.
No pressure there then
when words are hard to come by
forced, inauthentic
.
by Scooj
.
No pressure there then
when words are hard to come by
forced, inauthentic
.
by Scooj
Doors 237 – Lincoln City doors (Part IX) – Leftovers (A)
Thank you for putting up with such a prolonged series of posts on Lincoln doors. This is the penultimate selection of doors from a trip to Lincoln in July this year and is a bit of a wash up. This set of doors are from different parts of the city and there is no central theme, they are simply doors that I liked and photographed. Nothing quirky, nothing particularly exciting, but I hope there is something for you to enjoy.








Next time will be the final post from Lincoln (I promise) and then on to doors from five locations in Italy, some doors from Cornwall, Cleethorpes and Exeter to follow. That’ll keep me going until Easter I would think. Have a great end of week and weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj


I might have to do a round up of Klashwhensober’s work soon to mop up several unpublished pieces by the artist from the summer. He is so prolific, I would struggle to post each of his pieces separately. This one under Brunel Way is deserving of an individual post though.

The colour selection for each of the letters might indicate that this is a dregs piece, using up half-empty cans, something you see quite a lot of. Each letter from the word SOBER has an element of depth, created by shading either side of a ridge line. The ‘O’ in particular has an anamorphic quality to it. This is a nicely worked piece from Klashwhensober. He might have left the spot a little tidier after painting though.

This character/writing combination is by The Last One, and is the second piece by the artist to appear on Natural Adventures… it won’t be the last. The artist has a very strong style with writing that is quite unique. I can’t quite make out the letters. At first I thought it might be ZFG, but looking at it and other pieces on Instagram, it might be LAST.

The character, beautifully painted, is Speedy Gonzales from Warner Brothers’ Looney Tunes and Merry Melodies cartoons. The Last One has a fabulous touch for recreating these characters, remaining faithful to the original while adding a little extra depth. I’m not sure where The Last One is based, but trips to Bristol appear to be quite regular, which is great news.

I have only seen a few pieces by Cobo, since I met him last year, and was probably expecting to see a little more from him, so it was good to find this piece in the tunnel recently. It is possible that I might have missed some pieces, and of course he might have painted in some unusual spots, as I know he likes to paint away from the crowded places.

I think that the cats are also by Cobo, and looking through his Instagram feed, I have seen them associated with other pieces. The letters spell out COBER, painted in a chunky style, not dissimilar to the work of Noise. Great to see.
by the time I publish this post I’ll be in Exeter, on my way home from a fabulous fishing trip in Cornwall. Everything goes back to normal tomorrow.

I am not 100 percent sure that this piece by Mr Draws is quite there, but I fully admire what he is doing and that he is stretching himself, moving into new and challenging territory. He tells me he is going to be doing more of this environmentally themed work in future, although he will also still be creating his unique writing.

The inspiration for this cow piece came from a picture by George Stubbs, an artist who Mr Draws has recently come across. The cow-zebra drifts in and out of the green background that has a kind of aurora borealis look to it. An interesting and unusual style that I am assured we will be seeing more of from Mr Draws.

What an absolute belter from Cheo, an artist who has lost none of his touch during his absence, and if anything has come back to painting on the streets with renewed vigour and creativity. It took me several attempts to get a clean shot of this piece in Dean Lane, because developers, who are working on the old Salvation Army building behind, had fenced off half of this wall, much to everyone’s irritation.

I understand, thank you Paul H for the insight, that the piece was influenced by the Rayman video games, something I would not and could not have ever known. The beast is so brilliantly painted, and has such depth and detail that few artists would be able to recreate. Just an awesome piece from an awesome artist.

A couple of weekends ago I bumped into Logoe just as he was finishing off his 9th piece in 24 hours or so. What! His productivity when he visits Bristol is simply off the scale. He saves up his time and paint and then blitzes the streets when he can. It all sounds a little obsessive to me, but who am I to comment?

What is notable is that even when he is rushing through the pieces, the quality of the final outcome is consistently. While we were chatting the subject of the dots arose, and I said to him that the row of little dots or ovals were fairly unique to him. It turns out that he started introducing them to his pieces to cover up little mistakes, and then they became a feature. He admitted that they are still used to cover up mistakes sometimes.

Both of these pieces, one at each end of the tunnel, are written in a cartoony script style, with thin letters, and both spelling out LOGOE, each beautifully themed with great colours. Of course the dots are there playing their part.

I am away in Cornwall at the moment, but I have a feeling that he might have paid another visit to Bristol this weekend, and if so, I’d better make sure I have enough memory on my camera.
.
Pebbles in my crocs
an evil state of affairs
and first-world problem
.
by Scooj

Demonstrating that he is not a one-trick pony, Mr Crawls has painted this ‘stripped back’ version of one of his bird characters. Painted on a pink background, the chrome and black piece is quite unlike his other work, and shows the artist playing around with his characters.

I am very much enjoying Mr Crawls birds cropping up all over the city, and likening the way that he is switching things up from time to time. It is interesting to see that he has started signing his work, and I wonder if that is something to do with his level of confidence, or maybe even starting to market his brans a little. Unusual and enjoyable.