It would seem that Jee See has awoken from quite a long slumber, and is hitting walls again with his trademark SEISMIC letters, in this case with a large piece under Brunel Way.
Jee See’s pieces are usually quite easy to identify, in particular his seismic series, in which he tricks us with 3D shadows being cast in different directions halfway through the letters. This piece in bright red, with black shading is very nicely prepped and finished, and it would seem that he took his time crafting it. More to come from Jee See soon.
I last met Jee See during a mini paint jam under Brunel Way back on a sunny summer’s day, and he had already completed his column piece and was just chilling and chewing the fat with friends. I haven’t seen any of his work since then until a week or two ago.
Jee See presents us with one of his ‘seismic’ pieces which has a political strand to it with the accompanying message of ‘Underclass rising’. It is nicely sprayed and planted over the top of an existing graffiti piece which makes the whole thing quite busy.
Unfortunately the piece has been dogged, probably by a kid with an almost empty discarded spraycan (it happens a lot). It is a pity, but it goes with the territory. My message – artists…take your empty cans home and dispose of them properly.
I hadn’t seen Jee See for quite some time, so it was really great to catch up with him during a paint jam under Brunel Way organised by Skor85. By the time I got there he had already completed his Seismic column piece and was sitting in the sun chilling out.
In this piece, Jee See has worked the column well. I have to say that as a photographer, cylindrical columns are a major pest for two main reasons, it is hard to avoid reflected light and often the piece wraps around the column. In this instance Jee See has done me a real favour.
At the base of the ‘seismic’ is a character resembling a bit of a mash up of ‘A Clockwork Orange’ and Marc Bolan. Just as a footnote, Jee See stands for Goshiku Chavu (Japanese interpretation of Gothic Chav). You can see Goshiku Chavu written to the left of the character. This is all very Jee See.
It feels like an absolute age (and it probably is) since I last posted anything from Jee See, and here on one of the ramps at Dean Lane he recently painrted this little collaboration piece with Pekoe. I think it might have been at the rescheduled DLH (Dean Lane Hardcore) event a couple of weekends back.
Jee See has written a rather nice 3D rendition of his moniker which adopts a whole load of very nicely done shadings, hatchings, drips, cracks and colour fades. So good to see him back in action.
Just to the right of Jee See’s writing is another one of Pekoe’s beautiful ladies in blue, a colour she often favours, and with a little tear beneath her eye – what does this tear tell us about the srtist? Is there some inherent sadness there? There is a clue in the top right of the piece which indicates that it is a tribute to Janet. Tribute pieces are often painted with a little extra love and have a poignancy to them.
I am so enjoying finding and appreciating Pekoe’s work which just seems to be on a steady improvement.
It is big, and pink and bold and probably the largest ‘Seismic’ that I have seen from Jee See (Goshiku Chavu). This simple but impactful piece is on one of my favourite walls in Bristol in Dean Lane skate park.
Jee See already knows that I am a big fan of his work and his relentless pursuit to find walls to leave his work and messages. He is always pushing the boundaries with his themed work and also on his Instagram feed which hosts so many photoshopped images and sketches. Seismic!
Another archive piece, this time by the lovely Jee See in The Bearpit featuring his ‘seismic’ writing and a character with jagged stripe under the eye. I love the words Brizz Graff making an appearance – a love for the City and for graffiti. Like minds.
I met Jee See last week and although I had met him once before it was really nice to consolidate the friendship. He is a real gentleman and interesting guy. I am working on persuading him to take me out spraying some time (when I have practised a bit) – I know he reads my posts, so there is no escaping me. Loads more of his work in archive.
Many of you will now that I am a big fan of the work of Jee See (Goshiku Chavu) and have featured his work many times on this blog. It is not only his raw and passionate artwork that I like but the honesty and integrity of the artist himself, and the rich life experiences he has had. His journey into street art has been an interesting one and it is probably all the better for it.
For Upfest Jee See produced this rather haunting piece ‘escape airstrip one – 1984 is not fiction’ – a politically charged piece. I have just noticed a rather annoying balloon string hanging right across the photograph, obscuring it a little. Grrr. At the base of the hooded character Jee See offers his trademark ‘seismic’ tag, always a winner in my book. My only regret about this piece is that by the time I got to it, he had left North Street Green and I didn’t get a chance to hook up with him. Maybe another time.
An eye-catching piece in Dean Lane by Jee See (G.C. – Goshiku Chavu). On a black background, he has worked this neon green seismic piece really well. It reminds me of early green screen computers and video games like Space Invaders.
Jee See is another of those Bristol street artists who consistently turns out great work and furthermore he sprays in spots all around the city. Some artists prefer to stick to their own patch. More to come from Jee See soon.
The unmistakable seismic tag of Jee See. This is just a quick one in Dean Lane skate park. I am interested in this tag, because he uses different 3d skadows for divverent letters, so the SEI shadow downwards, the SMI shadow to the right and the C shadows upwards, which makes for an interesting perspective. Helpful to me to in learning how to work these shadows.
I understand the Jee See used to be a teacher, so there is really nothing to stop me picking up a can and getting busy. I get inspiration from artists like Jee See who find spots around the city and practice their work.