1981. Raleigh Road, vector (27)

How can it be that my archive is stuffed full of great art? This is a case in point, a fabulous piece of graffiti writing from Soker from back in June 2017 that I didn’t post at the time. I really ought to pull my finger out, but short of posting four or five pieces a day (which I don’t have time for), I’m not sure how to do it.

Soker, Raleigh Road, Bristol, June 2017
Soker, Raleigh Road, Bristol, June 2017

Should I be more selective in what I post first time round? I don’t think I can really do that, because this blog is about honesty and seeing the world warts ‘n’ all. There are other people who publish sanitised street art for the ‘coffee table consumer’, I like to think that Natural Adventures is a little more inclusive and raw (as well as documenting contemporary Bristol artists). This piece has a retro feel to it and would not look out-of-place on the New York subway. Always great work from Soker.

1980. Dean Lane skate park (186)

Another overlooked piece from my archives, this time from Elvs in Dean Lane. It is very possible that this remained on file for so long because at the time of seeing it, I didn’t know the artist and so left the picture in a folder. Because the turnover of pieces in Bristol is so high, many that I photograph never see the light of day, but on my occasional trawls through the archives I like to dig some oldies out.

Elvs, Dean Lane, Bristol, November 2016
Elvs, Dean Lane, Bristol, November 2016

Elvs’ skills are obvious for all to see, and the crisp lines on his distinctive writing style are a pleasure to observe, and in this one, the shading within the letters is masterful. A great piece on the bit of wall that is very difficult to photograph…as you can see.

1979. M32 roundabout J3 (122)

More archive stuff, this one from Deamze in 2016. You can be certain that it isn’t recent, because Deamze is currently in Hobart, Tasmania turning out some utterly awesome work. I am not sure if he has moved out there for good or if this is a temporary arrangement, but either way our loss is their gain.

Deamze, M32 roundabout, Bristol, August 2016
Deamze, M32 roundabout, Bristol, August 2016

I have seen this particular design and colour scheme a couple of times before from Deamze, but that doesn’t detract from it in any way. In fact it might be that the other works were from roughly the same time, which would make sense.I wonder if ‘Quick’ refers to this being a quick one.

1974. M32 roundabout J3 (121)

You’ll know how much I try to avoid writing posts about artists I know nothing about, but sometimes the piece is just too good not to share. This is one such example. Some really classy writing, as part of a paint jam, which included all sorts of artists I am not familiar with. This piece I am guessing is by Debris.

Debris, M32 roundabout, Bristol, January 2018
Debris, M32 roundabout, Bristol, January 2018

Of course it is possible the piece is by another artist who just happens to be writing the word ‘DEBRIS’ but it is unusual for graffiti writers to stray from their preferred letters/name. There is an energy about this one that I really admire, and I love the fiery stripe running through all the letters. I’ll have to keep my eyes peeled for more from this artist.

1964. Dean Lane skate park (185)

The thing I love about Soker is that he is his own man. Quietly and without fanfare, he’ll just saunter down to Dean Lane and create something like this. No fuss, no bother, but just how good is it? If you ask me it is a brilliant , and he must be one of the best writers in the UK right now.

Soker, Dean Lane, Bristol, January 2018
Soker, Dean Lane, Bristol, January 2018

The salmon pink background is quite an unusual colour, and one I haven’t seen much of before. If nothing else, it helps the writing and black outline to it stand out. The three shades to the lettering fill are quite understated, but just to give the whole thing a bit of a spark, Soker has included five orange accents within the lettering. An outstanding piece and one I certainly wasn’t expecting to find.

1963. M32 roundabout J3 (117)

The pieces that I post on Natural Adventures probably represent only a small proportion of what is out there at any one moment. Of course I tend to write about the stuff that I like and I might have an unconscious or even conscious quality filter to make sure that what appears on these pages makes the grade. At any one time there are dozens of artists and graffiti writers that are just bubbling under and who I am aware of, but their throw ups and bombing are not really anything special. There comes a point when work by these artists starts to get too good to ignore and this is such an example by DUSK.

Dusk, M32, Bristol, January 2019
Dusk, M32, Bristol, January 2019

Recently there has been more and more great work appearing from this writer and to date this is finest piece I have seen. This is a work that is bright and vibrant and smacks you in the face saying ‘look at me’. I hope that this will be the first of many pieces by Dusk on this blog and that we can see how the artist develops. I also hope to find out a little bit about Dusk by way of background and context.

1961. Armada Place (14)

Every once in a while, this spot gets some TLC which it surely deserves especially as much of the stuff that appears here is not great or gets tagged within an instant. This is one half of a collaborative session from Sepr (to follow) and Epok.

Epok, Armada Place, Bristol, January 2019
Epok, Armada Place, Bristol, January 2019

The piece was sprayed as an end of year celebration to see out 2018 (good riddance) and welcome in 2019. A sensational colour selection and all the hallmarks of a classic Epok piece – I love it to pieces.

1958. M32 roundabout J3 (115)

Regular readers might recognise this as the work of the wonderful talent that is Kleiner Shames. His colour palette and the shapes of his letters are very distinctive, and if that is not enough to go on, the letters FOIS should give it away.

Kleiner Shames, M32 roundabout, Bristol, January 2019
Kleiner Shames, M32 roundabout, Bristol, January 2019

Such sights are a bit of a rarity in Bristol these days since the artist trundled off to london to find his fortune, but I guess he still hankers after the old city of Bristol and makes these occasional trips and marks them with fine pieces like this one. I find his letters very calming and gentle and aesthetically pleasing. Nothing jars. Always a genuine pleasure to find one of these.

1945. Dean Lane skate park (184)

Aaah, familiar stuff from Mr Draws and one that had been inadvertently omitted earlier in the year, which is surprising really, because it is so very good.

Mr Draws, Dean Lane, Bristol, February 2018
Mr Draws, Dean Lane, Bristol, February 2018

There is always something very cheery about his work that works for me. In this piece, the filler is absolutely beautiful, the two colour palettes above and below the yellow line are brilliantly complementary and the bubble effect imperious. I really love the simple idea and lovely execution of this one. Can’t believe it has taken almost a year to post it!

1942. Raleigh Road, Vector (26)

Over the Christmas break I decided to spend a bit of time trawling through my archives of 2018, to see if I might have missed some pieces that deserve a post. This piece by Khoi had been overlooked, probably because I am not familiar with the artist, and rarely see his/her work.

Khoi, Raleigh Road, Bristol, January 2018
Khoi, Raleigh Road, Bristol, January 2018

I am guessing that Khoi is an occasional visitor to Bristol, because the artist’s pieces are few and far between, or maybe they are just an occasional writer. This piece was created in January last year and was part of a paint jam with Sled One and Corupt. There is something unusual and rather compelling about the piece, and while perhaps not to everyone’s taste it does have a charm to it.