2516. St Werburghs tunnel (102)

One of the most welcome sights on any wall in Bristol has to be the beautiful form and colours of a Tasha Bee stylised face. Distinctive and full of serene character, her work, to me at least, feels like it is very ‘Bristol’ if that makes any sense at all, even though I think, like me, Tasha Bee is not a native Bristolian.

Tasha Bee, St Werburghs, Bristol, September 2019
Tasha Bee, St Werburghs, Bristol, September 2019

It would be easy just to focus on the face of this piece at the entrance to St Werburghs tunnel, but that would ignore the fine hair ornament with joyful colours radiating out from a central circle. Unfortunately the piece had been tagged by the time I got to see it… I just don’t understand the point of tagging something as beautiful as this, is it some kind of assertion of dominance from people who are natural undear-achievers? It is difficult to know.

 

 

2390. St Werburghs tunnel (92)

It is good to see that Mr Draws is getting out a bit more again after a comparatively quiet period. This rather low-key piece in St Werburghs tunnel is a nice take on his DRAW lettering, with a reversal of the letter D. This is quite a common effect used by writers but is always fun and effective.

Mr Draws, St Werburghs, Bristol, August 2019
Mr Draws, St Werburghs, Bristol, August 2019

Rather strangely, the subtle colours used here by Mr Draws come out better in my photographs than some of the other more vibrant adjacent pieces. Usually the poor lighting in the tunnel brings out a lot of amber and orange colours, but this piece is mercifully spared from that fate. Mr Draws would seem to be enjoying his wobbly white outline, which he has used in several of his more recent pieces and is rather effective. I guess that getting a good wobbly line is probably as difficult as getting a good straight line.

2272. St Werburghs tunnel (85)

A view of St Werburghs tunnel that I haven’t shared before, seen from the city farm end. The entrance to the tunnel is guarded by a pair of ‘monolithic’ gurning faces by Atchue, one on either side.

Atchue, St Werburghs, Bristol, June 2019
Atchue, St Werburghs, Bristol, June 2019

I haven’t seen much from Atchue lately, so to be presented with these two-for-the-price-of-one faces is definitely a bit of a bonus. On the left is one of his more familiar pink pieces, but the one on the right is in magnificent chrome.

Atchue, St Werburghs, Bristol, June 2019
Atchue, St Werburghs, Bristol, June 2019

The chrome face appears to be in mid gurn and you can almost hear him making a groaning noise. A lovely idea executed brilliantly by Atchue.

2231. St Werburghs tunnel (83)

It has been rather a long time since I saw anything from Eraze. There was a period when he used to do the odd piece in Dean Lane, but I can’t recall anything there for ages, so it was a nice surprise to see this in St Werburghs tunnel recently.

Eraze, St Werburghs, Bristol, May 2019
Eraze, St Werburghs, Bristol, May 2019

I am more familiar with his character pieces, but this is a fine bit of writing with bright colours on a black background. I rather like the white edging and the way it cuts into the letters. Altogether a rather uplifting and happy piece.

2215. St Werburghs tunnel (83)

This was one of so many pieces created during a paint-jam in St Werburghs tunnel a couple of weeks ago. Happily I can report that they are all still there, but with the turnover in the tunnel being quite high I expect that they won’d last much longer. This piece is by Rusk, a RAW stalwart.

Rusk, St Werburghs, Bristol, April 2019
Rusk, St Werburghs, Bristol, April 2019

I must confess to being slightly troubled by this piece, because there is something about it that just isn’t quite right for me. I hold Rusk in very high regard indeed and in fact in my view he is the most conscientious graffiti writer I have met. I think my problem (and I am really nit-picking here) is with the grey lines across the bottom of the letters, they just don’t appear to match up across the piece. Having said that, I am using Rusk’s own work as a very high benchmark against which to measure. It would take me a hundred years to get this good.

2212. St Werburghs tunnel (82)

Well here we are again with another colourful piece by Diced Mango in St Werburghs tunnel. I said there would be more from him and I am true to my word. The ends of the tunnel are always hard to photograph because of the encroaching bright light from outside which bleaches half of the picture. I hope that you get a good idea of this in any case.

Diced Mango, St Werburghs, Bristol, May 2019
Diced Mango, St Werburghs, Bristol, May 2019

What I really like about Diced Mango is that I think he is relatively new to painting on street walls and his work is getting better with each outing and he seems to be experimenting a lot with letter shapes and colours/patterns. It gives me great inspiration and I hope to be doing this kind of thing in a year or two.

2163. St Werburghs tunnel (73)

Another first, but certainly not the last from an artist who does something a little different from the usual fare we see on the streets. This framed slogan or saying is by  #DFTE, who is a Bristol-based artist who places these little gems to carefully thought out places in the City.

#DFTE, St Werburghs, Bristol, March 2019
#DFTE, St Werburghs, Bristol, March 2019

If you look up at the north end of the St Werburghs tunnel, you will see this installation clinging to the bricks on the arched roof. It says ‘This is for you’, which is very nice… I guess it is a message to those who look around them and live in the now. It must have been quite a challenge getting it up there and sticking it to the ceiling, but it was utterly worth it and certainly brightened my day when I first saw it. More to come.