The board has been nicely grey washed, making it a perfect backdrop for this superb clean piece of wildstyle writing from Subtle. It has been a little while since I saw anything by him, but this is one of at least two recent works I know about.
It is always nice to se his work on the streets, it keeps things fresh. In my view, this is a very classy piece of writing. I hope it is the beginning of many more pieces from another one of bristol’s talented pool of graffiti writers.
Nation divided
by weather and politics;
flood, drought and Brexit.
by Scooj
On an environmental leave day a couple of weeks back I was litter picking down on the New Cut, the diverted course of the tidal River Avon in Bristol. During the litter pick, one of my colleagues asked whether I had looked at a piece of street art she has been telling me about for a little while. During the lunch break, I took a short walk into Bedminster where the mural was, not far from the New Cut.
I found the piece, and instantly saw that it was by Andrew Burns Colwill, his style is so distinctive. This piece has breathed new life into what was previously a bland wall and brought with it an exotic feel – street art for a local community. It is beautiful.
This work has a lovely watercolour quality to it. The details of the piece poke through a misty haze, and the derelict archway give it a classical feel, the whole thing being soulful, peaceful and romantic. I’m not sure if the church is based on a real one or whether it is from Burns Colwill’s mind, probably the latter.
I am a big fan of Andrew Burns Colwill’s work, and have found him great company on the few occasions I have met him. One day I will go for that drink with him and get that interview he agreed to some months ago!
At first a gentle
plink plink tapping the windows,
then the crescendo.
by Scooj
This is the second stunning piece that has recently been commissioned (I guess) on the hoardings outside the site where the library used to be. You can read more about my thoughts on this here. The shark here is absolutely amazing and Sophie’s trademark drips are to die for. I honestly think this is one of the best street pieces I have seen in a little while.
Sophie Long has captured the form and slow movement of the shark perfectly and the reflected light ripples across the dorsal surface. Of course, as someone with a marine biology training, I am particularly taken with this piece. Sophie Long is a local artist whose work I have seen before, but not posted yet. Her website gives you a good insight into some of her work.
Door seven
This door belongs to the Hatchet Inn, the oldest pub in Bristol which dates back to 1606. It is said that the pub is haunted and that the door is made of human flesh, beneath the tar. Hmm.
by Scooj.
Well here’s the ton up and it’s still only November…who knows I might actually complete my Upfest 2017 posts before Upfest 2018! This is a beautiful piece by Rory McCann who has used his art to help him overcome his childhood health problems with arthrtis. His passion for drawing in those early years has grown to larger scale murals.
Much of his work is about the environment and wildlife in the hope that it will help people to connect with nature. So far he has painted more than 80 large murals in schools, hospitals and public spaces, some of which you can see on his website. This Upfest lion is a stunner – those eyes! One of the truly memorable pieces this year – it was a pity it was a bit tucked away in the Ashton Gate stadium entrance as his work surely deserves more exposure.
I am rather fond of this fishing collaboration between Shane Ha and Niall O’Lochlainn, neither of whose work I have come across before (I think). Both are artists and illustrators from Dublin although I’m not sure if they have collaborated before.
In doing just a little Instagram research on this piece I have rather fortuitously come across a couple of extra pieces they left behind in Bristol, so I will be popsting those before too long I hope.
I was trying to establish which artist did which character, but I’m not sure I can tell, and this might be one of those examples of a collaboration where they both did bits of both. I’m not sure I will ever know. Nice piece.
.
The workshop
was where we spent time
away from
all others;
my grandpa the carpenter
I the observer.
.
by Scooj
.
Last words to colleagues –
‘armageddon outta here’;
pained groans and laughter.
.
by Scooj
Context is all – the office conversation as I was packing up to leave was about the terrible and declining state of the world, of everything.
Natural adventures 