.
Riparian strip
overwhelmed by invader
a beautiful weed
.
by Scooj
When I first met Jeviossoul, he was just starting up with his character portraits, but he promised me then that he would be hitting the city hard with his ‘slow lane’ pieces. True to his word, he has been productive, particularly on the fringe spots, but occasionally hitting some of the more popular walls like this one in Dean Lane.
I like to think of Jevoissoul as a bit of a diamond in the rough, who has an interesting style that he is improving. It is not only his style that is getting better, but his technique is definitely on the up too. This piece might be his tidiest yet, and features his character with an orange cap, swallowing an acid tab, with the words ‘one love’ in accompaniment. Watch this space to see how he progresses.
Hypo has been smashing it for a while now, and not only creating some outstanding graffiti writing pieces, but also switching things up a fair bit too, in terms of style and presentation. In this piece on the M32 Cycle path, he has framed his letters within quite a tight area, and pulled it off really well.
The gold and silver letters are nicely designed with a kind of post-industrial weight to them, there is chunkiness and brutalism about the letters, and the red border with big drips speaks of a kind of pain, a bloodletting that comes with industrialisation. My interpretation only of course. Something a little different and challenging but also well presented by Hypo.
Well, well, well, this outstanding dragon character piece came a little bit out of the blue. It is by Cheo, one of the godfathers of Bristol street art, whose frequency of painting has declined a little in recent years, but whose work is always to be celebrated.
In this game, if you snooze you lose, and I arrived a littler too late to photograph the piece before it had been dogged. The blue cock and balls (one of the most ancient forms of graffiti), probably sprayed by kids, slightly ruins the flow of the piece, but takes nothing away from the enormous talent of Cheo. Every little detail is perfectly worked, such as the folds in the clothing, the dragon’s face, and the crispness of the flame sprite. The signature bee rounds the scene off nicely. So good to see, albeit a little late.
I went back to Dean Lane a few days later and the blue tags had been removed, although another one appeared to the right of the piece.
A gallery of illustrated graffiti writing from the brilliant Bristol-based artist Minto
Instagram: @instaminto
All photographs by Scooj
.
Holoparasite
a plant without chlorophyll
ivy devourer
.
by Scooj
Every year, almost like clockwork, Mr Klue springs into action and follows up with frenetic activity for a month or two before slowing down again for the autumn/winter. This piece marks an up tick in activity which has produced several gorgeous ephemeral works in his favoured spot, St Werburghs tunnel.
The abstract smokey writing style adopted by Mr Klue makes for difficult reading, but this piece is easier than some to read, and you should be able to make out the letters KLUE, if you look hard enough. I’m not sure that Mr Klue gets the credit he deserves for his unique style of graffiti writing, probably in part due top his modesty, so this is a big shout out from me for his consistently brilliant work.
Wowzer! A word I rarely use, but this outstanding anamorphic piece by Uncle left me breathless, and even now, looking at the photographs, it plays tricks with your mind. This kind of anamorphic art has been around for centuries, and in its more formal settings is called trompe l’oeil, which in French means ‘deceiving the eye’, and which can be seen in cathedrals, churches, palaces and streets all over Europe (and beyond I expect). Street artists have been refining the style and are now creating some utterly mind-boggling work for all to enjoy.
One of the things about anamorphic art is that it often has to be viewed from a specific point to achieve the full effect, and the first photograph just about hits the spot. Uncle has managed to create a green box that appears to be sunk into the building, and the 3D lettering in red, white and blue is sitting within the ‘recess’. Much of the illusion is created with very clever use of light and shade and shadows cast.
I am so pleased that Upfest invited Uncle, who is from Hong Kong, to paint this piece this year, and I hope that it encourages more of this kind of awe-inspiring art in the city. You can find more of Uncle’s work on his Instagram feed, that has quite a few interesting images and reels of this piece. Outstanding work.
I have mentioned before that Upfest has a blend of local, national and international artists every year, but what is noticeable this year is that many of the Bristol-based artists have been given large feature walls to paint, which is great to see, and to be able to showcase some of our own homegrown talent.
This is an outstanding mural from Sepr, who is no stranger to the pages of Natural Adventures – you can see more of his work in this gallery. The green colour palette is masterfully worked in this cartoon-style balloon ark. There is a wonderful story unfolding here of animals sharing a balloon trip (balloons, like street art, being one of Bristol’s USPs) under a warm sun. Sepr has designed the piece to work around the doors and windows of the house, which interestingly has no window above the door, allowing more mural space. In my view, this is a masterpiece of stylised cartoon street art that brings smiles to the faces of passers-by. Awesome.
Life in full colour! This outstanding Upfest piece, by Luke Smile in a way reflects the previous two posts (Shane O’ Malley and Paul Monsters) in its joyful use of colour and specific reference to colour in the words. Although this is not the first time I have seen Luke Smile’s work in Bristol, he is not a regular visitor, so it felt especially good to see this piece.
Luke Smile is a British artist and designer and has been concentrating on his ‘Smile sans’ font which we see here in this mural. I have lifted Luke Smile’s description of the font from his website, because I am sure his explanation is far better than anything I could write:
‘The bespoke font has a hollow-like quality where the 3D areas of the letterforms leave space for bold colour and texture whilst casting interesting shadows’
I have to say that this piece really struck me when I first saw it and it remains one of my favourites from this year’s festival.
Natural adventures 