I’m not entirely certain I have seen a collaboration between Andy Council and Soker before so this recent piece on North Street is something of a wonderful surprise. The whole thhing is beautifully balanced and the colour selections work perfectly. The Soker burner in the middle is book-ended with the front and back of a dragon with parts of the back running the length of the whole piece for continuity.
I’ll start with the Soker writing, which as ever is top notch with a five colour horizontal fill that works really well and some pink/mauve 3D shading that adds real depth to the lettering. On its own this is remarkable.
The front end of the dragon by Andy Council is made up of individual components stitched together with pink looping thread. There is movement and power in this dragon, but its form is a figment of our imaginations. Very clever.
The rear end of the dragon is more of the same, but some of the component parts begin to resemble feathers flutteing away, which I am sure is no accident, because Andy Council’s usual preference for dinosaurs woud include scales and primitive feathers (derived from scales). A wonderful collaboration from thes two godfathers of Bristol street art.
Thank you Banksy for your recent visit to Bristol. I thank you because your piece drew me to an area of Bristol that I have not been to before, which is a bit of a crime for a street art hunter because Barton Hill was where a great many Bristol graffiti artists cut their teeth. Only a matter of a hundred meters or so north of the Banksy Valentine piece is a long wall on the boundary wall of Netham Park where I found this old piece by Andy Council.
The stegasaurus-type dinosaur composed of buildings and trees is typical of the incredible work that Andy Council has become famous for. I can’t believe that I didn’t know about this piece, but that is what makes doing what I do so much fun – surprises lurk around every corner. A very satisfying find on a red-letter day.
I was on a mission to buy a couple of birthday presents a week or two back, and was running out of options (and time) so I took a stroll up Gloucester Road to see what I could find, as my usual ‘sure thing’ the Guild on Park Street had somewhat let me down. One of the shops I visited a couple of times was CoLAB, a shop that sells art from local artists. This particular shop also has strong links with the street art scene and stocks a range of books published by Tangent on the subject.
On my second trip into the shop, which sealed the deal on a rather nice print of the Carriageworks (with the Iconic Sweet Toof and Rawdy crocodile), I noticed this little alcove that looked a little bit like an ex-changing room (not an exchanging room, that might be something completely diffierent). Hurrah, the unmistakable work of Andy Council.
I don’t usually post indoor art in Natural Adventures, but just occassionally…
I suspect, looking at the wear and tear on this piece it might have been done some time ago. In true Andy Council style it features a bunch of dinosaurs that are constructed out of small houses and includes the Clifton Suspension Bridge, just for good measure. His work is inextricably linked with his home city and his identity can be found all over the place. A great find in a great shop that I will visit more frequently I’m sure.
This wonderful piece by Andy Council on Sevier Street on the entrance to a ‘green’ food market has been around for quite some time, but I just never got round to photographing it until this ‘car shot’ in July this year
Andy Council is Bristol personified and his works record the magnificent landmarks of the city and presents them woven into the form of an animal, in this case some kind of beetle. When one thinks of Bristol murals, Andy Council is always front of mind.
Mid-way along North Street is a rather nice craft shop called Creative space, and recently Andy Council gave the upper level a fabulous makeover. I think it was part of the Upfest Summer Editions event, which has more than made up for the lack of a full blown festival this year.
The space is not an easy one to paint and I think that Andy Council has made a great job of creating a symmetrical piece over the two windowswith what looks like two Chinese dragons facing off in the middle.
As with all his pieces, if you take a little look closer you can see that it is made up of buildings and architectural features, and around the beasts there is a liberral sprinkling of toadstools. This is a stunning piece (difficult to photograph on account of the bright skies behind) that exemplifies the talents of this most treasured Bristol artist.
Exploring new parts of Bristol always has its rewards, and I found this piece by Andy Council completely by accident when I went on a pilgrimage to see the My Dog Sighs and Curtis Hylton collaboration up on Windmill Hill.
It seems that Andy Council’s pieces are dotted all over Bristol, and after five years of writing posts like this one, I still have several more to find. The reason that his work is so dispersed is that he does a lot of private commissions and so he is not confined to the few ‘legal’ spots in Bristol to show off his fabulous work.
This splendid peacock is a great example of Andy Council at his very best in which the whole creation is made up of buildings typical of the area in Bristol. The blue colour scheme suits this piece and the wall superbly. A great find, and good to know that there are still these hidden gems all over the place.
Here we see yet another great new wall for Upfest 2018… the organisers really pulled out all the stops for the tenth anniversary festival. Slightly off the beaten track, but well worth the walk is this enormous piece by Andy Council on a Wessex Water building.
This is a really wonderful piece that features a couple of Otters, characteristically for this artist composed of architectural landmarks from Bristol. Andy Council needed extensive scaffolding to get the piece completed safely, which remained in place beyond the end of the festival, so many visitors might not have seen the completed piece.
He seemed to be enjoying himself up there, but was well away from the bustle of activity in the main painting areas.
Three landmarks clearly visible on the otter on the right are the Clifton Suspension Bridge, the Create Centre and the Tobacco Factory. This is yet another outstanding piece from Andy Council and one that I hope remains for a long while.
I’m not sure how often Andy Council participates in paint jams (I can’t recall any recent occasions) but he certainly joined in the spirit of this one down on the M32 roundabout between St Agnes and Easton.
Andy Council is well-known for creating pictures of animals or birds that are composed of natural of built features. He has excelled himself with this beautiful duck-billed platypus swimming through a watery scene. This is a wall that just keeps on giving and will continue to do so until its next makeover and then its next.
What a fine addition to the main drag of North Street from Andy Council. A fresh piece, which I hope will remain for Upfest 2018 from one of the most identifiable Bristol street artists. I understand the artist whose work previously occupied this spot was not overjoyed, but I think I know whose work I’d rather see.
This piece is similar in shape and size to one of his that I posted a few weeks ago on West Street. The subject is of a dinosaur although I’m not exactly sure which one – it looks like one of the ones with a bird-like tail. Typical of his work, we see the whole creation is composed of architectural building blocks and common with Andy Council’s pieces, there is the inclusion of the Clifton suspension bridge. The red billowing smoke adds movement to the whole piece. More fine work from Andy.