The No Frills crew have been pretty busy this summer, and this is the latest of several recent collaborations in Dean Lane. The common contributor with all the collaborations appears to be Biers (AKA Jimothy Kool Aid), who writes ‘Oh Yeah’ and combines the letters with a characer.
The left hand side is by Biers and the character is a rather fun and young-looking Mick Jagger. The writing is tight and just what you’d expect from Biers, nicely thought out and the colours are great.
On the right there is a ‘TES’ from Slim Pickings with a magnificent fill that transitions between orange with red spots to red with orange spots, a technique I have seen him use before to great effect. Another nice collaboration from this pair.
Oainted directly over a Hire piece, Slim Pickings has produced another outstanding TES piece in Dean Lane. By now, everyone should be familiar with ‘stock’ shape of Slim Pickings’ work so it is the fills and detail that is of real interest.
His work is always sharp and clean and in this piece his colour contrasts work really well. I like also how the colours used are reversed out on the ‘S’, and by that I mean, reading left to right, he has sprayed orange letters with red spots which becomes a red letter with orange spots. Nice tidy work, from the master of TES.
Recently on the long wall at Dean Lane skate park was this No Frills extravaganza from Biers, Slim Pickings and Bags. It seems that these guys, and they are not alone, are well and truly out of hibernation and painting furiously at every opportunity.
On the left is a wonderful ‘creature from the wack (sic) lagoon’ by Biers set in his ‘O Yeah’ writing. I do like his character-writing work and the shapes of his letter style is pretty unique, and I know how hard he works on drafting these pieces because he shares his sketches regularly on Instagram. It is great to see them come to fruition.
In the middle of this collaboration is the distinctive ‘Tes’ of Slim Pickings forever reaching out for perfection in this form of writing. I don’t think I have ever knowingly seen anything by him that isn’t a version of this. A master of consistency and colour combinations.
Finally on the right is a piece by an artist I still know nothing about other than that he is in the No Frills crew/movement, Bags. His letters are large, clean and bold. You can see how he has used the brick-line to fade between the two shades of filling, a great technique for getting straight lines. Looking forward to seeing more from Bags and maybe if I get lucky coming across this lot when they are out painting.
This is the second No Frills collaboration in Dean Lane in a month or so from Slim Pickings and Biers, which is nicely set on a black background with a Day-Glo green/yellow ‘cloud’.
On the left is the Biers piece that features a cartoon scientist, whose test tube is bubbling over with the luminous green/yellow stuff. After a little Googling I found out that the scientist is Professor Utonium from the Powerpuff Girls – a cartoon series that completely passed me by. I’m not sure what the writing in this one says, he seems to write something different each time now, which is great.
Slim Pickings on the other hand remains utterly consistent with his design and the letters TES. I guess that for him he seeks to perfect something he is familiar with, and although the design remains the same, the colour selections and one or two little inclusions vary it and continue to hold interest. Another great collabortaion from these two.
Now that the sun has at last arrived and the weather is beginning to warm up a little it seems that plenty of artists are coming out of hibernation, which on the one hand is a great thing, but on the other means that turnover is going to increase, and keeping up with new pieces in Bristol is going to be an impossible task.
This pair, Slim Pickings and Biers (who seems to have changed his handle to Jimothy Kool Aid) from No Frills have certainly awoken and this is the first of at least two recent collaborations I have seen. Slim Pickings in particular seems to have gone a little crazy, and I am going to have a job posting all his recent pieces. Love the colours in this one.
Biers has created this writing (I’m not sure what is spells out) and added in a character, which I believe to be Jeremy Beadle who amongst other things used to present the TV clips show You’ve been Framed. Such is his attention to detail, Biers has even incorporated the slightly small hand that Beadle had. I’m still loving the shapes of Biers’ letters.
He keeps spraying them and I keep posting them. This is yet another ‘TES’ from Slim Pickings using a rather bright colour palette of purple and light blue, which seems to work rather well.
I like his work, the repetition and precision, striving for perfection. I like his colour selections looking for contrast or complememtary shades, always thinking. It is probably about time I saw another one of these.
A beautiful ‘TES’ from Slim Pickings, this time in the wonderful claret and blue colours that we might associate with Burnley or West Ham. Once again, and as one would expect, the lines are crisp and clean and the fillings solid and neat.
I think this is the last of Slim Picking’s work that I have in my archive, so I rather hope he will be out there at Dean Lane or somewhere else doing his stuff that he does so well.