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Cementing friendships
mixing in higher circles
humble beginnings
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by Scooj
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Cementing friendships
mixing in higher circles
humble beginnings
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by Scooj
I am a huge admirer of Johnman’s incredible pieces, and although I have only seen a handful of them, each one is an absolute cracker. I particularly like this piece, because accidentally or deliberately, the scene blends into the real blue sky behind it, giving a slightly surreal feel to the whole thing.

Johnman has a gift for producing intrigue and drama in his work, and here we have a girl in a wheat field under a deep blue sky with a dove of peace. The colours suggest that this is a representation of the Ukranian flag and that it is a piece depicting the war with the Dictator Putin’s Russia. A stunning, mysterious and compassionate piece from this outstanding artist.
I guess it is a host’s prerogative, in this case Upfest, to be able to include lots of local artists to join in the fun of the festival, and it felt like, this year more than any other, that Bristol-based artists made up a significant proportion of all the artists in attendance. This is a brilliant thing, because it introduces all the visitors to the festival to the vast pool of talent we have in the city.

Any regular reader of Natural Adventures will be no stranger to the work of Zake, and here we see him at work painting the body of one of his characteristic cartoon-style faces. I like work in progress (WIP) photographs, because they give you a real sense of how the finished article was created, and how the finishing touches can transform a piece.

As always, it is the mastery of light and shade that makes Zake’s work so special, and he has managed to apply these principles not only to the character’s face but also to his clothes. A fine festival piece from Zake.
I think I was being rather thick when I looked at this piece, and it took me quite a while to unpick what was going on. It is funny how you can look at something but not really see it, which is something I pride myself on being able to do ordinarily, but in this instance I failed.

The clever piece is by Used Pencil and is of course a portrait of HM Queen Elizabeth, although not an entirely flattering one. Upfest was held this year just before the extended bank holiday during which the nation celebrated the Queen’s platinum jubilee – I didn’t celebrate, because I was in Porto with my daughter.
This portrait is a bit like a fully painted doodle and it is very nicely executed too. Used Pencil is another artist I have never come across before and his Upfest biography reads:
I am Used Pencil, the ‘Secret Walls’ winning, mural making, illicit illustrator with walls covered and exhibitions curated in HK, Lisbon, LDN, Manchester and Iceland, to name just a few. Always starting with a pencil and paper, I like to make marks on all surfaces using fine line creative wizardry.
Nice contemporary work.
I think it is fair to say that some of the Upfest pieces are much more memorable than others. Some you really want to photograph and some others you forget that you even saw them until you review your pictures. This is definitely one of those memorable ones.

The bright piece is by Mister Samo, who I have not encountered before but who has a really interesting biography in the Upfest programme as follows:
Samo is a Portsmouth based trans artist, public speaker, and activist who focuses on intersectional gender identity and community. Highlights include painting at World Pride 2019, producing I EXIST (a trans bodies art book), founding an LGBTQ+ safe space scheme, and having his works collected by people across the world.

There is something very appealing about the piece and without doubt it demands to be looked at. The stylised yellow figure set on the blue and pink background stands out a mile, but as well as the bold colours, the finer details are what make the piece rather special, such as the hand and the beautifully drafted flowers. A very nice piece from Mister Samo.
This was the first completed piece from Upfest 2022 that I saw this year and was the piece that alerted me to the fact that many artists were already out and about in Bedminster painting static walls as a precursor to the main event in Greville Smyth Park at the end of May.

The large mural is by Squirl, who has painted a few times in Bristol, mostly at Upfest, but also in collaboration with SPZero76 as part of the Gums and Tongue crew. This is a beautifully designed landscape scene in a highly stylised and colourful form. A stunner, and as fortune would have it, the roadworks in front of it made it easier to photograph as there are usually cars permanently parked in front of this wall. Great piece from Squirl.
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Powdery mildew
constant curse of curcurbits
dry, humid weather
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by Scooj
Bristol definitely has it’s fair share of female graffiti writers; Mena, Evey, Lewse and Bnie to name a few, and it is great to watch Desi develop her writing and join this growing cohort. You will have seen work on Natural Adventures before, but using the letters DESI, however, recently she has switched it up a bit to write VEIL.

What is interesting is that although Desi’s letters may have changed completely, her individual style shines through, and she needn’t have signed it for people to know who painted it. This might be her best piece to date, it is really neat and tidy, and the fills are as good as I have seen from the artist. Much more to come from Desi, I’m sure.
I have been going back into my archives a little bit lately, usually to dig something out that is relevant to a post I am writing, but when I do so, I realise just how many great pieces have been left behind, and this beauty by Kopsky is one of them. Painted back in May, alongside Bristol artist Soker, this piece is an absolute beauty.

I don’t know much about the artist, other than he is French. My searches on the Interweb have not revealed very much at all, so perhaps I’ll focus on his artwork instead. I don’t know what the letters spell, if indeed they are letters, but Kopsky has created a kind of fluid, elastic and dynamic piece where each discrete element seems to flow seamlessly into the next. Colourful and vibrant and so full of movement, this is a very classy piece indeed.