I think this is my favourite wall in Dean Lane and it has hosted so many outstanding pieces over the years. Some occupy the whole height and width of the wall, some just the lower or upper portions, some are solo pieces and some collaborations like this one from Slim Pickings and Biers.
Biers, Dean Lane, Bristol, January 2021
On the left is some superb writing from Biers, which appears to spell out BIERY, which is a nice variant of his letters. I like the unruly nature of his writing where uniformity of letters goes out of the window. This is one of those collaborations that share a wall and colour convention.
Slim Pickings, Dean Lane, Bristol, January 2021
To the right is the contribution from Slim Pickings whose TES doesn’t quite fit on the wall. The letters are big and bold and the black fill dominant. This is one of those collaborations that you cal look at and say ‘yes’!
It says Biers and that makes me happy. Biers went through a phase over the last 18 months or so of writing OhYeah, but reverted to Biers at some point during lockdown. His Instagram handle is Jimothy_Cool_Aid, but Biers will do.
Biers, M32 roundabout, Bristol, November 2020
This is a nice little piece tucked around the corner on the M32 roundabout and includes a little ghost for good measure. The piece has the heading high spirits, which is a word play on the ghost smoking a spliff. The letter shapes are great and the fills ‘to die for’. A nice modest one from Biers.
There is a thing at this time of year in the street/graffiti art world and that is to do a Halloween piece. I haven’t seen too many this year, although I have just been out to walk the dog and photographed a whole bunch more. This one is by Biers, who I am pleased to report is writing Biers again having spent the last year or two writing OhYeah.
Biers, M32 cycle path, Bristol, October 2020
This piece is a classic writing/character combination with a rather friendly looking grim reaper popping up to the right hand side of the writing. Biers has been reasonably dormant this year, so it is great to see him getting out and about.
It feels like an eternity since I last saw a Biers piece that actually spelled out ‘BIERS’ rather than ‘OhYeah’, and I have to say it makes me very happy. I remember the first piece I ever posted by Biers – it had a piece of toast in it, and shortly after that I met him on several occasions while he was painting and we struck it off really well – it has been a while since I last saw him though.
Biers, M32 cycle path, Bristol, August 2020
This is a regulation piece of Biers writing and all the more splendid for it. His irregular sized letters are expertly filled with black and red patterning. This is a most satisfying piece.
A Halloween double bill from the fabulous Biers from a week or two back. I got lucky enough to catch Biers while he was still painting the piece on the right featuring a cartoon Jason Voorhees from ‘Friday the 13th’.
Biers, M32 roundabout, Bristol, October 2019
Biers gave no indication that he was going to paint a second character piece (is it from the ‘Texas Chainsaw Massacre’?) but paint one he did to create this double set. He seems to be enjoying the letters OYEAH at the moment although he didn’t rule out writing Biers again in the future.
Biers, M32 roundabout, Bristol, October 2019
Biers did explain to me the colour choices in his letters and that they were very deliberately chosen from the colours used in a game or something. If I am honest he lost me a bit on the story. I knew I should have written it down at the time. my memory is like a sieve at the moment.
Biers, M32 roundabout, Bristol, October 2019
Anyhow this is a pleasurable Halloween romp and a fine pair from Biers. Hats off!
I don’t think these two have stopped all summer, one collaboration after another keeping the walls at Dean Lane skate park lively. The No Frills duo are Slim Pickings on the left and Biers on the right.
Slim Pickings, Dean Lane, Bristol, September 2019
Slim Pickings usually paints the letters TES in pretty much exactly the same format every time he hits a wall, but this one is ever so slightly on a slant, like a little touch of italics has been incorporated. Also, I don’t think that the line through the E and S is Slim Pickings’ work, it just feels a little incongruous. Tidy work as usual.
Biers, Dean Lane, Bristol, September 2019
On the right, Biers, who I call Biers because he used to write Biers, has written OYeah, which is what he writes these days, so I suppose I should call him OYeah, but I’m not going to because I call him Biers. No character this time, but it matters not, his writing is so full of character and movement that it is like a character in itself. These two work so well together. I wonder if they share the cost of the paint…
The No Frills crew have been pretty busy this summer, and this is the latest of several recent collaborations in Dean Lane. The common contributor with all the collaborations appears to be Biers (AKA Jimothy Kool Aid), who writes ‘Oh Yeah’ and combines the letters with a characer.
Biers, Dean Lane, Bristol, August 2019
The left hand side is by Biers and the character is a rather fun and young-looking Mick Jagger. The writing is tight and just what you’d expect from Biers, nicely thought out and the colours are great.
Slim Pickings, Dean Lane, Bristol, August 2019
On the right there is a ‘TES’ from Slim Pickings with a magnificent fill that transitions between orange with red spots to red with orange spots, a technique I have seen him use before to great effect. Another nice collaboration from this pair.
Recently on the long wall at Dean Lane skate park was this No Frills extravaganza from Biers, Slim Pickings and Bags. It seems that these guys, and they are not alone, are well and truly out of hibernation and painting furiously at every opportunity.
Biers, Dean Lane, Bristol, June 2019
On the left is a wonderful ‘creature from the wack (sic) lagoon’ by Biers set in his ‘O Yeah’ writing. I do like his character-writing work and the shapes of his letter style is pretty unique, and I know how hard he works on drafting these pieces because he shares his sketches regularly on Instagram. It is great to see them come to fruition.
Slim Pickings, Dean Lane, Bristol, June 2019
In the middle of this collaboration is the distinctive ‘Tes’ of Slim Pickings forever reaching out for perfection in this form of writing. I don’t think I have ever knowingly seen anything by him that isn’t a version of this. A master of consistency and colour combinations.
Bags, Dean Lane, Bristol, June 2019
Finally on the right is a piece by an artist I still know nothing about other than that he is in the No Frills crew/movement, Bags. His letters are large, clean and bold. You can see how he has used the brick-line to fade between the two shades of filling, a great technique for getting straight lines. Looking forward to seeing more from Bags and maybe if I get lucky coming across this lot when they are out painting.
It can be a little tiresome for people like me when artists change their ‘street’ names, because it mucks up how I catalogue them and how I write about them. A case in point is Biers (old name) who now goes by the moniker Kool Aid, and instead of writing Biers like he used to, writes Oh Yeah instead. I am a creature of habit so will continue to call him Biers, so there! In this piece he has teamed up with No Frills stablemate Bags about whom I know zilch, so some work for me to do there.
Biers, Dean Lane, Bristol, June 2019
The standard approach from Biers is to accompany his uniquely stylish writing with a little character, usually associated with a TV cartoon character. I rather enjoy trying to find out who his little characters are, but in this piece my Google research has failed me. Nice tidy collaboration.
Natural adventures 