Tag: Urban

Thursday doors – 9 January 2020

Doors 93 – The Bristol Hippodrome

The Bristol Hippodrome is part of the cultural ‘beating heart’ of the city and has been so since December 1912 when it was first opened. The history of the theatre is well worth reading about, but because this is a post about doors (and I am notoriously lazy) I would direct you to this magnificent specialist theatre history site – Arthur Lloyd.co.uk.

I have seen many great performances here including several operas by the Welsh National Opera, plays and of course pantomimes when the children were younger.

Another link I have with the old place is my mother performed here with the Sadler’s Wells National Opera in the 1950s as a principal dancer with the company. She has fond memories of the theatre and the city.

On to the doors. The feature photograph, also repeated below for those who look at these posts on smart phones, shows the main entrance to the Hippodrome. What you don’t see here is that every night after the theatre closes, several homeless people sleep in front of the doors where it is safe and dry – theatre staff tend to gently move them on in the morning as I walk past on my way to work. This is the 5th wealthiest nation in the world, something is very wrong!

Front entrance to the Bristol Hippodrome, Doors, December 2019
Front entrance to the Bristol Hippodrome, Doors, December 2019
Side doors (in need of a little TLC), Bristol Hippodrome, December 2019
Side doors (in need of a little TLC), Bristol Hippodrome, December 2019
Access entrance doors, Bristol Hippodrome, Decmber 2019
Access entrance doors, Bristol Hippodrome, Decmber 2019
Fire exit doors, Bristol Hippodrome, December 2019
Fire exit doors, Bristol Hippodrome, December 2019
Fire exit doors and quick exit after a performance, Bristol Hippodrome, December 2019
Fire exit doors and quick exit after a performance, Bristol Hippodrome, December 2019
The all important Stage Door for cast, musicians, tecnicians and groupies, Bristol Hippodrome, December 2019
The all important Stage Door for cast, musicians, tecnicians and groupies, Bristol Hippodrome, December 2019
Ever wondered how they get the scenery in? Barn Doors, Bristol Hippodrome, December 2019
Ever wondered how they get the scenery in? Barn Doors, Bristol Hippodrome, December 2019

 

So there it is, my first door post of the new decade. May I wish you all a very happy 2020.

If you like doors, you ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.

 

by Scooj

2678. Cheltenham 2019 (27)

I love the work of I Bee W, but feel a bit guilty that I haven’t posted much of his work – there is no reason for this, I just have a few pieces in my archive that never made it out. This poignant piece from the Cheltenham Paint Festival 2019 was always going to get posted as the subject matter chimes with me.

I bee W, Paint Festival 2019, Cheltenham, September 2019
I bee W, Paint Festival 2019, Cheltenham, September 2019

There is a high-gloss quality about this piece, which is remarkable really as it has been sprayed onto chipboard. The image is a sad tale of the disappearance of wildlife through biodoversity loss and climate change, the two most significant issues facing the planet. A little red-eyed tree frog – a representative of life on earth – is saying ‘Bye then!’ as if its existence is a trivial afterthought. Although quite funny, I find this piece and all it represents very depressing. I never thought I would witness first-hand the tipping point, where slowing or reversing biodiversity loss becomes impossible, but all I see around me is an acceleration towards that eventuality. Big changes are needed urgently if we want a beautiful future.

2677. Cheltenham 2019 (26)

One of the rather comforting things about the Cheltenham Paint Festival was the number of familiar Bristol-based artists who had been invited to paint, including the wonderful Mr Draws who is no stranger to Natural Adventures.

Mr Draws, Paint Festival 2019, Cheltenham, September 2019
Mr Draws, Paint Festival 2019, Cheltenham, September 2019

This imaginative piece combines a toothpaste tube with mountains… who’d have thought? When I first started photographing pieces by Mr Draws, a great many of them featured mountains, so it was nice to see this retrospective piece in Cheltenham. I have previously published a gallery of his work which you can see here.

2676. Cheltenham 2019 (25)

I have only once before come across the work of Buber Nebz and that was a fabulous dog piece that he painted at Upfest 2016. That dog and this fine painting of a woman listening to music could hardly be more different and demonstrates that the artist is most versatile and constantly evolving his style. On his website biography he stated that his recent works contain pixels, something he is playing with at the moment and that can be seen in the hair of this woman.

Buber Nebz, Paint Festival 2019, Cheltenham, September 2019
Buber Nebz, Paint Festival 2019, Cheltenham, September 2019

I think that this piece has an oblique reference to the book theme of the festival, by mentioning words in the context of music with the slogan ‘where words fail, music speaks’. I’m not sure if this is Buber Nebz’ quote or he is quoting someone else, but it seems to work well here. This is a nice clean piece with a great colour palette – a great contribution to the festival.

