938. Upfest 2017 (12)

I love the whole idea of our beautiful wildlife being a little bit subversive, and nobody creates this edginess between cute and dangerous better than Chinagirl Tile. Her last two visits to Bristol for Upfest have seen her decorate the streets, not only in Bedminster but also in Stokes Croft with her anarchic ceramic creatures.

Chinagirl Tile, Upfest, Bristol, July 2017
Chinagirl Tile, Upfest, Bristol, July 2017

This is a rather charming little squirrel claiming to have stolen Banksy. It is nicely located on a wall surrounded with greenery. It rather blends in and will be missed by many passers by. You have to keep your eyes open.

I have several other Chinagirl pieces to post about from this year’s festival.

937. Upfest 2017 (11)

This was a wonderful and carefree piece beautifully painted by the cheerful and smiling Arladiss, an artist I believe to be from Norway. I noticed that this wasn’t the only piece she worked on during Upfest, although I’m not sure it was planned that way. It seems that the weather may have deterred one or two of the artists and that in South Street Park, where Arladiss was painting, there were a few vacant boards.

Arladiss, Upfest, Bristol, July 2017
Arladiss, Upfest, Bristol, July 2017

You can see from her Facebook pages that most of her work features children enjoying and being a part of the local environment. Indeed, her Upfest profile says that ‘she wants children in a neighbourhood to see the importance of their existence, and show them that they are a vital and beautiful part of the community’.

Arladiss, Upfest, Bristol, July 2017
Arladiss, Upfest, Bristol, July 2017

Her enthusiasm for her work was infectious, and it was fun watching her paint. The combination of the child striking a child-like pose and the birds swirling around her, give a tremendous sense of innocence and freedom.

Arladiss, Upfest, Bristol, July 2017
Arladiss, Upfest, Bristol, July 2017

I think I am a fan.

932. Upfest 2017 (10)

As someone who is interested in street art in Bristol, I really ought to know an awful lot more about Diff than I do. It is all part of learning about the very rich and diverse culture of the Bristol street/graffiti art scene.

Diff, Upfest, Bristol, July 2015
Diff, Upfest, Bristol, July 2015

This is a fabulous bold and humorous piece, conflating the statues from Easter Island with the haircuts of Sideshow Bob and Sideshow Mel from the Simpsons cartoon series. It is a simple theme with some really nice clear lines and shading – really great work.

Diff, Upfest, Bristol, July 2015
Diff, Upfest, Bristol, July 2015

You can find out more about Diff from this 212 Productions website profile.

931. Upfest 2017 (9)

Well it is no surprise that my path should cross with the work of Face the Strange at Upfest. What perhaps was a surprise was witnessing him pasting this piece up, and serendipitously on many levels, putting a face to the name.

Face the Strange, Upfest, Bristol, July 2017
Face the Strange, Upfest, Bristol, July 2017

I really should have asked him, what on earth is going on in his head…a man in a suit with a pineapple face and pineapple skin. Is it all just bonkers, funny and off-the-wall or is there some deeper hidden meaning. I expect it is a combination of both. Instead we talked about other wheatpasters and Upfest and the weather.

930. Upfest 2017 (8)

Tucked away in a shady corner of North Street Green was this beautiful piece by Aintzane Crucet, a Spanish Illustrator who was born in Motril (Granada) and now lives in Malaga. There is a fairytale quality to this work which would sit comfortably in any children’s library.

Aintzane Crucet, Upfest, Bristol, July 2017
Aintzane Crucet, Upfest, Bristol, July 2017

Other than the Upfest programme notes, there is very little information about this young artist who I would guess is at the beginning of her career. I’m pleased she made the journey to Bristol.

Aintzane Crucet, Upfest, Bristol, July 2017
Aintzane Crucet, Upfest, Bristol, July 2017

929. Upfest 2017 (7)

This is a beautifully worked piece from Bristol-based Bill Giles, an illustrator and designer who occasionally takes to the walls. He specialises in creating grotesque monsters whose flesh melts away and his design work is finely detailed. This monster seems to reflect much more the uplifting atmosphere of Upfest with its bright colours and sunglasses, an altogether fun piece.

