I would guess that I only manage to photograph about one in three of Mote’s pieces, which might give you an indication of how prolific he has been over the last few months. This piece under Brunel Way is a bit of a departure from his regular fare.
The stylised face is not a monster, but a human portrait, although it has all the characteristics of Mote’s work. Strong lines, solid fills and fine details created with black lines. The danger of painting the familiar, as opposed to wacky monsters, is that the piece will immediately be compared to a human face, there is a benchmark that we all have and recognise, and it is easier to criticise. Stylised works like this one work well, because they are self-knowing that they are representative of a face, but not an actual face. Great experimentation from Mote.