Buber Nebz, Upfest , Bristol, July 2016
Buber Nebz, Upfest , Bristol, July 2016

2675. Cheltenham 2019 (24)

Consistently creative, hugely talented and generally just brilliant, Chinagirl Tile keeps on turning out the most incredible ceramic installation pieces time and time again. This clever combination piece for the Cheltenham Paint Festival 2019 features a ceramic tile girl spray painting a child-like horse with blue spots. I was lucky enough to catch up with Chinagirl Tile when she was putting this piece together – it was all a little tense as she was running low on the bonding material for glueing the tiles to the wall. While we chatted I managed to sneak a picture of her plan for the piece, and I have to say it all turned out pretty much as she had imagined it.

Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019
Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019

I think that Chinagirl Tile is unique amongst street artists in that I don’t know of any others who make such elaborate and artistic original tiles of this type. There are many installation artists, but none who do anything like this.

Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019
Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019

The girl is made up of about fifteen or more separate tiles, each perfectly crafted, glazed and fired and pieced together seamlessly. It is a painstaking process but one that yeilds such fabulous results. And… you’ve got to love that monkey on her shoulder.

Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019
Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019

At festivals, Chinagirl Tile consistently remains one of my favourite artists and any town anywhere in the world would be uplifted by one of her beautiful tile installations. The best part is that they tend to remain intact for several years, for people to enjoy.

2674. M32 roundabout J3 (188)

There is something rather thrilling about coming across a new piece from a new artist and this is the perfect example. The wonderful bold wobbly woman, painted with a creative confidence that I just love is by Yoli Ward-Streeter (Yoliws) who is one third of an all female creative community in Bristol called glu (art).

Yoliws, M32 roundabout, Bristol, December 2019
Yoliws, M32 roundabout, Bristol, December 2019

It is high-time that we had an injection of new street art in Bristol and especially from female painters, you can never have enough. The thing I love most about this piece is the sense of freedom and fun that it exudes, there is nothing pretentious or arrogant about it and the naive style, simple outline and solid fill added together create something really rather different and special.

I look forward to seeing more from Yoli and her partners at Glu and am already aware of some small pieces down at Cumberland Basin that have been painted by this collective. All good.

2673. M32 roundabout J3 (187)

Face 1st has been at it again with this beautiful piece down on the north side of the M32 roundabout. I think this must have been his last piece of 2019 and it features both a happy and a sad face which might be a reflection of the year gone by. Let’s hope that next year’s equivalent piece has two happy faces.

Face 1st, M32 roundabout, Bristol, December 2019
Face 1st, M32 roundabout, Bristol, December 2019

The writing in this piece is so very easy on the eye with big fat letters and subtle shading and highlights that give it a nice 3D effect. The two things that stand out for me though are the little red heart and the tears of the crying girl. Thank you Face 1st for an incredible year of art, and a lovely t-shirt to boot.

2672. St Werburghs tunnel (128)

I have a feeling that although Kleiner Shames now lives and works in London, he must have friends or family in Bristol who he visits from time to time, and when he does, he takes a little time out to paint, which is lucky for us really.

Kleiner Shames, St Werburghs, Bristol, December 2019
Kleiner Shames, St Werburghs, Bristol, December 2019

This piece is one of a couple that he painted over the Christmas break in the St Werburghs tunnel. Spelling out FOIS, this is typical of the wonderful designed style that Kleiner Shames uses. The colours and solid fills are trademarks that identify his work, but it is the hint of art influences from the 1920s that I love to see. He is an artist that will always be welcome in Bristol.

2671. M32 roundabout J3 (186)

Ooh, there is so much to like about this gorgeous piece of graffiti writing from Rusk down at the M32 roundabout. The colour choices are magnificent and it is clever how the chrome/gray at the bottom of the piece matches the buffed background. The transitions between the the green/white/chrome are masterfully done, with an intermediate green to gently soften the blend.

Rusk, M32 roundabout, Bristol, December 2019
Rusk, M32 roundabout, Bristol, December 2019

As always it would appear that Rusk has taken time and care to produce this tight and very clean piece. Even the attention to detail on the smaller yellow RAW and RUSK is of the highest level. This is a classic Rusk piece and showcases really well his skills. Surely it must be time for a gallery of Rusk’s work – I’ll get to it.

2670. Stokes Croft

I think that this is the last qWeRT pasteup of our googly-eyed friend that I managed to find after a visit to Bristol by the artist a few weeks ago. This yellow love-heart character was pasted on a wall that sees quite a lot of tagging action, and not long after I took this picture the wheatpase became quite badly tagged, which is a pity.

qWeRT, Stokes Croft, Bristol, December 2019
qWeRT, Stokes Croft, Bristol, December 2019

There is something rather special about qWeRT’s wheatpastes, and it seems that all of them carry messages of love and hope and who can complain about that? Unlike spray paint, paste ups eventually get wet and peel away, a process that can take a few weeks in exposed places to a few years if they are more sheltered. This one I fear may not last too long.