5561. Queen’s Road (7)

Andrew Burns Colwill, Queen's Road, Bristol, August 2023
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023

This absolutely sensational piece by Andrew Burns Colwill, is another from the paint jam celebrating 650 years of Bristol, and is the one that probably most closely follows the brief. The idea behind the paint jam was to celebrate Bristol, to paint with brushes (no spray cans), and to paint in a Renaissance style. Andrew Burns Colwill manages to nail it with this outstanding mural.

Andrew Burns Colwill, Queen's Road, Bristol, August 2023
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023

These pictures somehow got stuck in my pipeline system for publication, and were prompted (rediscovered) by yesterday’s Martin D’Acy piece, which is pretty much adjacent to this one. The elephant in the room with these pictures is the rather unfortunate and prominent street furniture, in the form of scooters and bins. I thought long and hard about waiting to get some ‘clean’ pictures of the piece, but felt publishing them ‘warts and all’ was probably more authentic, and the scooters in particular are directly referenced in the work. I will return however and get a clean shot to post here in due course.

Andrew Burns Colwill, Queen's Road, Bristol, August 2023
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023

The piece is in two halves, split vertically down the middle, with the left-hand side being the old city and to the right the modern city. His soak stain technique creates a washed appearance and extraordinary atmosphere. The old city, painted in light optimistic hues, is prosperous and on the up, and alludes to its merchant connections and seafaring trade. There is beauty in the characters, oxen and architecture that Andrew Burns Colwill has captures perfectly.

Andrew Burns Colwill, Queen's Road, Bristol, August 2023
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023

Contrast this with the right-hand side of the piece, which is a little darker in shade and mood. There is an impersonal sense that prevails as individuals rush from one place to another on their scooters, emblematic transport of our time. Like so much of his work, Andrew Burns Colwill tells a story here, and it is not all good. The optimism and vibrancy of our past has not ended with the social progress and cohesion we might have expected, but with an almost dystopian present.

The story is clear, and most beautifully painted. If you happen to visit Bristol, take a moment to seek out this piece and spend time looking at it and feel the history of the place.

5292. Weston-super-Mare

Andrew Burns Colwill, Weston-super-Mare, May 2023
Andrew Burns Colwill, Weston-super-Mare, May 2023

I recently shared a gallery ofĀ  outstanding artwork from the brilliant Andrew Burns Colwill on my personal Facebook page (I rarely use it these days), and it had a very positive response, which is not surprising really, such is his talent. I came across this piece, which was painted for last year’s Weston Wallz (I think), on a recent visit to Weston-super-Mare, with my friend Paul H.

Andrew Burns Colwill, Weston-super-Mare, May 2023
Andrew Burns Colwill, Weston-super-Mare, May 2023

Andrew Burns Colwill doesn’t shy away from making bold political statements, and much of his recent work has been about the potential impacts of climate change. In this piece he lampoons Parliament, and with some justification, and presents politicians and apes, the central Orangutan being draped in a Union Jack. Political commentary goes hand in hand with a lot of street art, but rarely so beautifully painted. I am reminded that I haven’t yet posted his Upfest piece from last year… so much to do. This was a very pleasant discovery.

3985. Victoria Street, Burnham-on-Sea

A couple of weeks ago, I took a day off and decided to take a trip up to Weston-super-Mare to photograph some epic new pieces by Irony and Dan Kitchener. On the way home I decided to call in at Burnham-on-Sea, because I had seen a few pieces on Instagram and anyhow, I had never been there before. I am so glad that I did, not least because I got to see this magnificent piece from Andrew Burns Colwill.

Andrew Burns Colwill, Victoria Street, Burnham-on-sea, September 2021
Andrew Burns Colwill, Victoria Street, Burnham-on-sea, September 2021

ABC is without doubt one of the best fine artists in Bristol, and he carries his canvass work seamlessly across to large walls without appearing to break step, and the end result is pieces like this one.

Andrew Burns Colwill, Victoria Street, Burnham-on-sea, September 2021
Andrew Burns Colwill, Victoria Street, Burnham-on-sea, September 2021

Now, I haven’t done any research, and perhaps I should have done, because I have no idea what this is all about. I mean I get the donkey bit, with the association with a holiday beach, but the toilet completely baffles me, and could have a plethora of meanings. Perhaps in this instance it would be better not to swell on the meaning and instead to focus on the quality and skill of an artist at his absolute best. It is worth a trip to this sleepy seaside town for this piece alone.

3877. Upfest 2021 75×75 (41)

From my favourite Bristol artist, Andrew Burns Colwill, is this outstanding new mural for Upfestā€™s 75 walls in 75 days event. Everything about this triptych piece is pretty much perfect. From the wall selection and use of the spaces to the highly political content, let alone the brilliant execution using his soak stain technique.

Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,

My interpretation of the three suited figures in a pool represents the drowning of our Government and in particular senior ministers who, letā€™s face it, havenā€™t exactly covered themselves in glory over the last few years. On the left could be Sajid Javid, our SoS for health who took over the role from the utterly incompetent and indiscreet Matt Hancock. It doesnā€™t really matter who it is as they are representative of the Conservative Party political gang who care more about power than they do about the citizens who put them there.

Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,

The central panel is more obviously a caricature of our utterly ridiculous Prime Minister who is now completely under the control of his power-hungry wife Carrie Johnson who seems to have more influence over government policy than he does. The pantomime continues, although it is more of a tragedy as our country slips into isolation and irrelevance.

Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,

The final panel, with the red budget box, is obviously our beloved (not) chancellor Rishi Sunak who appears to have hoodwinked the entire country into thinking he is our saviour. I donā€™t feel particularly saved. The bar amongst the cabinet is so low, that anyone with the slightest talent shines like a beacon, but it is all comparative. So the piece certainly portrays a failing government and failing ministers and it is delivered in a tranquil, calm and resigned manner that gives the piece so much power. It is brilliant.

Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,

Andrew Burns Colwill is also amazing at creating those tiny little details that add so much to a piece, like this little drip of water oozing from a real crack in the wall. A sensational piece and commentary on our current political state. Bravo!

Andrew Burns Colwill

A gallery of street murals from the brilliant Bristol artist Andrew Burns Colwill

All photographs by Scooj

Andrew Burns Colwill, Weston-super-Mare, May 2023
Andrew Burns Colwill, Weston-super-Mare, May 2023
Andrew Burns Colwill, Victoria Street, Burnham-on-sea, September 2021
Andrew Burns Colwill, Victoria Street, Burnham-on-sea, September 2021
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, Luckwell Road, Bristol, July 2021, Upfest 21,
Andrew Burns Colwill, North Street Standard, Bristol, April 2021
Andrew Burns Colwill, North Street Standard, Bristol, April 2021
Andrew Burns Colwill, North Street Standard, Bristol, April 2021
Andrew Burns Colwill, North Street Standard, Bristol, April 2021
Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Westbury Hill, Bristol, August 2018
Andrew Burns Colwill, Westbury Hill, Bristol, August 2018
Andrew Burns Colwill, Westbury Hill, Bristol, August 2018
Andrew Burns Colwill, Westbury Hill, Bristol, August 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2017
Andrew Burns Colwill, Upfest, Bristol, July 2017
Andrew Burns Colwill, Upfest, Bristol, July 2017
Andrew Burns Colwill, Upfest, Bristol, July 2017
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
Andrew Burns Colwill, Gathorne Road, Bristol, May 2017
Andrew Burns Colwill, Gathorne Road, Bristol, May 2017
Andrew Burns Colwill, Gathorne Road, Bristol, May 2017
Andrew Burns Colwill, Gathorne Road, Bristol, May 2017
Andrew Burns Colwill, Anchor Road, Bristol, January 2017
Andrew Burns Colwill, Anchor Road, Bristol, January 2017
Andrew Burns Colwill, Anchor Road, Bristol, January 2017
Andrew Burns Colwill, Anchor Road, Bristol, January 2017
Andrew Burns Colwill, Anchor Road, Bristol, January 2017
Andrew Burns Colwill, Anchor Road, Bristol, January 2017
Andrew Burns Colwill, Anchor Road, Bristol, January 2017
Andrew Burns Colwill, Anchor Road, Bristol, January 2017
Andrew Burns Colwill, Greville Road, Bristol, June 2016
Andrew Burns Colwill, Greville Road, Bristol, June 2016
Andrew Burns Colwill, Greville Road, Bristol, June 2016
Andrew Burns Colwill, Greville Road, Bristol, June 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Upfest, Bristol, July 2016
Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
Andrew Burns Colwill, Raleigh Road, Bristol, April 2016

3633. North Street Standard

I genuinely miss my occasional conversations with Andrew Burns Colwill. I havenā€™t seen the artist for well over a year now, possibly two, and that is far too long. During that time I havenā€™t seen too much of his street work either, so it was with great joy that I found this recent piece by him on the wall of the North Street Standard.

Andrew Burns Colwill, North Street Standard, Bristol, April 2021
Andrew Burns Colwill, North Street Standard, Bristol, April 2021

One of the things that chimes for me with all of ABCā€™s work is the environmental theme at its heart, and this piece is more overt than some of his work, with a direct call to action emblazoned on the left hand side.

Andrew Burns Colwill, North Street Standard, Bristol, April 2021
Andrew Burns Colwill, North Street Standard, Bristol, April 2021

The Earth sitting at the top end of an hourglass is a fabulous visual metaphor for the urgency of the predicament we find ourselves in. As the Earth drips down into the lower half of the hour glass, a face is seen in the centre, as if the soul of the planet was being drained out.

This is a fabulous piece of fine art from one of my favourite people in Bristol.

We all must do what we can, and we can do what we must.

