstract radiating pieces, and this is a good example of something different.

Decay, The Bearpit, Bristol, April 2018
Decay, The Bearpit, Bristol, April 2018

This little character, tinged with rage, conveys the message clearly and inoffensively. These were both sprayed for the Spring paint jam in The Bearpit.