I think that Sako is an occasional visitor to Bristol, or simply doesn’t paint all that often. This is only the second piece I have featured by Sako, and it is absolutely superb in my view, cleverly painted in subtle tints of rose and turquoise. Coincidentally, there is something about the mood and tone of the piece that is similar to my earlier post today by Andrew Burns Colwill.
Sako, M32 Spot, Bristol, August 2023
Sako has used the limited space and shape of the column to perfection. There is an interesting relationship between the character and the built environment, and although I am not too sure what the story is here, I believe there is one being told. The colours are perfect together, and I would love to see more of this combination (note to self – buy these colours) on the streets. This is a great piece by Sako from back in the summer.
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023
This absolutely sensational piece by Andrew Burns Colwill, is another from the paint jam celebrating 650 years of Bristol, and is the one that probably most closely follows the brief. The idea behind the paint jam was to celebrate Bristol, to paint with brushes (no spray cans), and to paint in a Renaissance style. Andrew Burns Colwill manages to nail it with this outstanding mural.
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023
These pictures somehow got stuck in my pipeline system for publication, and were prompted (rediscovered) by yesterday’s Martin D’Acy piece, which is pretty much adjacent to this one. The elephant in the room with these pictures is the rather unfortunate and prominent street furniture, in the form of scooters and bins. I thought long and hard about waiting to get some ‘clean’ pictures of the piece, but felt publishing them ‘warts and all’ was probably more authentic, and the scooters in particular are directly referenced in the work. I will return however and get a clean shot to post here in due course.
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023
The piece is in two halves, split vertically down the middle, with the left-hand side being the old city and to the right the modern city. His soak stain technique creates a washed appearance and extraordinary atmosphere. The old city, painted in light optimistic hues, is prosperous and on the up, and alludes to its merchant connections and seafaring trade. There is beauty in the characters, oxen and architecture that Andrew Burns Colwill has captures perfectly.
Andrew Burns Colwill, Queen’s Road, Bristol, August 2023
Contrast this with the right-hand side of the piece, which is a little darker in shade and mood. There is an impersonal sense that prevails as individuals rush from one place to another on their scooters, emblematic transport of our time. Like so much of his work, Andrew Burns Colwill tells a story here, and it is not all good. The optimism and vibrancy of our past has not ended with the social progress and cohesion we might have expected, but with an almost dystopian present.
The story is clear, and most beautifully painted. If you happen to visit Bristol, take a moment to seek out this piece and spend time looking at it and feel the history of the place.
Although I don’t recall seeing any of his work in Bristol, I am aware of Martin D’Acy and his outstanding murals, having seen some of them in Weston-super-Mare, which to my shame, I haven’t yet published on Natural Adventures. This piece was painted as part of the Bristol 650 year celebration and paint jam, curated and coordinated by Upfest and Bristol BID.
Martin D’Acy, Queen’s Road, Bristol, August 2023
The stunning and tranquil scene, which has been painted on some extraordinarily tricky door panels, depicts manicured parkland and a beautiful stillwater. There is a sense of a designed country estate with attractive follies, something deeply entrenched in British culture. I am not too sure what happened on the bit of wall between the windows and the doors, but it looks like the piece is perhaps unfinished. Nonetheless, this is a truly excellent mural that many may ignore, perhaps assuming it is one of those stick-on plastic pictures that blight shop windows on our streets. My advice to those who don’t open their eyes… put your phone down and look around you.
I was fortunate enough to be driving by when Stivs and Vane were pretty much finishing off this piece, but couldn’t take any pictures at that time, because Vane had parked his van in front of it while they were clearing away all their gear. I didn’t go back immediately, knowing that it was a commission piece that would be respected by taggers.
Stivs and Vane, Mina Road, Bristol, August 2023
The fantasy woodland piece is a true collaboration, where it is not possible to disentangle which artist painted which bits of the extraordinary work. The piece is quite unusual in Bristol, as we don’t get to see many of this kind of collaborative mural. Each of the artists has included some letters, with Stivs writing DSC on the left and Vane writing TAF on the right.
