A collection of street art from the Bristol street artist Kid Crayon
All photographs taken by Scooj
Kid Crayon
Tag: Wheatpaste
1679. Stokes Croft
Only a few days ago I posted some work by qWeRT in Cortona, Italy that must have been pasted up some years ago, judging by the shift in style (and also the fact that the Italian pieces were signed QWERTY). This is much more what qWeRT’s stuff looks like at the moment.
I love this particular wheatpaste with our googly eyed hero riding a scooter, and seeming so right for this particular area. The door is really quite a messy scrawl of tags, and indeed I think I must have walked past this piece several times before I actually noticed it…it is fairly well camouflaged. Hurrah for qWeRT coming to Bristol and leaving us these little presents dotted about the place.
1672. Cortona, Tuscany, Italy
It is an extraordinary thing to travel to a foreign land and enjoy all that feels exotic and different, to bathe in a culture and history so different from your own. More extraordinary still is to stumble upon the familiar in such a context, but that is exactly what I did on a recent visit to Cortona in Tuscany.
Of course, while walking through the streets of the town I needed no encouragement to take a peek down the side streets to see what surprises might lurk. I have to say that wheatpastes by qWeRT were not exactly what I had in mind, but that is precisely what I found.
Altogether I think I discovered five pasteups by this ‘Natural Adventures’ regular, each in a different stage of decay. I would guess that these had been up for a few years, and I find it all rather touching that the civic authorities haver chosen not to take them down.
What also interests me is that there are copies of the same wheatpastes, but they appear each to have been hand painted separately rather than printed. I admire qWeRT’s choice of destination for these wheatpastes and am thrilled to have inadvertantly found them.
It also looks like qWeRT has dropped the Y from the signature since pasting these up.
1661. Upfest 2018 (12)
To celebrate 10 years of Upfest (I can’t believe I have only been to three of them) D7606, a wheatpaster and I guess unofficial artist at the festival scattered ten paste up balloons, each with a famous face, high up on the main streets of Bedminster.
These are the first two that I found, one with Twiggy and the other with Elizabeth Taylor. Finding each was like a prize, and the hunt was great fun. I bumped in to D7606 several times over two days and as ever, he was very happy to talk about his work and experiences.
I love the addition of a string to each of the balloons which was loose and able to blow around in the breeze. D7606 told me he had to paste them high up, so that they didn’t get pulled down. Several of them have gone already, but not to trophy hunters, rather, they have been pasted over with new advertisements. These balloons were a worthy addition to the 10th Upfest…hats off to D7606.
Lucky find
In Cortona streets
I chance upon some wheatpasres
well, who’d have thought that?
by Scooj
1651. Hillgrove Street (7)
I don’t visit Hillgrove Street as much as I used to when I first started writing about street art, probably because turnover of work is very low there, so there is rarely new stuff to find. However, it is always worth checking every now and then, and these two (relatively) new pieces bear this out.
The wheatpaste on top is by qWeRT, who seems to have blitzed Bristol some time during late spring or early summer. This is another charming googly eyed pair…there is always so much hope and love in these paste ups.
The bird below is a nice simple stencil by RIP who is an occasional visitor to Bristol, and always leaves behind as few treasures to uncover. Both pieces complement each other and are placed carefully. Placement is a key skill for small stencils and paste ups. All good.
1644. Upfest 2018 (6)
One of the great wheatpasters at Upfest this year was C3 with her distinctive red haired characters hand painted onto written paper. I must have paused to chat with her and D7606 several times over the course of the two days. I think she told me that she had only pasted a couple of pieces this year. I could only find these two, and both are winners in my book.
The art of wheatpasting at Upfest is a delicate balance between finding the right time to go out – the festival organisers are not too keen, because they are responsible for keeping the street furniture clear during the three days – and finding the right place that isn’t over-crowded. Some pasters simply slap their work on any available space. Others like C3 and D7606 are rather more discerning. Love these two paste ups.
1629. M32 Spot (26)
I love the recent spate of wheatpastes from Object… and I think I might actually prefer them to his larger painted pieces, but both are great n my opinion. There is often something disturbing and emotional in Object…’s work with his political passion never too far from the surface.
Outspoken and earnest, Object…’s pieces certainly challenge the viewer to see the world through the eyes of the less fortunate. This piece, while not necessarily falling into that category, certainly carries with it a disturbing nightmarish quality. I happen to love this piece, it is just a shame about the tag across the bottom of it. I hope to find more of these paste ups around the city.
1603. North Street
The great thing about visiting wheatpasters is that rarely do they come to town and leave only one paste up. Rather they tend to leave a trail of little treasures dotted about the place, and that is exactly what qWeRT did on a recent trip to Bristol.
I particularly like this one of our googly eyed hero riding a scooter. The placement is in a little alcove that has been a honeypot for small stencils and wheatpastes, but is in its last throws as a street art spot due to the completion of a new development adjoining it. This is one of the things I am noticing about Bristol at the moment, it seems that there is a decreasing number of places where street artists can do their work. Gentrification is on the move and with it comes displacement. Of course, we all want a prosperous and attractice city, but beauty is in the eye of the beholder.
1588. Melville Terrace (2)
A yellow man in swimming trunks and a rubber duck’s head. This could only be the work of one man, and just in case you were in any doubt, he has rather helpfully signed the piece over the top. It is of course Face the Strange.
I’m not entirely sure when he pasted thie piece up, it looks quite old, but I don’t recall seeing it at Upfest 2017, so maybe he visited Bristol after that and put it up, or maybe I just hadn’t registered it before. It is a fine wheatpaste and appeals to my surreal tastes.
Natural adventures 