3892. Upfest 2021 75×75 (46)

How utterly perfect to welcome Aspire back to Bristol for Upfest’s 75 walls in 75 days, and what an amazing huge mural he has gifted the fine people of Bedminster. I have to admit that this piece came as a bit of a surprise as he seemed to have painted it quite quickly between visits, or maybe I just didn’t stop to look the right way at the right time.

Aspire, Fairfield Road, Bristol, August 2021, Upfest 21
Aspire, Fairfield Road, Bristol, August 2021, Upfest 21

I thought I was going to get a bit frustrated with the parking situation, but the gentleman in the black van was very obliging and moved out of the way for me to take a picture, and just to prove it, here he is giving me the thumbs up. If you don’t ask, you don’t get. The upshot was I managed to get a full and uninterrupted photograph of the wall.

Aspire, Fairfield Road, Bristol, August 2021, Upfest 21
Aspire, Fairfield Road, Bristol, August 2021, Upfest 21

The mural itself is awesome, and takes Aspire into the next level. I am not sure how many large murals he has done since moving to London from Bristol, but this is definitely the biggest I have seen.

Aspire, Fairfield Road, Bristol, August 2021, Upfest 21
Aspire, Fairfield Road, Bristol, August 2021, Upfest 21

The focus of the piece is a stunning Kingfisher, with a cherry on the top, and a little bit of pixelation, for which Aspire is famed. However, Aspire has combined the bird with a classical study of a bowl of fruit and the combination makes for a very special and intoxicating mural. This is glorious stuff and reminds us of what we have been missing in Bristol (as if we didn’t already know) since Aspire left. Bravo!

Thursday doors

Door 36

I missed my first Thursday doors last week since I began 37 weeks ago. Just a little too much on my plate.

This week I was sifting through my archives when I found this door, which I have been looking for for a long time. I knew I had it, but I just didn’t know where.

Door, Armada Place, Bristol, July 2016
Door, Armada Place, Bristol, July 2016

The door in question, Number 5, has undergone many facelifts over the last few years of which I think this was the best. Currently it is free from graffiti and I think the owner is trying to keep the door and walls clean. It will be an uphill struggle, but I genuinely wish them luck. I don’t much favour graffiti on private property.

I think the owner at the time might have painted these pineapples as a way of discouraging graffiti, and it certainly worked for a while. Some (many) taggers have no respect though. The pineapples made me smile though. I am glad I found them again.

by Scooj

More doors at: Thursday Doors – Norm 2.0

 

 

 

 

1538. Upfest 2017 (171)

Wheatpasting is not as popular in Bristol as it is in other parts of the country, so it is a real treat at Upfest, when a (whatever the collective noun for wheatpasters is) descend on the city and cover just about every utility box with paste ups. Foremost among them is Face the Strange.

Face the Strange, Upfest, Bristol, July 2017
Face the Strange, Upfest, Bristol, July 2017

Most of his work has reasonably everyday scenes of people looking like models from a catalogue but with something weird obscuring their face. Face the Strange was going through a fruit phase during Upfest 2018.

Face the Strange, Upfest, Bristol, July 2017
Face the Strange, Upfest, Bristol, July 2017

However he is not a ‘one trick pony’ and this fun piece has a hamburger for a head. I love the Burger King packaging rip-off with his name in the ‘sandwich’. Things are good when FtS is in town.

479. Jerome Street, Shoreditch (2)

Wheatpastes somehow lend themselves not only to bold political statements, but also to quirkiness and humour. I first encountered ‘Face The Strange’ at Upfest 2016 with his rather imaginative flying human ducks.

Face The Strange, Jerome Street, Shoreditch, September 2016
Face The Strange, Jerome Street, Shoreditch, September 2016

The basic technique adopted by Face The Stange, is to take every day objects and superimpose them onto the face of people, creating a rather unsettling and surreal effect. It is more than that though…as I have said many times one of the arts of wheatpasting is location and arrangement. In this aspect Face The Strange excels.

Face The Strange, Jerome Street, Shoreditch, September 2016
Face The Strange, Jerome Street, Shoreditch, September 2016

The other thing about paste ups is that they are rarely commissions, and therefore kind of illegal, which gives them an extra edge. This is my kind of stuff.