1654. St Werburghs tunnel (35)

Gloopy dayglow acid house skeleton courtesy of Laic217. Is there any more to say about this wonderful piece in St Werburghs tunnel? Well as it happens there probably is…for example I rather like the way he has made his name stand out as if raised from the wall by the skilful application of light and dark shading on the edges of the letters – great technique.

Laic 217, St Werburghs, Bristol, August 2018
Laic 217, St Werburghs, Bristol, August 2018

I feel like I haven’t seen much of his work lately and I know I have missed several pieces, but it is always nice to catch one when in the right place at the right time. Where will I find the spray can skeleton next?

Laic 217, St Werburghs, Bristol, August 2018
Laic 217, St Werburghs, Bristol, August 2018

1653. New Stadium Road (6)

Another day, another Deamze piece…his work rate is really phenomenal and the quality of his designs and their execution is unparalleled. It is easy to become blazé about his work, because his standard is so consistent, but if you take a good look at this piece, there is so much to admire.

Deamze, New Stadium Road, Bristol, August 2018
Deamze, New Stadium Road, Bristol, August 2018

The colour selection works well with yellow tones set on a blue background. There is a lot of intricacy to the interlocking letters and precision in the shapes. Yet another outstanding example of this incredible talent.

1652. M32 cycle path (17)

I really rather like this creature created by Kool Hand in the cycle path that runs alongside the M32. Technically, although a cycle path, it has been out of asction for several months now due to construction work, which probably makes spraying this particular wall a little less hazardous.

Kool Hand, M32 cycle path, Bristol, August 2018
Kool Hand, M32 cycle path, Bristol, August 2018

I’ve noticed that Kool Hand seems to favour using a white background, which really helps to bring out the contrasting colours he uses for his characters. Always crisp and clean, Kool Hand tends to use only a few bold colours, together with a little shading to create these striking pieces. This creature reminds me of primative marine life forms from earlier geological ages. Nice work.

1651. Hillgrove Street (7)

I don’t visit Hillgrove Street as much as I used to when I first started writing about street art, probably because turnover of work is very low there, so there is rarely new stuff to find. However, it is always worth checking every now and then, and these two (relatively) new pieces bear this out.

qWeRT and RIP, Hillgrove Street, Bristol, August 2018
qWeRT and RIP, Hillgrove Street, Bristol, August 2018

The wheatpaste on top is by qWeRT, who seems to have blitzed Bristol some time during late spring or early summer. This is another charming googly eyed pair…there is always so much hope and love in these paste ups.

The bird below is a nice simple stencil by RIP who is an occasional visitor to Bristol, and always leaves behind as few treasures to uncover. Both pieces complement each other and are placed carefully. Placement is a key skill for small stencils and paste ups. All good.

1650. The Bearpit (157)

Wowzer…(not a word I use often), what a fabulous piece in The Bearpit from Face 1st. I have to say that I am just loving his development to full body pieces, and that hair…it’s just brilliant.

Face 1st, The Bearpit, Bristol, August 2018
Face 1st, The Bearpit, Bristol, August 2018

Now I happened to get really lucky a few days back and met Face 1st, Soap and Tasha Bee all at once all for the first time while they were collaborating at the M32 roundabout – more about that in another post. It was such a pleasure to meet Face 1st at last, after three years of posting, and it was rather gratifying and humbling that he had read this blog and even shared some posts with his mother. Watching these guys at work simply inspires me to get out there and start spraying – I would love to be able to do what they do as well as they do it. I guess I need to practice…a lot.

I love, love this piece, and have noticed that he is doing more of these and going big – so much to look forward to.

As an aside – this post is scheduled to publish while I am on an aeroplane bound for Italy…the wonders of modern technology.

1649. The Bearpit (156)

These are the characteristic swirling whirling abstract patterns created by Bristol artist Run Z. Although I haven’t seen that many of his pieces, they do seem to crop every now and again and they are instantly recognisable as his work.

Run Z, The Bearpit, Bristol, July 2018
Run Z, The Bearpit, Bristol, July 2018

The works will often follow a colour theme and this one seems to incorporate a green, blue and white palette. There is something of a stained glass window feel to these works and in fact I think the designs would make fabulous windows.

1648. Upfest 2018 (10)

I round off the first 10 Upfest 2018 posts with this rather nice little shutter piece by Silk Crystal, which was one of at least two ‘extras’ that accompanied his official Upfest piece. This happens a lot on North Street, and I would think that probably upwards of 40% of shutters there have been enhanced by Upfest artists over the years.

Silk Crystal street art, Upfest, Bristol, July 2018
Silk Crystal street art, Upfest, Bristol, July 2018

Silk Crystal is a silk screen and street art company that operates around the North Devon coast and works a lot to commissions. This particular piece chimes for me with its marine theme (a lot of these this year) and certainly improves the shutter – now to get to work on the rest of the shop’s appearance!

Time for a break

 

There’s too much to do

what is undone stays undone;

holiday begins.

 

by Scooj

Thursday doors

Doors 41

This week a selection of doors from a recent sunny trip to Fowey in Cornwall. I’ll let the pictures do the talking.

Fower door, August 2018
Fower door, August 2018
Fowey door, August 2018
Fowey door, August 2018
Fowey door, August 2018
Fowey door, August 2018
Fancy Fowey doorway, August 2018
Fancy Fowey doorway, August 2018
Fowey door, August 2018 (for hobbits?)
Fowey door, August 2018 (for hobbits?)
Fowey door, August 2018
Fowey door, August 2018

by Scooj

More doors at: Thursday Doors – Norm 2.0

 

1647. Upfest 2018 (9)

I have seen a few pieces by Bristol artist J. West around the place and posted two or three of them on this blog in the past. He is an animator turned artist and much of his inspiration has come from a spell working at Bristol Zoo Gardens and from David Attenborough TV shows.

J. West, Upfest, Bristol, July 2018
J. West, Upfest, Bristol, July 2018

I haven’t seen too much of his work, but that which I have seen appears to be bilaterally symmetrical and this Upfest piece is no different. I am sorry that I didn’t stop to talk to him because I think we probably share inspirations, but he looked pretty busy, and it is never easy chatting to people with a mask on.

J. West, Upfest, Bristol, July 2018
J. West, Upfest, Bristol, July 2018

I will keep looking out for his distinct style of work, but for me, this piece I think is my favourite that I have seen so far.