6358. St Werburghs tunnel (443)

As well as being a year when so many new artists have started painting in Bristol it has also been a period of collaboration. Whilst collaborations have always been a thing, I think that I have seen an increase in the number of them and a mixing up of collaborators, with new friendships and partnerships being formed or old ones renewed. This is an eclectic collaboration of styles from Annika Pixie, Jee See and Pekoe.

To the left, the ephemeral portrait style of Annika Pixie is a welcome return to the streets of Bristol, along with a piece in Brunel Way (to come). I am not sure where she has been for the last few years, but it is a pleasure to see her unique pieces appearing once again. Mysterious as ever, the portrait is quite beautiful and haunting, painted with a lightness of touch that is Annika Pixie’s trademark.

In the middle Jee See presents us with his customary SEISMIC writing and accompanies it with a little demonic figure and the name Mr Nobody next to it. I’ll be honest and say that I don’t really know what is going on in this piece, but I have always liked his work and know to expect the unexpected.

To the right a rather more familiar portrait piece from Pekoe rounds off the collaboration. The wonderful portrait, complete with amazing bunches (is that what they are called? – I am no expert in hairstyles) is accompanied by the magnificent words Pekoe has used before “Hot girls hate fascists”. It is noticeable that her work appears to be more joyful than it has been in the past, and I wonder whether this reflects the artist’s disposition in any way.

A wild, weird and wonderful collaboration.