It would seem that Jee See has awoken from quite a long slumber, and is hitting walls again with his trademark SEISMIC letters, in this case with a large piece under Brunel Way.
Jee See’s pieces are usually quite easy to identify, in particular his seismic series, in which he tricks us with 3D shadows being cast in different directions halfway through the letters. This piece in bright red, with black shading is very nicely prepped and finished, and it would seem that he took his time crafting it. More to come from Jee See soon.
I last met Jee See during a mini paint jam under Brunel Way back on a sunny summer’s day, and he had already completed his column piece and was just chilling and chewing the fat with friends. I haven’t seen any of his work since then until a week or two ago.
Jee See presents us with one of his ‘seismic’ pieces which has a political strand to it with the accompanying message of ‘Underclass rising’. It is nicely sprayed and planted over the top of an existing graffiti piece which makes the whole thing quite busy.
Unfortunately the piece has been dogged, probably by a kid with an almost empty discarded spraycan (it happens a lot). It is a pity, but it goes with the territory. My message – artists…take your empty cans home and dispose of them properly.
It is big, and pink and bold and probably the largest ‘Seismic’ that I have seen from Jee See (Goshiku Chavu). This simple but impactful piece is on one of my favourite walls in Bristol in Dean Lane skate park.
Jee See already knows that I am a big fan of his work and his relentless pursuit to find walls to leave his work and messages. He is always pushing the boundaries with his themed work and also on his Instagram feed which hosts so many photoshopped images and sketches. Seismic!
Another archive piece, this time by the lovely Jee See in The Bearpit featuring his ‘seismic’ writing and a character with jagged stripe under the eye. I love the words Brizz Graff making an appearance – a love for the City and for graffiti. Like minds.
I met Jee See last week and although I had met him once before it was really nice to consolidate the friendship. He is a real gentleman and interesting guy. I am working on persuading him to take me out spraying some time (when I have practised a bit) – I know he reads my posts, so there is no escaping me. Loads more of his work in archive.
The unmistakable seismic tag of Jee See. This is just a quick one in Dean Lane skate park. I am interested in this tag, because he uses different 3d skadows for divverent letters, so the SEI shadow downwards, the SMI shadow to the right and the C shadows upwards, which makes for an interesting perspective. Helpful to me to in learning how to work these shadows.
I understand the Jee See used to be a teacher, so there is really nothing to stop me picking up a can and getting busy. I get inspiration from artists like Jee See who find spots around the city and practice their work.
It is interesting how much a wall can change in a short space of time. In the last month, this wall has changed at least four times. This incarnation was a practice run by Jee See, whose Instagram handle is Goshiku Chavu (G C…get it?) which means ‘thank you’ in Japanese…I think) for a piece that he created here a day or two later (and which I have missed I think).
In this piece he has painted probably the lagrest ‘Seismic’ I have seen from him. Now, I’m not too sure what the Top Cat thing is all about, but I love him to bits. I don’t think that Jee See created him, it just isn’t his style, and it isn’t clear which was here first.
I don’t even know who the TC is by, there is no signature and there are several artists in Bristol capable of creating cartoon characters of this quality. The whole thing is rather nice, a little bit weird and now utterly gone.
This is a really terrible picture of a quickie from Decay on the left and trademark ‘SEISMIC’ from Jee See on the right. It is always geat to see work from both of these two artists, whose work is stylistically quite different. I am really enjoying these small character type pieced from Decay at the moment.
This board in The Bearpit has since been prepped and replaced with new work sprayed during a paint jam on 14 April 2018 – more on this to follow.
At a bus stop, just opposite Ashley Road, there is a hoarding which has slowly and steadily been claimed by graffiti artists. The building owner has tried to shoo them away, but it is a bit of a relentless tide. The initial graffiti that went up was mostly quick burners and none of it up to much, with the odd exception. Then with accelerated pace, more pieces have been going up recently and this lovely quick one from Jee See appeared a couple of weeks ago.
Of course, it was over -sprayed a couple of days later, but I was very pleased to capture it. This is a revolutionary motif that Jee See likes to use a lot, and I have to say I really like it. It was a piece like this that first put him on my radar. Power to the people! Briz Graff.
I think that this is a bit of a cheeky Upfest piece from Jee See, a Bristol graffiti artist that I have featured on this blog many times before, and one whose work I particularly like. The suggestion that it is a bit cheeky is because I can’t see his name on the artist list for the festival, and this board was erected outside one of the venues, almost as if it was a bit of a teaser.
I am guessing that there were a few ‘no shows’ for the festival and that spare boards were available for some local artists. This is all based on my own assumptions, and as I was once told, to assume things is to make an ‘ass of u and me‘.
Anyhow, I am pleased that Jee See managed to present his work and combine his trademark seismic writing alongside a beautiful portrait…all so very Jee See.