4806. Cheltenham 2022 (20)

Smak and The Art of Sok, Cheltenham Paint Festival 22, Cheltenham, July 2022
Smak and The Art of Sok, Cheltenham Paint Festival 22, Cheltenham, July 2022

The pavilion in Cheltenham is an absolutely perfect place for long wall pieces and collaborations. Set on the edge of a football field, the building plays host to some of the most memorable pieces from the Cheltenham Paint Festival over the last few years. This year, Smak and The Art of Sok painted this awesome collaboration.

Smak, Cheltenham Paint Festival 22, Cheltenham, July 2022
Smak, Cheltenham Paint Festival 22, Cheltenham, July 2022

To the left is a remarkably tight piece of wildstyle writing from Smak. The sensational colour scheme combined with a crisp design, delineated with white and black borders, contribute to an outstanding eye-fest of colour and form, clearly the work of a super-talented graffiti writer.

The Art of Sok, Cheltenham Paint Festival 22, Cheltenham, July 2022
The Art of Sok, Cheltenham Paint Festival 22, Cheltenham, July 2022

I haven’t come across The Art of Sok before, but I am guessing from the dragon on the character’s chest that there is a Welsh connection. The piece itself is outstanding, so clean and crisp, full of character and movement. The blocked-out colours are very stylised, presenting a highly designed feel to the work. Overall, this is a superb and compelling collaboration. Bravo!

4805. Cheltenham 2022 (19)

Eyesaw, Cheltenham Paint Festival 22, Cheltenham, July 2022
Eyesaw, Cheltenham Paint Festival 22, Cheltenham, July 2022

I was not aware of Eyesaw until Upfest this year, where he painted at least two and possibly three pieces over the festival period. I have not posted those yet, but this piece from the subsequent Cheltenham Paint Festival, is typical of his style.

Eyesaw, Cheltenham Paint Festival 22, Cheltenham, July 2022
Eyesaw, Cheltenham Paint Festival 22, Cheltenham, July 2022

Eyesaw’s works are painted with the colours and blur of 3D pictures, and to date I haven’t tested them with the blue and red specs that you get from time to time, because I haven’t got any (note to self – get some 3D specs). This one is of a tiger flexing its muscles. The designs are clever, but are slightly lost on me without knowing for certain that they work.

4804. Cheltenham 2022 (18)

Dawn, Cheltenham Paint Festival 22, Cheltenham, July 2022
Dawn, Cheltenham Paint Festival 22, Cheltenham, July 2022

One of the delights of street art festivals is that they introduce you to a whole bunch of artists you haven’t encountered before and new styles and ideas, which is most refreshing. This piece is by Dawn, who is a bespoke signwriter based in the Cheltenham/Gloucester area.

Dawn, Cheltenham Paint Festival 22, Cheltenham, July 2022
Dawn, Cheltenham Paint Festival 22, Cheltenham, July 2022

The sign, painted in the backyard of the Two Pigs Club, is beautifully crafted and contains all the hallmarks of a skilled sign writer. It is funny, but the cross-over from signwriting to street art is not as straightforward as one might think, but Dawn has made a great job of it here.

Thursday doors – 10 November 2022

Doors 199 – Porto doors (Part 12)

So here it is. You have been most patient with my series on Porto doors, and today I bring you my last post on what was a doorscursion and a half last June. In graffiti speak, this would be called a ‘dregs’ piece – using up what is left behind, and as such it is a rather eclectic collection. June seems so very, very far away, but seeing these pictures brings me comfort as we enter the dark winter period.

I hope you enjoy this selection.

First up is the most popular café in Porto, the Majestic Café, with its stunning facade – a number one destination for tourists, and you can see why.

Majestic Cafe doors, Porto, Portugal, June 2022
Majestic Café doors, Porto, Portugal, June 2022
Majestic Cafe interior, Porto, Portugal, June 2022
Majestic Cafe interior, Porto, Portugal, June 2022

The remaining doors are from different parts of the city, photographed over three magical days.

Steps and doors, Porto, Portugal, June 2022
Steps and doors, Porto, Portugal, June 2022
Green door with beautiful 1852 gate, Porto, Portugal, June 2022
Green door with beautiful 1852 gate, Porto, Portugal, June 2022
Tatty doors on a grand old building, Porto, Portugal, June 2022
Tatty doors on a grand old building, Porto, Portugal, June 2022
Old doors with nice metalwork, Porto, Portugal, June 2022
Old doors with nice metalwork, Porto, Portugal, June 2022
Old blue/brown doors, Porto, Portugal, June 2022
Old blue/brown doors, Porto, Portugal, June 2022
Botched repair doors, Porto, Portugal, June 2022
Botched repair doors, Porto, Portugal, June 2022
Doors from a derelict building, Porto, Portugal, June 2022
Doors from a derelict building, Porto, Portugal, June 2022
Derelict doors, Porto, Portugal, June 2022
Derelict doors, Porto, Portugal, June 2022

Farewell fair Porto – next week I might have a few Bristol doors to share.

