A gallery of outstanding stencil art from the Bristol artist Lemak
Instagram: @lemak_art
all photographs by Scooj
Lemak
Month: July 2024
6216. M32 Spot (188)
I am pretty sure that these pieces from Minto and Bags are part of a collaboration, rather than ones painted in isolation that happen to be next to one another. There is definitely some interaction from the Bags piece that overlaps onto the Minto side, but not necessarily vice versa.
Unlike most of his recent ‘deconstruction’ pieces, Minto has opted for a full size portrait, with the only writing being the ‘Minto’ on the subject’s hat. It comes across as a bit of a quick one, and may have been a dregs piece, because the fills aren’t particularly solid. Certainly this is Minto showing a slightly different side to his work, and for some reason it is a very memorable – maybe it is the green, maybe the hat… who knows?
Bags is a woefully underrepresented artist in Natural Adventures, and I think the only way I could rectify that would be to go through my archives and present several mini-galleries, just to catch up a bit. I think that Bags enjoys collaborating a lot, especially with his No Frills friends such as Biers and Slim Pickings. His letters are always recognisable and presented in roughly the same format, with the fills representing the main differences from piece to piece.
6215. Brunel Way (279)
I don’t think that I have ever seen so many production pieces as I have this year. The driving force behind these productions is the Dibz/Fade FUA brotherhood, and they have been oh so busy over the last eighteen months or so. In this full wall piece, they have been joined by Acer One and Jody, and what an amazing piece it is (gone now of course – overpainted by further FUA productions).
The production is bookended by two pieces by Acer One using his highly designed lettering spelling out ACER on the left-hand side and JODY on the right-hand side, thus ensuring that all four artists are named overtly in the production. The writing is painted over a moon/sun icon, and commensurate with the oriental feel of the entire collaboration.
There is a second set of inner bookends provided by Dibz and Fade, who present their wildstyle writing in a similar style and adopting an identical colour palette and decorations. In terms of painting, these two are brothers from different mothers, and while it is possible to tell the art of one from the other, it is becoming more difficult to do so.
Everything about the production points towards the centrepiece which is provided, as is often the case, by Jody, and he has surpassed even his very high standards with this astonishingly beautiful portrait piece. Jody has been working on this robot/human interface a fair bit lately, and this follows on from his remarkable Upfest piece (not yet posted here). It is the detail in the piece here that is so admirable, the hair and garland, the features of the face, machinery in the neck and patterns on the kimono. The portrait is a fitting climax to the whole production and shown how the coming together of different elements complement one another in perfect balance. Awesome stuff.
6214. M32 roundabout J3 (604)
This amazing combination piece by Stivs is something of a rarity in Bristol, and indeed in many towns and cities in the UK. I have mentioned it before that nudity, realistic or cartoon, tends to be avoided by most artists, which I find a bit strange, because the ‘edge’ that is associated with graffiti culture appears to be ‘missing in action’ in this respect. I think that there are probably two main reasons that we don’t see nude art on our streets; the first is that most street artists probably find it slightly embarrassing territory, the British reserve coming into play. Contrast that however with any art gallery where nudes are mainstream.
The second, and rather more practical reason is that nudes are almost instantly dogged by the ‘sensibility police’, who perceive that they are doing the wider public a service – personally I find that utterly bonkers, but it always happens, and nude pieces don’t last long in their original form. It took only a couple of days before this piece was daubed with black paint over the breasts. A more creative and skilled ‘protestor’ might have painted a bra or top, adding to the humour of the situation, but no… just cross it out with rage and anger.
‘Norks’ is slang for breasts and in this cartoon character, Stivs has opted for cheeky exaggeration. The character reminds me very much of those ‘saucy’ holiday postcards that filled the racks in trinket shops in seaside resorts up and down the country during the 1960s and 70s. These days, such things are no longer the norm, and definitely speak of a bygone era.
