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Leaving en famille
a lengthy operation
on our way at last.
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by Scooj
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Leaving en famille
a lengthy operation
on our way at last.
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by Scooj
This is a brilliant new hoarding in an area that Voyder likes to spray in a lot. He used to spray in the car park next to these boards, but it is out of bounds at the moment while the construction work is going on, so the hoardings will do. His last piece here was the ‘sticker’ piece which I still think is one of his best.

This one is vibrant and eye catching, and if you take a closer look, you can see that the letters are constructed with bones. A fun piece from this Bristol master.

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Exquisite music
oozes from the car speakers
easing the journey.
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by Scooj
Pink tinged wisps scattered
across a darkening sky
as blackbirds chatter.
by Scooj
Another political message and contorted body from the philosophical ObjectØØØ. The tunnels of the Bearpit provide probably the best space in Bristol for political comment as the area attracts some of the most socially deprived or uncared for people in the city. It is a place where culture and the impacts of government cuts converge in an angry outpouring and sense of injustice.

ObjectØØØ’s pieces always capture this sense of outrage – you are never in doubt about what he cares about. It is good that he chooses to do something about it through his artwork. This is a powerful piece, carrying the slogan ‘lucky not better’. In the piece, ObjectØØØ has painted a pained figure, a fallen angel maybe, appearing to crash to the ground. His trademark feathers and wing mark this out as one of his works. A really great piece.

This is a rather lovely recent piece from Andy Council to celebrate the Chinese New Year and the year of the Rooster. The colours are fantastic and he has created a special Chinese take on the Clifton suspension bridge – a nice touch.

The piece is not very far away from the turkey that he sprayed back in November. Andy Council is probably one of the most well known street artists in Bristol, as he combines his pleasure spraying with all sorts of design commissions in the city. A popular artist who is at the heart of the Bristol street art movement.

Flowerpot showers,
frantic feather ruffling,
Spring is in the air.
by Scooj
This piece is a really interesting collaboration between Ulysses Nevmer and Alexandr Hade both from Minsk in Belarus. Searching the Interweb to try and find out more about them, it would appear that they have worked together before.

The piece features two female portraits, looking towards one another. It is difficult to know if they are the same person or different people, but there is clearly a story going on. There is a confidence about Nevmer’s figure and on the left and Hade’s figure to the right is seeming to look on, longingly with some uncertainty.

Ulysses Nevmer tends to paint people, so she says in the Upfest programme biography, “because they are beautiful , also not only outside!” You can see more of her work on her Facebook page.

Aleksandr Hade has an interesting statement in his biography and it relates to the story in his pieces mentioned above:
“The front layer of Aleksandr’s works may seem pretty obvious and straightforward at first sight, though almost always it has its hidden meaning or a story to tell. The whole essence of his art concludes in prompting the audience to speculate on the real storyline and the idea beneath the seem-to-be-evident form. Aleksandr mostly touches on the themes of diverging time, people’s attitude to nature and mythology.”
Though roles are reversed
the outcome is much the same;
be my valentine.
by Scooj
Jack Sprat could eat no fat
His wife could eat no lean
And so between them both, you see,
They licked the platter clean.
Peter Sheridan is an artist from Glasgow who is now based in Dorset having been raised in Manchester. He has been painting since 1982 when he returned from an inspirational trip to New York at the tender age of 12.

This piece was one of the first satirical pieces that I had seen, coming so soon after Theresa May had been appointed as leader of the Conservative Party in Early June 2016, and by default landed the job of Prime Minister.

Sheridan managed to combine May’s rise to the top with the Pokémon-go craze that was sweeping the nation at the same time.

This is a great commentary piece and presents us with a rather sinister view of the Prime Minister, something that I think chimes with a great many people who are not wedded to the right/far right of British politics.
