There was a recent event held in Bristol, organised by Inkie, entitled ‘Boogie down Bristol’ held at the Full Moon pub. In the days either side of the event, a whole ton of graffiti art and street art went up in the Stokes Croft area.
Voyder, Jamaica Street, Bristol, July 2017
The PRSC outdoor gallery was one of the walls sprayed. The middle section here is another high-quality piece from one of the best writers around Voyder.
Voyder, Jamaica Street, Bristol, July 2017
Every piece he produces, and there have been quite a few recently, is a winner. Clean lines, great colour selections and an incredible eye for shading and shadows. Brilliant as always.
So here it is, time to get excited about Upfest 2017 with this year’s festival artist Pahnl. There are two of these pieces, one at the North Street Green, and the other at the North Street Standard. Both I expect will be over written at the festival, the latter I believe by Inkie.
Pahnl, North Street Green, Bristol, July 2017
I don’t really know anything about Pahnl, so it is lucky that the nice people at Upfest have produced a free festival map and a short biography of Pahnl which reads:
‘Living at a lower level of existence, Pahnl’s miniature people, dogs, cats and birds can often be found outside in the street. Taking influence from comics and street signage, whilst adding their own subversive and funny twist, Birmingham-based duo Panhl use stencils, stickers, posters, animation, screen printing, film and photography to bring their own small world to life.’
Pahnl, North Street Standard, Bristol, July 2017
So now you know as much as me. Certainly their work has a very strong brand feel to it, and perhaps that is a good thing for the Festival, but it is quite unlike most of the street art you find in Bristol, and maybe not representative. Having said that this is strong and characterful and demonstrates the broad church of street/graffiti art that Upfest espouses. Only a few days now.
Well this really is a magnificent and busy piece by SPZero76. The piece incorporates a train and track, which is entirely fitting to the I. K. Brunel inspired Temple Meads station, adjacent to this hoarding.
SPZero76, Lower Approach Road, Bristol, June 2017
Somehow, by using limited colours on a black background, SPZero76 has created the effect of an etching, or at least that is how it looks to me. He uses the blue and purple combination a lot in his work – maybe he got a job lot of these colours.
SPZero76, Lower Approach Road, Bristol, June 2017
So what else have we got going on? He has a dog puking up, I’m not certain why, and just to emphasise the point he writes ‘PUKE’ so that we are sure. There is a biker and the word ‘zoom’. Also SPZero has managed to incorporate the crew Lost Souls on neon lights on the buildings.
SPZero76, Lower Approach Road, Bristol, June 2017
On the right hand end of the piece there is a lady taking a bath in the last carriage of the train which she appears to be sharing with an octopus and rubber duck. I really have no idea what is going on, but it is a great tribute to the crazy workings of SPZero76’s mind.
SPZero76, Lower Approach Road, Bristol, June 2017
If you are at Temple Meads station and have a few moments to kill, it is well worth dropping down to the hoardings just to the left of the car park (as you leave the station). There are six wonderful pieces from six of Bristol’s great artists.
This is described by Smak as a ‘quick after school dub down the bearpit’, which was sprayed round about mid June 2017. I believe the piece is still there. Smak belongs to the Read and Weep (RAW) crew which includes Rusk, Ryder and T Rex amongst others. This is the first of his pieces that I have posted and other than this Bombing Science blog post, I don’t know much about him.
Smak, The Bearpit, Bristol, June 2017
Of course with all things like this, having seen one of his works, I have started seeing them around the place and in my archives. Expect more from Smak on this blog. He is clearly an accomplished writer and has a nice style with his letters. I particularly like the way he has filled the letters here, with an almost cosmic feel. Great stuff.
It has been a while since I posted anything by Thelochnessmonster, who in previous posts I had referred to as OHMS, because these were the letters he used in his pieces. Another feature of his pieces is mention of the ‘splab gang’ or ‘splab lads’. I don’t know if this is a crew who spray with him or whether he is simply referring to them.
Thelochnessmonster, Unity Street, Bristol, June 2017
Thelochnessmonster’s pieces are often very busy and unlike many of the Bristol (graphic) artists he specialises in wobbly lines and a distinct lack of clean finish.
Thelochnessmonster, Unity Street, Bristol, June 2017
In this piece, which looks to be a commentary on weapons and war, there are references to automatic rifles, to yin and yang, to peace and to love. definitely an interesting piece and also interesting selection of colours. Always unusual.
A colourful party is happening here. Over a backdrop of a rather splendid Face F1st piece Guts has sprayed one of his characteristic doodles. The colours he uses really bring things to life, and when I use the word doodle, it is not in a derogatory way, but more a descriptive term for the aggregation of characters and forms. In some ways it shares a resemblance with Loch Ness.
Guts, Dean Lane, Bristol, June 2017
This spot is on a wall which is squeezed into a narrow stretch by the back of a skate ramp, and is therefore rather difficult to photograph. The more I see of Guts’ work, the more I like it. I haven’t seen too much of it around and will have to work harder to find it.
When you see a really strong piece of writing like this and it says ASK, you can be pretty sure it is by Sled One, which indeed it is. This is a great work that the photograph fails to capture, there is some flaring on the lens, which is a bit annoying.
Sled One, Dean Lane, Bristol, July 2017
Although Sled One has been a little less active on the streets than he was, say a year ago, he is still capable of dazzling us with the quality of his pieces. He makes great choices with his colour selections and takes care with his shadings. I particularly like the eye sitting within the ‘A’, and the accent stars.
Sled One, Dean Lane, Sled One, Dean Lane, Bristol, July 2017Bristol, July 2017
Natural adventures 