
I thought that Creamylines might have been a bit of a flash in the pan when his pieces tailed off last year, so it was hugely exciting to find this piece recently under the M32. His work lends itself particularly well to columns, although it would probably work equally well in a landscape format.

I like to think of his work as being similar to stained glass, with each element being surrounded by a solid line, like lead around glass. The way the colours work together would also not look out of place in a window with light shining through. As with much of his work, the sun is prominent with rays emanating out across a scene strewn with little characters and eyes. Great stuff from Creamylines.















