In a little pedestrian tunnel, under the M32 motorway are a couple of really great walls. Great for spraying that is…less great for photographing. This is yet another wonderful collaboration piece from Deamze and Voyder, who always seem to work with Deamze on the left and Voyder on the right. I don’t know if this is a deliberate or subconscious thing, but it is pretty much always the case.
What is particularly captivating about these pieces is the white subject on a pillarbox red background. Deamze has worked a particularly nice bit of wildstyle writing with an interesting cartoon character who looks a little like Captain Klutz from MAD magazine, but isn’t.
Someone out there probably knows who it is. I love the angular style of this piece and the limited colour range. It is a fine piece.
It is becoming very difficult to describe Voyder’s work these days, as I feel he has hit such a high level, and that veach work pushes boundaries and demonstrates his command of his craft.
This is such a beautifully constructed piece and resembles a paper cut out. It is such a pity the photograph just doesn’t do it justice. That red just sets the piece off perfectly.
I am fully aware that today is the second day of Upfest, and that you might be expecting a post from the wonderful Bristol street art festival. I’m afraid It’s not going to happen for a while. I will have an enormous amount of work to do with photographs and getting to grips with artists before I can start to publish. If you want instant gratification, then follow #upfest2017 in instagram, it’ll be smoking!
For now I will post this characterful piece on one of the pillars under the M32 by Deamze. The faces on this work are quite unusual, and not something that I would ordinarily associate with Deamze.
There is a figure on each of the four sides of the pillar, each striking a different pose. I have only posted three of them, because the fourth is impossible to photograph due to the light conditions.
If you want to see the fourth side, you’ll just have to get down to the M32 Spot and check it out. I rather like this piece, and love the jeans and pink shirt, and the burger looks almost good enough to eat.
There was a time when every few posts that I wrote was another work from the productive master of writing – Deamze. He is still as productive as ever, but his pieces are having to compete for space with the dozens and dozens of other Bristol artists that I try to cram into this website.
This is a piece from under the M32 motorway, not far from the M32 Spot. This is an area that Deamze appears to favour, and there are always several of his pieces nearby. This piece is in his format of a cartoon character accompanying some highly designed wildstyle writing.
As with so many of his pieces, I am not too sure who the cartoon critter is. I thought at first it might be Wally Gator, but it isn’t…it appears to be a dragon. Any ideas? Another classy piece from the Bristol master
There are several street/graffiti artists in Bristol who never seem to stop, and ranking high amongst those is Deamze. This compressed piece is from a few weeks ago and takes the format of his wildstyle lettering and a character.
I am guessing that the character is some kind of hog or pig – probably from a cartoon series that I never watched on TV.
The colours in this work, especially the dayglow pink and green set on a purple background create an eye-catching piece for passers by. Deamze has occupied this spot for as long as I have been blogging, and probably sometime longer than that.
There are two artists in Bristol who are performing at the top of their game at the moment, Deamze and Voyder. Deamze consistantly turns out superb wildstyle pieces and absorbs styles and characters into his pieces with ease, but it is Voyder who, in my opinion, is hitting a new level with his work.
This bright collaboration can be found on the wall at the back of the Sofa Project in Old Market. It is so, so good that it really does have to be seen in the flesh. There is a consistent thread of the colour scheme and a diagonal line through both pieces that cuts through the writing, and with which both artists have treated the line as a breaking point in the work – so thought out and skilful.
I would like to focus a little – which is hard to do with two such immense pieces – on Voyder’s half of the collaboration, because I think this is the best piece I have seen from him, ever. The neon line zig-zagging through the Lichtenstein influenced brush strokes is masterful. Look at the shadows and the light that radiates from the neon. Just amazing.
Voyder has mastered his technique, and I don’t quite know where he goes from here. He has just been getting better and better with every piece and I consider him to be the king of writing in Bristol right now. If you don’t agree, just get down and take a close look at this piece. The best collaborative piece of the year so far as far as I am concerned. Love it (just in case you hadn’t figured that yet).
This is a fabulous collaborative wall by Deamze (on the left) and Sepr (on the right). I found the wall quite by chance on my wanderings and it is always so rewarding when you come across something as impressive as this. There is also a moment of anguish and doubt that questions your knowledge of the street/graffiti art spots in your patch.
I don’t quite know why I haven’t posted it before. Probably because I have a backlog the size of a small planet and this one just got stuck there for a while.
On the December day that I took these pictures, there was a gentleman with several little dogs that kept running backwards and forwards in front of me. I hope they don’t distract too much. The Deamze wildstyle piece is of the high standard turned out by the artist, and the pink colour selection stands out really well against the green background.
The Sepr end of the piece is an entertaining scene, which looks to be of mice cleaning the component parts of a head. This is a theme I have seen before from Sepr, and he has mastered the stretching out and dissection of the head really well. The shadows add a perspective to the whole piece too.
Although the two halves of the piece do not tell the same story, they are coordinated and complement each other well. Great work from two of Bristol’s finest.
Same place, same artist – here is another reasonably recent piece by Deamze in one of his favoured spots. This is one of his monochrome pieces, which is in the wildstyle plus cartoon character theme that he often adopts.
His monochrome works are really clever, using only shading and black to create a fully functional piece. A bit like watching black and white TV…remember that?
I have no idea who this cartoon character is but can be pretty sure that Deamze has done it justice.