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My ancestral home
a place where spelling my name
isn’t a problem
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by Scooj
I must’ve walked past this little beauty by Lis several time before I noticed it. It is heavily disguised, sitting on a larger piece, and easy to miss (obviously). I felt rather clever when I spotted it, but later realised, when looking at her Instagram feed, that it had been there for weeks.
The heart with a sword running through it and a snake is a stunning motif, and looks like a tattoo sample. The fine work is a combination of spray paint and she used it as an opportunity to try out some small stencils. This is so typical of Lis, expanding her portfolio and improving her technique and skills.
Really quick ones today. I have to drive up to Leeds to pick my daughter up and bring her home, with loads of her stuff. Before that, we have a recycling centre (tip) trip lined up.
By now you will know I am very fond of Tian’s wheatpastes, and this is another one from his latest visit to Bristol.
The Japanese Geisha girl is a theme he returns to often, and it is at such odds with the urban environment that surrounds it. The placement of this piece on a heavily tagged wall is near perfect.
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Damn their pigeon eyes
carrot tops decimated
strawberries goners
.
by Scooj
I sometimes wonder if I might get a little tired of posting street art, and occasionally I do get tired, but my interest simply doesn’t wane, and as long as there are street/graffiti artists out there painting, I will be writing. Admittedly, I might slow down a little, but that is life. There are a few artists in Bristol who provide a real tonic for those periods when I need a little uplift, and Bloem is without question one of those.
In this piece Bloem has decorated some rather nice bubble writing with grey flowers and flower buds, keeping the whole piece rather subtle and modest. Her improvement and progress really has been quite remarkable, and she seems to turn the dial up a notch with each new piece. Unfortunately, this one didn’t last too long, but it was an uplifting beacon while it remained.
This wonderful collaboration piece alongside the Bristol Avon came as a complete surprise. I am familiar with Buser, but I have never seen anything by Mr SCE before and assume that he was visiting.
The combination collaboration shares some commonality with the orange blast around the writing and portrait. Buser’s letters are well crafted although the colour combination is a little too overpowering for me, and there is quite a lot of brown in there. I am beginning to wonder if brown is the colour of 2025.
The two-tone portrait by Mr SCE is beautifully painted and it is a bit of a shame that it is so off the beaten track, although it is likely to remain here longer than in some of the more accessible spots in Bristol. Such is the quality of this portrait, that I will certainly be looking out for Mr SCE’s work in the future.
I think that I must have delved back into my archives a little with this one from Dirtygypo. I also recall that it was my second attempt to capture the piece, because the light conditions here make photography challenging to say the least. Even here there are shadows of tree branches!
This is a really classy one from Dirtygypo, with lightening strikes flashing through the lettering. I am still no clearer to working out the letters, but feel that I can see the word DIRTY there somewhere. The whole piece is clean, the colour palette subtle, and the drop shadow very nicely executed. It is always a pleasure to find Dirtygypo’s work.
Microsoft
Mr Crawls and Kool Hand have been painting together more regularly of late, and it is good to see. Their character styles, although quite different do complement one another rather well.
Mr Crawls has painted one of his ‘skeleton’ bird characters, which look slightly creepy if I am honest, but are very much part of his repertoire. He has shown another side to his talent here though, with some very nicely presented writing, spelling out JIM. I expect that this is a shout out to a friend/family member.
Kool Hand presents his orangutan character, who over the years has developed and become ever so slightly more sophisticated. The solid fills haven’t changed much, but the clean lines have improved and the overall shape of the head has softened. Some nice white flashes add to the 3D appearance of the character. A rather nice collaboration.
Doors 309 – Copenhagen, Denmark (part IX), September 2024
The day has arrived, after a bit of a false start. This is the last in my series of doors from Copenhagen. Not only did I thoroughly enjoy my mini-break in the capital city of Denmark, but I have also enjoyed reliving it through posting this series of Thursday doors – a weird kind of vicarious experience, in which I had been the protagonist. Is that a thing?
These doors were the last I photographed during my trip, so they are not ‘odds and ends’, even though they are quite an eclectic selection.
In truth, I am also looking forward to posting doors from other towns and cities – I have so many in my archive and I am impatient to share them with you.
I hope that you enjoy this last hurrah from wonderful, wonderful Copenhagen.
So there we have it. I wave a fond farewell to a city that I would highly recommend to anyone. A clean, diverse, happy, historic, beautiful and somehow ‘good’ city.
Something a little different next time.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
We’re back to this wall at the entrance to St Werburghs tunnel, where photography is difficult when a single piece occupies the space, because of the street furniture and also the light conditions, which are often quite challenging. This is a roundabout way of saying that I don’t think that these photographs do justice to the outstanding piece by Kid Krishna.
The organic writing, spelling out CRIE, seems to be ‘bubbling’ or oozing out of the wall, and Kid Krishna has worked on this effect by accentuating the brickwork of the wall around the piece. The range of colours and starbursts fill the abstract piece with energy, providing a feast for the eye. Kid Krishna is on a roll!
Natural adventures 