Another debut on Natural Adventures – crumbs, there have been so many of those this year, it is no wonder that I am having difficulty with keeping up. This is a rather charming piece by The Mole, who come to Bristol for Eman’s birthday paint jam at the end of July.
The Mole, Cumberland Basin, Bristol, August 2021
Naturally enough, The Mole likes to paint moles, and this one is sporting a rather fetching collection of pink peace symbols. The signature says Inca, and to give the artist his full name it is ‘Inca the Mole’. I like these kinds of megatag pieces, where an artist settles on a theme and then replicates it with variations. Lovely to see, and definitely not the last I will be posting from this west of England artist.
For a large wall, this one gets fairly frequent facelifts, usually, but not always, linked to Upfest. This time for 75 walls in 75 days, it is the turn of Philth and N4T4, and they have created something rather special.
Philth and N4T4, Clift House Road, Bristol, August 2021, Upfest 21
The two artists are no strangers to collaborating with one another, and indeed my first introduction to their talents was at an Upfest festival a few years back. In this mural, their work integrates really well, assisted by the colour palette both artists are using.
N4T4, Clift House Road, Bristol, August 2021, Upfest 21
The portrait is by N4T4 and is typical of his work, where the face is composed of a whole load of tiny detailed patterns, in this case floral patterns. It is so clever the way he does this. Not so clever is the terrible photograph. I’ll have to go and take another one.
Philth and N4T4, Clift House Road, Bristol, August 2021, Upfest 21
The extraordinary floral backdrop is by Philth and is surely inspired by William Morris wallpaper designs. Rich and sumptuous, the poppy heads, sunflowers, foxgloves and daisies make for a stunning piece, and it is amazing how powerful the whole effect is, being created with so few colours.
Philth, Clift House Road, Bristol, August 2021, Upfest 21
For good measure, topping the mural there is a butterfly which I think is by N4T4. The wing spots give this away as being a peacock butterfly, which again is superbly created using a limited colour palette. This is a joyful and uplifting collaboration that greets motorists on one of the busier roads in Bedminster and thoroughly deserving of its place on this premium wall.
This is a curious collaboration from painting pals CD.TC and Daz Cat. I don’t know why, but the whole thing doesn’t quite work for me. I love the work of both of these artists, so it is surprising to me when I see something that looks a little bit clunky.
CDTC, M32 roundabout, Bristol, August 2021
The piece on the left is by CD.TC in which he combines his letters, in full caps, with one of his trademark monster faces breaking the letters up in thee middle. The monster is nicely done and the letter details and decorations well thought out.
Daz Cat, M32 roundabout, Bristol, August 2021
To the right is the Daz Cat contribution, and I think that this is where I have a bit of an issue. I don’t like the letters in the mouth, and I’m not too sure the paw clutching an arrow adds much to the piece. Also, the way that the two pieces join I feel is a bit average really. I can only put this down to Daz Cat having a bit of a bad hair day when he painted this, because it bucks the trend of some truly outstanding pieces he has painted recently.
There is nothing like a bit of old school graffiti work to remind us where all of this started. This is a lovely collaboration from Veks and Turoe on the M32 cycle path on a wall that has a pretty slow turnover, so I would expect it to be hanging around for quite a while.
Veks, M32 Cycle path, Bristol, August 2021
On the left is a classic character by Veks, holding a cigarette in his clenched fist and wearing a variation on a flat cap. This is a classy character piece and amply demonstrates Veks’ experience and skill.
Veks and Turoe, M32 Cycle path, Bristol, August 2021
The writing is by Turoe and is finished off with nice deep 3D work on the letters. Both elements are nicely bordered with a lime green and white line, cleanly applied. I managed to get these pictures on about my fourth visit – this particular wall usually has a shadow cast across it during the day, which makes photography rather challenging.
Back in February 2020 I published a post for Thursday doors that featured the Charley Box in Montpelier. Kosc has gone one step further and produced this extraordinary piece on the side of the Charley Box depicting a miscreant who would have been caught while up to no good by the local nightwatchman and locked up in the little jail for the night to cool down.
Kosc, Picton Mews, Bristol, August 2021
Kosc has been producing some of the best portrait pieces in Bristol lately, with his greyscale faces and bright, vibrant backgrounds. In this piece, Kosc is playing with us duplicating the face of the character in a double exposure manner that we used to see a lot of in the days when we used little Kodak Instamatics to take pictures of our families or pets. He has also created a scene so totally relevant for the place and is helping to bring local history to life. An outstanding artwork.
I have a lot of attachment to this wonderful piece by Jelly, her second at this spot this year, because of the conversations we shared before she visited Bristol. There is something comforting and confidence-building when an artist makes contact with me to talk about meeting up during a painting visit. I must say that I was touched that Jelly made contact before her recent trip, and I only wish that I had been able to catch up with her while she was painting this piece, but unfortunately I had a full-on work day and wasn’t able to escape.
Jelly, Cumberland Basin, Bristol, August 2021
Jelly has painted another of her beautiful portrait pieces, complete with her trademark exaggerated eyelashes on this high-turnover wall in Cumberland Basin. The piece, presumably entitled ‘open your eye’, is a portrait of a woman with a third eye, a common theme in street art, and suggests using perception beyond ordinary sight.
Jelly, Cumberland Basin, Bristol, August 2021
The shading on the face and hand with red tints helps to provide a deep perspective, and the eyes and nose are particularly beautifully painted. I love the Henna tattoo on the back of the hand and fingers, and the jewellery too is a lovely detail that lifts the piece way above the ordinary.
Jelly, Cumberland Basin, Bristol, August 2021
Another nice touch are the little white streaks of light on the woman’s hair that allude to the strands of hair so effectively. This is a lovely piece from a lovely artist who is thoughtful and inclusive. I do so hope that next time she is in Bristol I will be able to accompany her, at least for a little while, as she creates another of her fabulous portraits.
On a wall that is rather difficult to photograph, because of its proximity to an adjacent building, is this beautiful mural by Venessa Scott painted as part of Upfest’s 75 walls in 75 days celebration. I hadn’t heard of Venessa Scott before I saw this piece, but it would appear that she is well known in the North of England for her creative arts and large murals.
Venessa Scott, Lime Road, Bristol, August 2021, Upfest 21
This mural looks like a piece of colourful patterned material has been draped over the house, or at least that is what it looks like to me. Look a little closer and you can see that the patterns are in the form of human figures dancing and leaping. This is a truly energetic, creative and unique piece.
Vanessa Scott, Lime Road, Bristol, August 2021, Upfest 21
This is one of those walls where you need the courage to ask the neighbours if you can go into their house to photograph the mural, and I just don’t have that courage – my English reserve kicking into the max. It is so good to see so many new walls appearing for Upfest this year, but it has to be said that quite a few of them are a bit awkward to view and photograph. I guess you just can’t have everything on a plate. It is so good to welcome Vanessa Scott to Bristol and I hope it is the first of many visits.
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