.
Waiting for a bus,
for the summer, for a death;
I’m always waiting.
.
by Scooj
.
Waiting for a bus,
for the summer, for a death;
I’m always waiting.
.
by Scooj
With collaborations in Bristol, there are few that are finer than those between Gemma Compton and Copyright. This particular mural is a triumph, and for me, what makes it really special is the backdrop of blue and white tiles. This is a gorgeous piece, and is at great odds with the busy road and traffic adjacent to it. An oasis of calm.

The central stencil of a girl with butterfly wings is by Copyright and provides a focal point in the centre of the piece with the warm colours contrasting with the blue and white surrounds.

I think that Gemma Compton may have done the girls wings, and certainly the other blue and white butterflies that adorn the mural.

As for the blue and white tiles, I am not too sure who did these, but I have seen tiles feature a lot in Gemma’s work before. I suspect they both worked on these. The overall effect is stunning, and I hope that we see more of these collaborations in 2018.
Once again I find myself in unfamiliar territory presenting a beautiful collaboration in Barcelona without knowing a single thing about it. Writing about street art away from home is a challenging enterprise and one that requires research time that I have difficulty freeing up. I seem to be much happier improvising my copy when writing about Bristol street art. What I am clumsily saying is that I am way out of my comfort zone with this one.

Firstly I goofed taking pictures of this collaboration between ‘Bumble and Worm’ and Meisone – I don’t have an image with both of the fish side by side. My bad.
The fish on the left is by Bumble and Worm who are Sarah Charlotte Watson and and David Goode Hill, who I think are a couple and collaborate as B&W. They are from Mallorca, although they sound like expats to me.

The fish on the right is by Meisone, a Chilean artist living in Barcelona. Regular readers will know that I am particularly partial to fish street art, tapping into my marine biologist roots, and this collaboration ticks all my boxes.
Whale of northern seas
distinctive canine tooth tusk
marine unicorn.
by Scooj
On dry paving slabs
in the sun, squished under thumb
young children at play.
by Scooj
This is the first of my posts from an Easter trip to Barcelona with my daughter. Although it was not a street art hunting break, I managed to come across some great spots thanks entirely to the great advice and help from Lewis Duncan, author of the excellent ‘No Grey Walls‘ WordPress site, to whom I am indebted.
I do not pretend to know anything about the artists in this collaboration and Lewis writes much more authoritatively about this piece in his own recent post about it, so I will direct you there for more detailed information. Instead I will leave you with some pretty pictures to look at. If I knew this spot better, I would know to come at a different time of day, as the sun was behind the wall making photography a little challenging.

The left hand side of the collaboration is by Christian Blanxer.

The middle section is by Saturno

The right hand section by Erase.
The collaboration really is a treat, and one of the best pieces I saw in Barcelona – I’m just so glad that I timed my visit to perfection.

There is an interesting story to this collaboration ‘Girl and Death’ in so much as it was not a planned collaboration at all…it just kind of happened. How do I know this? I discovered it on the Instagram feed of one of the artists involved, Nino Werner:
‘After a night of crazy partying, we started this painting with no real direction first & just enjoyed the fun show that is Bristol Streetart Festival called @upfest . What first started as two separate pieces merged together in the process when we got to know the very talented fella (Luke) next to our dedicated painting spot, who was also painting in black and white, but also added gold. We like shiny things so we grabbed some golden paint and made the separate artworks merge together. The painting is either a reference to a sketch of famous Norwegian artist Edvard Munch (also called Girl and Death) or the fun party night and the hangover David had the next day when we painted it.‘
It is always great to get a bit of insight from the artists themselves.

The girl on the left of the collaboration is by Nino Werner, Javi and David Schermann, who I believe visited Upfest from Austria. And on the right of the piece is an intricate skull in black white and gold by Luke Gray.

Luke Gray has a fabulous website which is well worth a visit. His biography states that he is from the UK and is a nomadic surrealist symbolist painter. He was born colour blind and works in an almost exclusively black and white pallette, using patterns and textures rather than colours.
A fine accidental collaboration.
This, slightly unfinished, piece by Envol presents visitors to Upfest with something very different from the usual fare served up. His work is best described by his entry in the Upfest programme:
‘Envol paints realism fused with experimental, Deco era inspired designs and a touch of neoclassicism. His ethereal yet bold compositions are crafted with a mission to delight senses.’

Everything abut this piece oozes class and the style ensures it stands out from the crowd. I don’t know much about the artist, but a quick trawl through Google came up with some magnificent work from this artist.
.
Humble bumble bee
not yet properly awake
stuttering flight path.
.
by Scooj
There was so much great street art at Upfest 2017, it has been difficult to try and post ass much as I possibly can. This is a lovely piece by Hide2 which was at the Ashton Gate site, and in common with my other posts from there, the piece is not quite complete in these photographs.

On his visit for the festival, he left a nice ‘gift’ in Wilder Street which I wrote about back in August – it seems strange to now only be posting his official Upfest piece.

His work here is absolutely brilliant, both the portrait and writing are sensational.
