Even though I don’t know the artists (yes artists), I have posted this for two reasons. Firstly I love the composition and transition of blues and secondly because I discovered a piece I had never seen before while photographing the blue faces.
The blue faces piece, although relatively simple in design has been beautifully executed, with each face in a slightly different shade nestling neatly with the one next to it. The eyes give each face a different expression. It looks like it has been signed LEF. Take a good look at the top left hand corner of the piece and you can see a little piece of installation art that has been overpainted…
This is a piece which I assume had been in situ for some time, but which I had not noticed ever before. It is the kind of work that Will Coles might do, but it is not quite his style. Entitled mammal, it reveals bare breasts (something of a rarity in Bristol street art). I love this, and liked it even more for discovering it accidentally.
Two pieces for the price of one, but both artists unknown to me.
Another archive piece, this time from #DFTE, on the famous wall on the corner of Stokes Croft and City Road. This is one of #DFTE’s framed pieces, and if I am honest, I’m not entirely certain that it is still there.
The words ‘We are all in this together‘ have a certain poignancy about them today as we sit in the midst of a global pandemic. I like the sentiment, but I dislike the way our government have rolled out this slogan (as if it was their invention) to try and inject some patriotism and collective responsibility for the fallout of coronavirus. I feel a monumental rant cominng on, so I will end the post now before I bore the living daylights out of you. In cheerier times I would appreciate the words more. I am a big fan of the artist and his alternative style.
Never was a message from #DFTE more apt and more welcome. As we find ourselves thrown into lockdown in the UK due to the Coronavirus pandemic, acts of kindness must be at the front of our minds at all times. For my part, having patience with my family is probably the single biggest challenge, but I must chill out and see the good. My wife and kids are amazing people and we have a chance to reset the dial in these unusual circumstances.
This is the second piece of street philosophy from #DFTE on Christmas Steps, right at the top (of the lower section). I rather like the fact that another kind soul has slapped a sticker on this framed installation saying ‘you are beautiful’. Bristol street art bringing out the best in us.
Curiosity, I think, is what led me down the path of becoming a street art hunter, chronicler and photographer, and it was seeing things like this that prompted that curiosity. What is that thing? Who put that thing there? Why did they do it? Who has noticed it? Was it legal?
This is a little alien mosaic, not by the world famous Spaceinvader, but by Mr Djoul a fellow Fench artist whose work complements that of his better known counterpart. Really pleased that he has been to visit Bristol sometime in the past six months I would guess. Always keep your eyes peeled.
Consistently creative, hugely talented and generally just brilliant, Chinagirl Tile keeps on turning out the most incredible ceramic installation pieces time and time again. This clever combination piece for the Cheltenham Paint Festival 2019 features a ceramic tile girl spray painting a child-like horse with blue spots. I was lucky enough to catch up with Chinagirl Tile when she was putting this piece together – it was all a little tense as she was running low on the bonding material for glueing the tiles to the wall. While we chatted I managed to sneak a picture of her plan for the piece, and I have to say it all turned out pretty much as she had imagined it.
I think that Chinagirl Tile is unique amongst street artists in that I don’t know of any others who make such elaborate and artistic original tiles of this type. There are many installation artists, but none who do anything like this.
The girl is made up of about fifteen or more separate tiles, each perfectly crafted, glazed and fired and pieced together seamlessly. It is a painstaking process but one that yeilds such fabulous results. And… you’ve got to love that monkey on her shoulder.
At festivals, Chinagirl Tile consistently remains one of my favourite artists and any town anywhere in the world would be uplifted by one of her beautiful tile installations. The best part is that they tend to remain intact for several years, for people to enjoy.
Here at Turbo Island we have two Mutatee faces for the price of one. One has been painted over while the other had been stuck to the wall more recently at the time I took this picture.
On the left the face is almost invisible, especially from a distance as it blends into the wall. What is rather comforting is that both of these little faces will probably be here for some time and undergo reasonably frequent facelifts whenever the wall is repainted.
The more recent face on the right has retained its vibrant blue colour that we have come to know and love in Bristol. I have now found quite a few of these little installations, but am rather hoping that there are plenty more to find.
I cannot for the life of me remember where this lovely framed philosophical offering from #DFTE actually is. I know it is in town, and probably on a wall that doesn’t have too many other street/graffiti art pieces, as #DFTE tends to stay away from the regular spots. I took the picture way back in March, and my brain is so useless that I struggle to remember what happened yesterday, let alone back in March.
The guidance presented here says ‘Love in such a way that the person you love feels free’. I’m not too sure I am on the same page as this one, because it might be making the assumption that love could be a form of imprisonment and I am not sure that that is what love is. Smothering love maybe, and perhaps that is what this is about.
I am annoyed that I can’t remember where this is, because one of the great skills of installation artists like #DFTE is that placement is a key element of the work.