Bill Giles, Upfest, Bristol, July 2017
Bill Giles, Upfest, Bristol, July 2017

Bill Giles is part of an artist collective called ‘Cretin‘ based in Bristol that specialises in designs and illustrations of monsters. Membership of Cretin includes SPZero76, Paul Roberts (Monsters), Loch Ness and Dom Williams – there’s a lot of talent there.

928. Upfest 2017 (6)

This year, because of the showery conditions at Upfest, it paid to get work started early. Copyright had completed this wonderful shutter piece on North Street before the festival officially started on Saturday and was spared the difficulty of working in the rain (on this piece at least).

Copyright, Upfest, Bristol, July 2017
Copyright, Upfest, Bristol, July 2017

The piece really stands out in what is a rather drab shop front, and the pink strip lifts the portrait out and smacks you in the face (figuratively speaking of course).

Copyright, Upfest, Bristol, July 2017
Copyright, Upfest, Bristol, July 2017

Upfest is one of the only times that you can get to see a majority of the shutter pieces on North Street, especially on the Sunday, because most of the non-food retailers shut for the weekend. I really like this one from Copyright – it would make a great album cover.

923. Upfest 2017 (4)

Cheo, who is one of the  most established Bristol street artists at the heart of the Bristol scene, is also very active in promoting and collaborating with Upfest. This year he brought the Aardman character ‘Morph’ to life as Graff Morph, and sprayed this loveable character in several locations around the Upfest area.

Cheo, Upfest, Bristol, July 2017
Cheo, Upfest, Bristol, July 2017

Morph first appeared in the Television programme Take Hart, presented by Tony Hart. The programme itself was a spin-off from Vision On, which a few will recall as being the only art programme for children for many years. It is fitting that the character from an art programme is the subject of focus for Cheo at Upfest. There were seven Graff Morphs at Upfest. This was the first one I saw. All good fun, especially for the children at the event.

If you look carefully at the Featured Image, you will be able to spot one of Chinagirl Tile’s grenade bunnies from last year.

922. Upfest 2017 (5)

I remember well the lovely piece by Fats in the Tobacco Factory at last year’s Upfest. This year she produced another fine work in South Street park, where I was able to catch up with her for a few minutes.

Fats, Upfest, Bristol, July 2017
Fats, Upfest, Bristol, July 2017

Fats talked a lot about her background and heritage, which is truly international and mixed, and how her work receives many influences, from Arabic calligraphy to the styles of indigenous Inuit people. Our discussion ventured further into the perils of perceived appropriation and how this can create some tensions. This is a tricky path really. At what point does ‘being influenced by’ transition into copying?

Fats, Upfest, Bristol, July 2017
Fats, Upfest, Bristol, July 2017

I am clear that Fats’ work is stunning, and carries many influences that she skilfully executes in her own lyrical way. I see more of the North American influence others may see more Arabic. One thing is clear, she loves her dark drawing lines. I actually really like this piece, and was grateful for her time.

Fats, Upfest, Bristol, July 2016
Fats, Upfest, Bristol, July 2016

921. Upfest 2017 (3)

I have only been familiar with the work of Losthills since last Upfest, and his wheatpastes are a joy – each one found is a treasure. It seems he stole a march on all the others this year by arriving in Bristol a day or two before Upfest.

Losthills, Upfest, Bristol, July 2017
Losthills, Upfest, Bristol, July 2017

Not only content with pasting in Bedminster, he also left a few treats in the Stokes Croft area too. This is a really great piece by Losthills, with Jake the dog posing as (I’m guessing here) Ed Sheeran. There is a lot of detail here, right down to the tattoos. Brilliant.

Losthills, Upfest, Bristol, July 2017
Losthills, Upfest, Bristol, July 2017

By the end of the second day of the festival, ‘Ed’ the dog was joined by some groupies.

A word about placement – I have said this before, but for wheatpasters, the location and orientation of your piece is almost as important as the piece itself. This is a perfect place, as good as any I have seen in Bristol.