I recently found out, from reading an interview with John D’oh, that he tends to create these single layer political stencils for places like The Bearpit, where their lifespan may at times be only a day or two. His more complex multi-layered work is reserved for walls where longevity is more likely…an utterly understandable position.
This piece is highly critical of Theresa May and the growing problem of homelessness and rough sleeping that is plaguing towns and cities across the UK. I really like the work he does and the way he uses his art to express political ideas. Much of his artwork tends to encourage ‘embellishment’ from passers by, and this one is no exception. The ‘cock and balls’ motif being put to good use.
Peter Sheridan is an artist from Glasgow who is now based in Dorset having been raised in Manchester. He has been painting since 1982 when he returned from an inspirational trip to New York at the tender age of 12.
This piece was one of the first satirical pieces that I had seen, coming so soon after Theresa May had been appointed as leader of the Conservative Party in Early June 2016, and by default landed the job of Prime Minister.
Sheridan managed to combine May’s rise to the top with the Pokémon-go craze that was sweeping the nation at the same time.
This is a great commentary piece and presents us with a rather sinister view of the Prime Minister, something that I think chimes with a great many people who are not wedded to the right/far right of British politics.