While some may find this combination piece by Stivs offensive, I do not. I like it and celebrate the boldness, taking us to a place that is both uneasy and challenging. Stivs’ artwork is outstanding, and this piece will be remembered for its difference from the mainstream – all part of the very rich diversity of the Bristol street art scene. If nothing else, the piece raised a few eyebrows.
Thursday doors – 25 July 2024, Manchester
Doors 272 – Doors of Manchester, UK, November 2023 (Part I)
My wife and I spent several of our weekends last autumn touring the country with our daughter, looking at potential universities. As it turns out, she has decided on Leeds University (one that I didn’t go to), and starts there in September. I did, however, accompany her to check out Manchester Metropolitan University, and these doors were snapped up during that visit.
I don’t know the city at all well, and so I struggle to place where these photographs were taken, but I think that most were in the sort of Piccadilly and surrounding areas, where we did most of our walking. Furthermore, I was very taken with the city, which had a great vibe about it and felt that my daughter would have enjoyed it there, but the campus at Leeds won her over.
I hope you enjoy this first of three sets of doors from this trip to Manchester. I say ‘this trip’ because I had another one a little bit later with work, and managed to capture a few more doors… to come.
Six beautiful doors and a very grand entrance archway. I am not sure what the building was (University, commercial, flats?), but it was very impressive.
I must confess that I was rather underwhelmed by Manchester Cathedral, but only because I have been spoilt by seeing so many magnificent ones in recent months.
More from Manchester next time. Until then, may I wish you a most enjoyable end of week and weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj
Spiny restharrow
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Beneath my large feet
tiny pink flowers emerge
spiny restharrow
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by Scooj
6213. Dean Lane skate park (733)
Over the last couple of months I have tried to post three pieces a day (upped from two a day before) to try and do justice to the sheer quantity and variety of artwork in Bristol. The harsh reality though is that about 60-70%, still, of the art I photograph never sees the light of day. I could make things easier for myself by being more selective and only posting ‘high-end’ pieces, but that is not what this blog is all about. Within these pages I strive to include, new entrants alongside established artists, stencils alongside graffiti writing and so on to reflect the diversity of the street art/graffiti scene in the city. So I shall plod along driven by my own enthusiasm and desire to share the amazing art in this Bristol.
This is the second piece by Dirtygypo that I have posted and it most definitely won’t be the last. His work is bright and energetic and although different in style to Grimes, for example, it leaves one with a similar feeling of excitement and positivity. These two artists, and there are others, appear to be bringing something fresh to the mainstream that we are used to here, and I thoroughly welcome it. Great use of colour and unusual letter shapes, nicely defined with a black border combine to make this a really rather good piece.
6212. Greenbank (127)
Conrico has been super-busy lately both painting on the street, and in his studio. He has a fabulous imagination, and much of his art is influenced by the culture of the Far East, in particular Japan. I don’t know what the connection is, but it adds an exotic flavour to many of his pieces.
This is quite an unusual portrait piece, that in contrast to what I have said in the previous paragraph, appears to be of a Central/South American person wearing face paint and with feathers in their hair. Once again, Conrico’s unique can-work gives the impression that the piece has been painted with brushes, and doesn’t have that ‘clinical tight finish that so much street art tends to have. More still to come from Conrico.
6211. North Street
I shan’t go into a drawn out conversation about my reluctance to post promotional street art, because I did all that about a week ago, and would be in danger of becoming (more) boring. I choose to concentrate on the left-hand side of this piece by Awkward, painted on the side of a graffiti shop and gallery ‘Veeez’, which does a great job with supporting the culture in and around Bristol. Veeez is also an artist who has features a number of times in Natural Adventures.
The Awkward character is exactly what you’d expect from the artist. A kind of skeletal face painted in an irregular style, with enormous eyes and a speech bubble with the work AWK-WARD written in it. There is plenty of movement generated by the little wavy yellow lines around the outline. Another one for the gallery.
Swift return
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Peerless aeronauts
I feared they would not return
sky-high joyful flight
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by Scooj
Natural adventures 