In a little pedestrian tunnel, under the M32 motorway are a couple of really great walls. Great for spraying that is…less great for photographing. This is yet another wonderful collaboration piece from Deamze and Voyder, who always seem to work with Deamze on the left and Voyder on the right. I don’t know if this is a deliberate or subconscious thing, but it is pretty much always the case.

What is particularly captivating about these pieces is the white subject on a pillarbox red background. Deamze has worked a particularly nice bit of wildstyle writing with an interesting cartoon character who looks a little like Captain Klutz from MAD magazine, but isn’t.

Someone out there probably knows who it is. I love the angular style of this piece and the limited colour range. It is a fine piece.

It is becoming very difficult to describe Voyder’s work these days, as I feel he has hit such a high level, and that veach work pushes boundaries and demonstrates his command of his craft.

This is such a beautifully constructed piece and resembles a paper cut out. It is such a pity the photograph just doesn’t do it justice. That red just sets the piece off perfectly.
The Bristolian (is that what people from Bristol are called) artists seem to be trying new things. I like the way the two pieces are connected with the character spraying the next piece.
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Many of the Bristolian (yes that is correct) collaborations use the one half spraying the other. It is a way of joining two collaborative pieces without merging them.
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Now that’s a particularly wicked piece . . .
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I agree. Not to everyone’s taste, but I think these two are at the top of their game.
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