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.

by Scooj

4803. Cheltenham 2022 (17)

Elvs, Cheltenham Paint Festival 22, Cheltenham, July 2022
Elvs, Cheltenham Paint Festival 22, Cheltenham, July 2022

I always feel a little surprised when I see some Elvs graffiti writing that isn’t in his usual highly elaborate and cryptic style, and it demonstrates what a great artist he is that he can switch it up so dramatically, presenting a very different style of writing here.

Elvs, Cheltenham Paint Festival 22, Cheltenham, July 2022
Elvs, Cheltenham Paint Festival 22, Cheltenham, July 2022

The writing is in large block letters, once again seeing the use of pink and blue – a superb combination and contrast between the letters and the cloudburst background. Although the wizard character feels familiar, I don’t know who it is. I’ll be back in a moment after a pause to Google…

…no luck I’m afraid. Perhaps someone out there can let me know.

This is a great piece from a superb artist whose versatility is powerful.

4802. Cheltenham 2022 (16)

Jimmer Willmott and Guts, Cheltenham Paint Festival 22, Cheltenham, July 2022
Jimmer Willmott and Guts, Cheltenham Paint Festival 22, Cheltenham, July 2022

This photograph was one of the last to be taken on my old camera before it broke (I dropped it). This is a good thing, because I am not so pleased with the replacement camera I bought. The collaboration came only a few weeks after DC Guts and Jimmer Willmott shared a board at Upfest 22.

Jimmer Willmott and Guts, Cheltenham Paint Festival 22, Cheltenham, July 2022
Jimmer Willmott and Guts, Cheltenham Paint Festival 22, Cheltenham, July 2022

When these two get together, something crazy and imaginative always happens, and this colour burst shows off the work of two creative talents. To the left, Jimmer Willmott’s character, wearing a Charlie Brown t-shirt, has elements of Mr Potato Head about it and is full of fun. To the right, Guts presents a face made up of constituent components, with the word ‘TWINS’ written in the middle. Are we to believe that these two creations are twins? I can see the likeness.

4801. Cumberland Basin

Andy Council and Acer One, Cumberland Basin, Bristol, October 2022
Andy Council and Acer One, Cumberland Basin, Bristol, October 2022

There is something very comforting about the collaborative efforts from Andy Council and Acer One, particularly as their styles are so utterly different, and yet they find ways to combine them or create a read-across between them.

Andy Council, Cumberland Basin, Bristol, October 2022
Andy Council, Cumberland Basin, Bristol, October 2022

Andy Council’s contribution is an unusual piece, bilaterally symmetrical, that appears to have a skull at its centre. Everything else appears to be decorative, but there might be significance – I can only see wings, possible. As I mentioned before, the segue into Acer One’s work is the white line behind Andy Council’s piece.

Acer One, Cumberland Basin, Bristol, October 2022
Acer One, Cumberland Basin, Bristol, October 2022

In a temporary departure from geometric letters, Acer One gives us a rather pleasing geometric pattern with his current passion for using rainbow colours emanating out from the centre (Richard Of York Gave Battle In Vain). The collaboration is set to remain for a while, as this particular spot is rarely tagged or painted. Great work from the pair.

4800. St Werburghs tunnel (316)

Sled One, St Werburghs, Bristol, October 2022
Sled One, St Werburghs, Bristol, October 2022

Something that can be always relied upon is that any piece, large or small, by Sled One will always ooze class. This recent work at the entrance to the tunnel is proof enough of that. I particularly like this piece because it came as a complete surprise.

Sled One, St Werburghs, Bristol, October 2022
Sled One, St Werburghs, Bristol, October 2022

When I first saw this, I thought that there might be a suggestion of Sepr involvement, because the character would fit the Sepr style, but the eyebrows give it away as a Sled One character. The chef skeleton is full of character movement, holding his hand in a gesture of culinary perfection, perfect. Another thing I love about Sled One’s work is that he slaps classy ‘ASK’ mega tags (After Skool Klub) all over the city, often without signature. Another notable piece from Sled One.

Ivy

.

A mature damson

suffocated, weakened, killed

felled under the weight

.

by Scooj