Deamze comes up trumps again with this spectacular piece of wildstyle writing that was sprayed next to the piece by Kleiner Shames I posted a little while back on the wall at the back of the Sofa Project. This wall is just magnificent and both artists have used the same colour schemes but presented their personal styles, so strictly speaking this was working at the same time together, but not necessarily a collaboration.
Unusually, this is a piece without a cartoon character and has a little more gravitas for it. It almost feels more like a study…a serious piece of graffiti writing turned out impeccably with crisp lines and clean edges, strong solid fills and complex design. Even if not a fan of writing, one can marvel at the technical ability of the artist. I love this and its partner piece. Brilliant.
One of the most enjoyable cartoons of my youth was Top Cat, and seeing this piece by Deamze sent me into a long and deep reminiscence, which culminated in watching quite a bit of Top Cat on the Interweb. I was saddened to see the updated productions, which really weren’t a patch on the originals.
The chrome sets this piece off really well and the dustbin looks perfect, especially in this rather grubby setting. Deamze’s writing is in his really tight angular style, bookended by the bin and TC himself.
The character is nicely sprayed, as you would expect, but is difficult to capture on film due to the glare glancing into the tunnel. The pieces in here are always hard to photograph. I guess it is best to come here on an overcast early evening. Great nostalgic piece from Deamze.
Every now and again I like to treat myself to a nice sandwich or sausage roll at Pinkmans on Park Street for my lunch and it is a real treat, because the prices are what you’d expect from such a highly rated bakery (Sunday Times top 25 bakery in the UK). To get there I can either go up Park Street itself or up the much quieter parallel Hill Street.
Halfway up Hill street, which provides the back entrances for all the retail shops and eateries, is a small car park which is a rather special little street art spot that few people know about. Turnover here is very low indeed and tagging rare. There was a wonderful Kleiner Shames mural here but it has finally given way to this extraordinarily brilliant piece from Deamze. I really like it that Deamze has done a little nod of recognition to the artistry of Kleiner Shames with the inclusion of the word Fois (KS’s wildstyle word).
In this piece Deamze has surrounded his wildstyle writing with a cartoon space scene from Marvin the Martian, and I have to confess to having to look this up because he is not a cartoon character I am familiar with. As one would expect from Deamze, this is a beautifully conceived and executed piece that is most welcome on this special wall. Now onwards to Pinkmans.
Although this piece by Deamze looks really simple, it is actually a really classy bit of writing. The block letters each cast a shadow over the letter to their right, giving the whole thing a 3D effect. Deamze has used only a few colours and shades to create this burner – I can count three greens and possibly four greys.
The spot is one that Deamze alone seems to inhabit. I suspect that out of respect, other artists always leave this spot for Deamze. It would be interesting to see what would happen if another artist painted here.
Another day, another Deamze piece…his work rate is really phenomenal and the quality of his designs and their execution is unparalleled. It is easy to become blazé about his work, because his standard is so consistent, but if you take a good look at this piece, there is so much to admire.
The colour selection works well with yellow tones set on a blue background. There is a lot of intricacy to the interlocking letters and precision in the shapes. Yet another outstanding example of this incredible talent.
This spot is always impossible to photograph – I think the only solution is to come down at dusk and use a flash, and if I am honest I’m not sure I am fanatical enough to do that. The piece is, of course, by Deamze and shows off his angular puzzle-like wildstyle writing really well.
As is often the case, I am not at all sure who the character is, and think it might possibly be a figment of his fertile imagination. It feels strange, but of all the most productive Bristol artists painting at the moment, I still have yet to meet Deamze – our paths just haven’t crossed. I have a feeling he likes to keep himself to himself. Yet another consistently good piece.
Oh I just love it when I make new finds when I am actually looking for something completely different and stumble upon something like this. I was driving round Easton hunting down Andrew Burns Colwill’s new mural when I drove up Devon Road – a funny road that has a dog-leg layout, one part of which is a back street and the other a fairly busy main road.
This is of course by Deamze, and I just don’t know how it fell outside my radar, but I am glad I found it nonetheless. Even better is that I know who the character references are which can’t be said for a lot of the 80s and 90s cartoon characters that Deamze uses.
The character is the robot Bender from the TV series by Matt Groening (creator of the Simpsons – who have featured big time at Upfest 2018). It is all very good, and Deamze’s wildstyle writing is exceptional as always. I love the freshness of this piece.