1949. Upfest 2018 (123)

There is so much going on in this magnificent piece by Andrew Burns Colwill, but it is not busy…on the contrary it is calm and peaceful which is somewhat at odds with a fragmenting world it represents.

Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018

I like Andrew Burns Colwill very much, both as an artist and as an acquaintance, and I managed to catch up with him a couple of times during the festival. He had started early, so by the time I first found him on the Friday, his work was already well underway.

Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018

The piece combines several ideas and themes, but the obvious one is a representation of the biggest issue of our time (other than climate change), Brexit. The world is represented by an apple, and we hold it in our (multicultural) hands.

Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018

A bite has been taken from the apple and is seen sinking in the water below. A closer look at the lost piece of apple shows the UK cut-off and drifting away all alone. One can read in so many metaphors into this work – brotherhood, loss, a gift, urbanisation and so on, but for me it is the isolation of the UK that stands out.

Andrew Burns Colwill, Upfest, Bristol, July 2018
Andrew Burns Colwill, Upfest, Bristol, July 2018

A most brilliant piece, and one of the highlights of the 2018 festival.

1674. Westbury Hill

I have known about this mural for several years, but just never stopped to take a picture of it until very recently, and it looks as good close up as it does from a distance. It is by the hugely talented and lovely Bristol Artist Andrew Burns Colwill.

Andrew Burns Colwill, Westbury Hill, Bristol, August 2018
Andrew Burns Colwill, Westbury Hill, Bristol, August 2018

Painted inĀ  2011, this mural depicts a giant looking out of a window and uses the trompe l’oeil technique to provide a false perspective that there is a window in the wall and that render has fallen, exposing brickwork underneath. It is in fact a flat wall.

Andrew Burns Colwill, Westbury Hill, Bristol, August 2018
Andrew Burns Colwill, Westbury Hill, Bristol, August 2018

I love the little details in the piece…the rose in the window sill and the ivy dropping down from the top of the window, and of course the cracks and the brickwork make this a truly magnificent piece, that I expect the good people of Westbury-on-Trym take for granted.

Andrew Burns Colwill, Westbury Hill, Bristol, August 2018
Andrew Burns Colwill, Westbury Hill, Bristol, August 2018

There is something rather forlorn about the giant’s expression and there is an untold story unfolding – the words ‘and the giant looks on, still waiting…..’ – tell us all is not well and I fear a broken heart is just around the corner. A most wonderful piece.

1627. Devon Road (8)

Set against dramatic skies, that I don’t recall being as dramatic as they look in these pictures, is one of the greatest murals in Bristol to date. This is a masterpiece by the utterly brilliant fine artist Andrew Burns Colwill.

Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018

Taking up an entire wall of an end-of-terrace building the mural depicts a fabulous representation of the diverse cultural heritage of Easton. This is a part of Bristol that has embraced multi-culturalism and celebrates it with an annual feast.

Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018

I am not fully acquainted with all the characters that ABC has depicted here but I am pretty sure that they will be well known characters and figureheads from the Easton community.

Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018

I love the feast, I love the celebration, I love the sky and I love Andrew Burns Colwill. I truly believe he is one of the great story tellers of our city and he tells the stories through his vivid paintings. A true gent and a man I admire greatly – Andrew Burns Colwill is one of the outstanding talents of the city and represents much about its outspoken independence, its unique place in the UK, its tolerence, its rage, its compassion and acceptance.

Andrew Burns Colwill, Devon Road, Bristol, July 2018
Andrew Burns Colwill, Devon Road, Bristol, July 2018

Bristol and ABC hand inĀ  hand.

1398. Upfest 2017 (155)

Andrew Burns Colwill is a great Bristol artist and one who has championedĀ  environmental awareness vigorously in recent years, particularly with his 20:50 vision pieces. At Upfest 2017 he really excelled himself with this magnificent polar bear sitting on what at first appears to be a piece of ice, but which is actually a pick up truck floating in a sea of plastic.

Andrew Burns Colwill, Upfest, Bristol, July 2017
Andrew Burns Colwill, Upfest, Bristol, July 2017

His ongoing commentary on the destruction of our planet, and visions of what it might look like in 2050 results in a series of haunting images, of which this is one. A prophet of what might be, if we don’t pull our fingers out and get things sorted. Andrew Burns Colwill, like many others in the environmental movement, has been talking about plastic for some time…at last it feels like the government is listening.

Andrew Burns Colwill, Upfest, Bristol, July 2017
Andrew Burns Colwill, Upfest, Bristol, July 2017

This is one of the best pieces of the 2017 festival, and the good news I understand is that it is here to stay. The Coopers Arms pub, where this piece can be found, will be keeping it. ABC’s fine art pedigree shine through in this work and he is truly the king of murals in Bristol. I salute you.

Andrew Burns Colwill, Upfest, Bristol, July 2017
Andrew Burns Colwill, Upfest, Bristol, July 2017