Stivs and Vane, Mina Road, Bristol, August 2023
The almost Disneyesque style of the piece, it reminds me a little of Sleeping Beauty, is compelling to look at and beautifully executed. So absorbing is the piece that it is difficult to see that there is a garage door right in the middle. A garage door that once played host to an outstanding piece by Silent Hobo. This is something you might usually associate with Upfest and a premium wall in Bedminster, but here it is in Mina Road, thanks to an enlightened resident. Bravo gentlemen!
Kid Krishna, Cumberland Basin, Bristol, September 2023
Earlier on this year, perhaps the most productive and creative street artist in Bristol for a while was arguably Kid Krishna. He was smashing it all over the place with his writing/character mash-ups and then, all of a sudden, nothing until about three weeks ago. I know that he had some other projects on the go and perhaps he was working on those.
Kid Krishna, Cumberland Basin, Bristol, September 2023
This piece, on his return, is much softer and rounded than what I am used to seeing, but still characteristically a Kid Krishna piece. The letters spell CRIE, not that you’d be able to guess just by looking at it. I would describe this piece as more ‘mainstream’ than some of his work, but he has since painted something a little bit more ‘scratchy’ in St Werburghs. I hope that we will be seeing more of his street work over the remainder of the year.
This lovely script writing piece by Logoe was one of nine painted during a frenzied 24 hour period of activity when he visited Bristol a few weeks back. I think I only managed to find five of them, and often these blitz pieces get painted over quite quickly, depending on where they are.
Logoe, M32 roundabout, Bristol, September 2023
It would be inconsistent of me to say I like the colours used in this piece, because I have said repeatedly on Natural Adventures that brown colour palettes are probably my least favourite. What he has done here is great to see… just a shame it is brown.
This is not the easiest canvass on which to paint, but Mudra has more than coped, in fact he has excelled, with this piece, painted during a bit of a paint jam alongside Kosc, Nugmoose, Momma Nature and Peggy. I get the feeling that Mudra drew the short straw regarding wall space. What you can’t really tell from the pictures is that Mudra has painted on a low slope of about 20 degrees – back breaking stuff… even the dog thinks so.
Mudra, Dean Lane, Bristol, September 2023
The writing itself is another masterclass from Mudra, devoting a different design to each of the letters but somehow combining them seamlessly. In the middle is a little vehicle that looks a little bit like a Sinclair C5, but might be something else entirely. I like this piece a lot and have great admiration for the end result on a very tricky bit of concrete.
When I first saw this piece I wasn’t immediately sure who it was by, and the penny didn’t drop for several days, mainly because the central elements used by Morag are there, but the fruit somehow completely threw me off the scent.
Morag, Cumberland Basin, Bristol, September 2023
Most of the Morag pieces I have seen to date have been individual faces, usually painted on columns. This piece is telling a bit of a story, and from a fruit perspective, perhaps a rather sinister story, the suggestion being that the large bully orange is extracting juice from a grape much to the consternation of the apple. The face drawing using a single line technique is the trademark style that gives the artist away. It has been a while so it was great to find this piece a few weeks back.
Doors 238 – Lincoln City doors (Part X) – Leftovers (B)
I did say last week that this post would be the last from Lincoln, and indeed it is (imagines a huge sigh of relief). I don’t quite understand how, but some of the best doors seem to be in this week’s final leftovers. Maybe I was holding them back for a special mention, or maybe they didn’t fit with a particular theme. Whatever the reason, I am quite fond of this ‘homeless’ group of Lincoln doors that allow me to sign-off with a bang rather than a whimper.
The final door alone is worth an extra mention and if you want to know more about the unusual St Hughes Chambers building, there is a rather nice description here. So on with the final Lincoln collection:
Three black doors, Jews Court, Lincoln, July 2023
Three black doors, Jews House, Lincoln, July 2023
Black door, Lincoln, July 2023
Black doors, Timber framed house, Lincoln, July 2023
Four doors in a row of cottages, Lincoln, July 2023
Green door, Black door, Lincoln, July 2023
Grand entrance and interesting glass panelled door, Lincoln, July 2023
Red door blue door, Lincoln, July 2023
Three doors and outside seating is available I’m told, Lincoln, July 2023
St Hughes Chambers building with recessed front door, Lincoln, July 2023
Well, that really is it from my July trip to Lincoln – I hope I have done this much overlooked city justice and that you have enjoyed the doors and architecture. Next up some beautiful doors from Umbria, Italy. Have a great weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
Natural adventures 