775. Kings Square Avenue (4)

There are several street/graffiti artists in Bristol who never seem to stop, and ranking high amongst those is Deamze. This compressed piece is from a few weeks ago and takes the format of his wildstyle lettering and a character.

Deamze, Kings Square Avenue, Bristol, April 2017
Deamze, Kings Square Avenue, Bristol, April 2017

I am guessing that the character is some kind of hog or pig – probably from a cartoon series that I never watched on TV.

Deamze, Kings Square Avenue, Bristol, April 2017
Deamze, Kings Square Avenue, Bristol, April 2017

The colours in this work, especially the dayglow pink and green set on a purple background create an eye-catching piece for passers by. Deamze has occupied this spot for as long as I have been blogging, and probably sometime longer than that.

 

 

768. Waterloo Place (1)

There are two artists in Bristol who are performing at the top of their game at the moment, Deamze and Voyder. Deamze consistantly turns out superb wildstyle pieces and absorbs styles and characters into his pieces with ease, but it is Voyder who, in my opinion, is hitting a new level with his work.

Deamze, Waterloo Place, Bristol, April 2017
Deamze, Waterloo Place, Bristol, April 2017

This bright collaboration can be found on the wall at the back of the Sofa Project in Old Market. It is so, so good that it really does have to be seen in the flesh. There is a consistent thread of the colour scheme and a diagonal line through both pieces that cuts through the writing, and with which both artists have treated the line as a breaking point in the work – so thought out and skilful.

Deamze, Waterloo Place, Bristol, April 2017
Deamze, Waterloo Place, Bristol, April 2017

I would like to focus a little – which is hard to do with two such immense pieces – on Voyder’s half of the collaboration, because I think this is the best piece I have seen from him, ever. The neon line zig-zagging through the Lichtenstein influenced brush strokes is masterful. Look at the shadows and the light that radiates from the neon. Just amazing.

Voyder, Waterloo Place, Bristol, April 2017
Voyder, Waterloo Place, Bristol, April 2017

Voyder has mastered his technique, and I don’t quite know where he goes from here. He has just been getting better and better with every piece and I consider him to be the king of writing in Bristol right now. If you don’t agree, just get down and take a close look at this piece. The best collaborative piece of the year so far as far as I am concerned. Love it (just in case you hadn’t figured that yet).

Voyder, Waterloo Place, Bristol, April 2017
Voyder, Waterloo Place, Bristol, April 2017

756. Cowmead Walk (1)

This is a fabulous collaborative wall by Deamze (on the left) and Sepr (on the right). I found the wall quite by chance on my wanderings and it is always so rewarding when you come across something as impressive as this. There is also a moment of anguish and doubt that questions your knowledge of the street/graffiti art spots in your patch.

Deamze, Cowmead Walk, Bristol, December 2016
Deamze, Cowmead Walk, Bristol, December 2016

I don’t quite know why I haven’t posted it before. Probably because I have a backlog the size of a small planet and this one just got stuck there for a while.

Deamze, Cowmead Walk, Bristol, December 2016
Deamze, Cowmead Walk, Bristol, December 2016

On the December day that I took these pictures, there was a gentleman with several little dogs that kept running backwards and forwards in front of me. I hope they don’t distract too much. The Deamze wildstyle piece is of the high standard turned out by the artist, and the pink colour selection stands out really well against the green background.

Sepr, Cowmead Walk, Bristol, December 2016
Sepr, Cowmead Walk, Bristol, December 2016

The Sepr end of the piece is an entertaining scene, which looks to be of mice cleaning the component parts of a head. This is a theme I have seen before from Sepr, and he has mastered the stretching out and dissection of the head really well. The shadows add a perspective to the whole piece too.

Sepr, Cowmead Walk, Bristol, December 2016
Sepr, Cowmead Walk, Bristol, December 2016

Although the two halves of the piece do not tell the same story, they are coordinated and complement each other well. Great work from two of Bristol’s finest.

720. M32 cycle path (7)

Same place, same artist – here is another reasonably recent piece by Deamze in one of his favoured spots. This is one of his monochrome pieces, which is in the wildstyle plus cartoon character theme that he often adopts.

Deamze, M32 cycle path, Bristol, January 2017
Deamze, M32 cycle path, Bristol, January 2017

His monochrome works are really clever, using only shading and black to create a fully functional piece. A bit like watching black and white TV…remember that?

Deamze, M32 cycle path, Bristol, January 2017
Deamze, M32 cycle path, Bristol, January 2017

I have no idea who this cartoon character is but can be pretty sure that Deamze has done it justice.

 

 

718. M32 cycle path (7)

It is clear that Deamze really favours this spot for his pieces, and I have seen several different ones here over the last few months. This is a bright piece, in his typical widlstyle format, with a character popping up at the end. In this case it is a beautiful Felix the Cat.

Deamze, M32 cycle path, Bristol, March 2017
Deamze, M32 cycle path, Bristol, March 2017

I admire very much the way Deamze recreates cartoon characters with such accuracy and sharpness, and his range seems to have no boundaries. All good really.

Deamze, M32 cycle path, Bristol, March 2017
Deamze, M32 cycle path, Bristol, March 2017

695. The Bearpit (51)

This is a remarkable and really well sprayed piece on one of the stairways of The Bearpit by Deamze. Quite often Deamze will write his name or some other word and incorporate a cartoon character. This time he has really gone to town, and been a little political too (which of course I love).

Deamze, The Bearpit, Bristol, March 2017
Deamze, The Bearpit, Bristol, March 2017

His chosen characters, Dennis the Menace and Minnie the Minx are from the famous British comic strip the Beano. Deamze has recreated these with absolute perfection.

Deamze, The Bearpit, Bristol, March 2017
Deamze, The Bearpit, Bristol, March 2017

The whole piece spells out ‘exist resist’ and carries the taglines ‘question authority’ and ‘Government is theft’. I have a feeling that the unending austerity, pressure on schools and the health service, compounded by the significant economic impacts that leaving the EU will impose, will lead to a great deal of protest in this country in the coming years. I hope future protests will be as peaceful and colourful as this.

Deamze, The Bearpit, Bristol, March 2017
Deamze, The Bearpit, Bristol, March 2017

I cannot say enough good things about this piece. The location is also well thought out, to be able to accommodate the long words but also with a footfall of predominantly sympathetic eyes passing it every day.

Deamze, The Bearpit, Bristol, March 2017
Deamze, The Bearpit, Bristol, March 2017

It is work like this that makes my pleasure a pleasure.

 

 

 

666. Norfolk Place (1)

This is a rather old piece from Deamze, but I was down there very recently, and it is still looking in good nick. I have to say though that this is not my favourite piece by this artist. I feel the colours are all wrong for this location. It feels to me a little drab and lacking in vibrancy.

Deamze, Norfolk Place, Bristol, August 2016
Deamze, Norfolk Place, Bristol, August 2016

It happened from time to time. I can’t ‘love’ every piece I see. Technically this is a great piece…it just doesn’t do it for me. It is utterly untagged and respected though which shows the high esteem in which Deamze is held.

Deamze, Norfolk Place, Bristol, August 2016
Deamze, Norfolk Place, Bristol, August 2016