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Cautionary tales
like poor Little Suck-a-Thumb
frightening children
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by Scooj
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Cautionary tales
like poor Little Suck-a-Thumb
frightening children
.
by Scooj
I cannot tell you (except I am) how much I am enjoying these kawaii pieces by Maesyhook that have been appearing all over the city over the last few months. The style and characters are quite unlike anything else we see in Bristol, and her work is a breath of fresh air.

This piece is on the cycle path which runs alongside the River Avon opposite the paintworks. The cheeky little fox character has a little speech bubble with a kawaii poo emoji, which in itself is all rather cute. Cute is the kawaii way, although with Maesyhook it has some edge through painting her work on walls, rather than on computer screens. I love this piece and her work.
Our household self-isolation is about half done now and it is getting a bit boring. When you can’t leave the front door for anything, the fear of missing out (FOMO) starts to build, and for me, this is manifested in how many new pieces of art I might never get to see, such is the high turnover. I confess, it really gets to me, but on the other side of this, it exposes my obsession, which probably needs moderating. A time for introspection.
Meanwhile, I have got a vast reserve of unpublished photographs that could keep me posting for a couple of years at least. Upfest pieces will always get prominence on Natural Adventures, and this astonishing piece from Peter Sheridan is really absolutely stunning.

This one seemed to creep under everyone’s radar, and I don’t think I have seen any work in progress shots on social media. The finished piece was suddenly there, appearing as if by magic. The character piece creates an extraordinary atmosphere and sensation of being locked up, one I can utterly relate to at the moment, and one that probably reflects the past 18 months or so.
It is so good, I’ll just pause and leave you to enjoy it.
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We’re drawn together
a collective ambition
England and Saint George
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by Scooj
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Earth’s pollinators
busy saving the planet
humans benefit
.
by Scooj
If you want to see graffiti writing or character work from DJ Perks, and lots of it, then look no further than L Dub. It would seem that about 25% or so of all the pieces down there are by him, and he is constantly pushing himself and evolving his work.

This is without doubt the largest piece I have seen by DJ Perks and features the Incredible Hulk (I assume) peering through a colourful brick wall. This is quite an undertaking, simply from an access and size point of view, but also artistically stretching. The only observation I have (call my picky) is that the bricks could have had a 3D element to them to give the whole piece a but more depth. All in all, so good to see such a large, creative piece from DJ Perks.
Irrepressible is probably the word I would use to describe Turoe’s current mood. For about a year now he has been interchanging his usual Turoe wildstyle pieces with his ‘shyte’ series, of which this is a recent example.

I actually really like this one… a lot. It has been written with rather slim letters on a thick white border which makes it look a bit like a giant sticker. The colour selections are very nice indeed and the horizontal transitions very nicely blended. Overall this is a rather splendid piece.
Oh my goodness! There are some pieces that you look at and, well, they simply take your breath away. For me, this is one of those pieces. Painted for Upfest’s 75 walls in 75 days event, this astonishing collaboration from Mishfit and Mazcan simply blew me away, and I look at now as I am writing and wonder at its magnificence.

These two portraits work so incredibly well together and are perfect for the space vacated by Caro Pepe and AgeAge. To the left is a stunning portrait from Mishfit painted with incredible graded skin tones and a beautiful headdress, the colours of which are reflected in a cloud to the right of the subject. I haven’t seen any of Mishfit’s work before, but what an introduction.

Mazcan on the other hand has visited Upfest on a couple of occasions, but this piece is definitely a step up from before, and I think she must have been practising. This blue face has quite a lot of attitude and there is so much depth and bone structure created with clever use of shading. The red streaks in the hair add so much to the depth and contrast of the piece too.

Genuinely, this is a bloody brilliant collaboration and will definitely stick in my memory for a long, long time.
This is another opportunity to showcase the wonderful and slightly different work of Bristol artist Maybe. This artist burst on to the scene earlier this year, painting pretty much exclusively in a stretch of concrete columns supporting Brunel Way, a busy road crossing over the river Avon at Cumberland Basin. His small pieces are little treasures and rather fun to seek out.

The first piece is one of Maybe’s trademark reversible faces combined within a rectangle, each painted in its own wonderful colours and shades. There is something about the simplicity of these pieces that makes them rather calming and easy to look at and enjoy.

The second piece is a rather clever little design of a moon eating a banana in some kind of reflective motif idea. I am a fan of Maybe, and am enjoying the progress being made. I look forward to maybe finding some pieces in other parts of Bristol.
The nice thing about dropping down beneath the M32, where a canalised section of the River Frome flows, is that it seems to be a popular spot for visiting artists to paint, often accompanied by Bristol friends showing them around.

This delightful piece by Wee Nuls was painted a few weeks back by the Belfast-based artist who, it appears, cut her teeth with spray painting in Bristol some time ago. I love this kind of portrait piece that sits comfortably alongside Slakarts, Pekoe and others who create bright and colourful faces about the city. I hope that Wee Nuls makes more trips to Bristol soon.