1125. Cheltenham Road, Library (1)

Now this is a beautiful recent piece by Jody, and make no mistake I rate this extremely highly. I am however slightly conflicted by its placement. As part of Government public spending cuts, Local Authorities have had to make some difficult choices. Closing under-used libraries has been one way of reducing costs, and generating income from sale of the land. This hoarding has been erected around the building site that was formerly the library.

I am not particularly conflicted about any of that though, my issue is that the construction firm have gone out of their way (it seems) to avoid attracting graffiti to the hoardings (in an area where hoardings quickly become ‘decorated’). As part of this, they have commissioned two great street artists to complete panels, of which this is one. I suppose what bothers me is that it is that the message this sends out is that these boards are ok for some artists, but not for others. Who decides? On what grounds? How do the artists feel about this? It all feels a little uncomfortable.

Jody, Cheltenham Road, Bristol, November 2017
Jody, Cheltenham Road, Bristol, November 2017

Putting all of that aside though, I think that this is absolutely stunning, and I consider this piece by Jody to be as good as any other I have seen of his. He does beautiful women’s faces to perfection, and I like the way the hair morphs into a smokey cloud.

Jody, Cheltenham Road, Bristol, November 2017
Jody, Cheltenham Road, Bristol, November 2017

What a treat for me to be able to walk past this every day on my way to work. It will be interesting to see how the graffiti community treat this. Jody is held in high regard, but there are some taggers out there who have no respect and they may take exception to this hoarding being for the select few and not the many.

I will update this post if anything happens.

593. Upfest 2016 (87)

Jody is no stranger to the streets of Bristol and I have featured works of his before, most recently this Virgin Mary just off North Street. He was one of the established Bristol artists at last year’s Upfest and took over a tricky wall that had previously been occupied by Osch and his tiger.

Jody, Upfest, Bristol, July 2016
Jody, Upfest, Bristol, July 2016

I watched this piece by Jody take shape over the two days of the festival, and visited the scene a few days later to get a decent view of the piece. It is absolutely stunning. Clean, fresh and with a story going on.

Jody, Upfest, Bristol, July 2016
Jody, Upfest, Bristol, July 2016

This wall, however, must be the most difficult to photograph of all the walls used at Upfest. Try as I might, I just don’t seem to be able to get a decent shot. I notice that Jody took one from the top of the building opposite, but not all of us are fortunate enough to get such a privileged view.

Jody, Upfest, Bristol, July 2016
Jody, Upfest, Bristol, July 2016

I do like this piece, and admire it every time I walk up North Street. A great piece by the self-styled ‘aerosol artist’.

Jody, Upfest, Bristol, July 2016
Jody, Upfest, Bristol, July 2016

 

310, Raleigh Road, Tobacco Factory (2)

Behind the Tobacco Factory there is a car park, and on the wall of each of the stalls there is a piece of art by a different street artist. I am not sure if this is just an Upfest thing, but I have a feeling that they do change from time to time, and not just during the festival.

Hannah Adamaszek, the Tobacco Factory, Bristol, June 2016
Hannah Adamaszek, the Tobacco Factory, Bristol, June 2016

These pieces are a challenge to photograph, because, being a car park, there are usually cars parked in front of them and that was the case with this beautiful, calming piece by Hannah Adamaszek. Hannah appeared on my radar back in June, and I have to say I really like her work. It balances out all the other work that I see and is refreshingly different. It is all part of the spectrum of art that Bristol has to offer.

Hannah Adamaszek, the Tobacco Factory, Bristol, June 2016
Hannah Adamaszek, the Tobacco Factory, Bristol, June 2016

I am really fond of this piece, which is weird, because I wouldn’t naturally like this kind of thing, but seeing it up close there is just something about it that attracts me. More please Hannah.