It is good to see that Mr Draws is getting out a bit more again after a comparatively quiet period. This rather low-key piece in St Werburghs tunnel is a nice take on his DRAW lettering, with a reversal of the letter D. This is quite a common effect used by writers but is always fun and effective.
Rather strangely, the subtle colours used here by Mr Draws come out better in my photographs than some of the other more vibrant adjacent pieces. Usually the poor lighting in the tunnel brings out a lot of amber and orange colours, but this piece is mercifully spared from that fate. Mr Draws would seem to be enjoying his wobbly white outline, which he has used in several of his more recent pieces and is rather effective. I guess that getting a good wobbly line is probably as difficult as getting a good straight line.
A view of St Werburghs tunnel that I haven’t shared before, seen from the city farm end. The entrance to the tunnel is guarded by a pair of ‘monolithic’ gurning faces by Atchue, one on either side.
I haven’t seen much from Atchue lately, so to be presented with these two-for-the-price-of-one faces is definitely a bit of a bonus. On the left is one of his more familiar pink pieces, but the one on the right is in magnificent chrome.
The chrome face appears to be in mid gurn and you can almost hear him making a groaning noise. A lovely idea executed brilliantly by Atchue.
It has been rather a long time since I saw anything from Eraze. There was a period when he used to do the odd piece in Dean Lane, but I can’t recall anything there for ages, so it was a nice surprise to see this in St Werburghs tunnel recently.
I am more familiar with his character pieces, but this is a fine bit of writing with bright colours on a black background. I rather like the white edging and the way it cuts into the letters. Altogether a rather uplifting and happy piece.
This was one of so many pieces created during a paint-jam in St Werburghs tunnel a couple of weeks ago. Happily I can report that they are all still there, but with the turnover in the tunnel being quite high I expect that they won’d last much longer. This piece is by Rusk, a RAW stalwart.
I must confess to being slightly troubled by this piece, because there is something about it that just isn’t quite right for me. I hold Rusk in very high regard indeed and in fact in my view he is the most conscientious graffiti writer I have met. I think my problem (and I am really nit-picking here) is with the grey lines across the bottom of the letters, they just don’t appear to match up across the piece. Having said that, I am using Rusk’s own work as a very high benchmark against which to measure. It would take me a hundred years to get this good.
Well here we are again with another colourful piece by Diced Mango in St Werburghs tunnel. I said there would be more from him and I am true to my word. The ends of the tunnel are always hard to photograph because of the encroaching bright light from outside which bleaches half of the picture. I hope that you get a good idea of this in any case.
What I really like about Diced Mango is that I think he is relatively new to painting on street walls and his work is getting better with each outing and he seems to be experimenting a lot with letter shapes and colours/patterns. It gives me great inspiration and I hope to be doing this kind of thing in a year or two.
Another first, but certainly not the last from an artist who does something a little different from the usual fare we see on the streets. This framed slogan or saying is by #DFTE, who is a Bristol-based artist who places these little gems to carefully thought out places in the City.
If you look up at the north end of the St Werburghs tunnel, you will see this installation clinging to the bricks on the arched roof. It says ‘This is for you’, which is very nice… I guess it is a message to those who look around them and live in the now. It must have been quite a challenge getting it up there and sticking it to the ceiling, but it was utterly worth it and certainly brightened my day when I first saw it. More to come.
Well it appears that Kleiner Shames has been back in town, and left us with a most beautiful FOIS at the farm end of St Werburghs tunnel. His distinctive style and colour palette seems to draw heavily on the Art Deco style combined with a kind of 1970s/80s freedom.
His metallic spray paint used for the central lettering is a nightmare to photograph in the tunnel – if it is in shade it is one colour, if it is in the light another and pictured from the front it goes from dark to light. Irrespective of the trickiness of trying to get a nice picture, it is always, always great when Kleiner Shames comes ‘home’.