.
Computer switched off
overactive mind switched off
coming up for air
.
by Scooj
Tag: Bristol
4467. Frome Side (13)
It would appear that Logoe has had another blitz in Bristol recently, hitting several walls over a very short period of time. These two pieces are from the Frome Side spot underneath the M32 between the two roundabouts. This is a place I don’t often visit, because it is too dangerous to go there with the dog, and I rarely photograph street art without him.
Both pieces follow Logoe’s modus operandi, which is to paint his thin script lettering on a colourful background and to decorate the whole thing with a horizontal array of oval spots of varying sizes. This is his thing and this is what he does. This red piece looks wonderful and is accompanied by the words: ‘Attitude legit cos I’m tearing up shit’ – which is a lyric from NWA’s Straight Outta Compton – something I’d have never found out without Google.
The second piece following the same formula although with chunkier writing and a duller mustard background is a tribute to the late Meatloaf, which is a rather nice gesture. The two pieces are about 20 yards apart, and I am guessing were painted in the same session. More to come from this latest whistle-stop tour by Logoe.
4466. North Street
Timing can be crucial when photographing street art, and shutters in particular need to be down to be photographed properly or indeed at all. Parking also presents a problem (if not on foot) with some specific spots, and this shutter piece by Taboo on North Street has evaded me for far too long, but a week or son ago the stars aligned, and I was able to grab a couple of snaps.
Taboo has such an interesting style, that I have a feeling might be called anti-graff, although it is only a term I have recently become aware of, and I might have got that wrong. However, using his writing and character combination, Taboo has smashed this shutter, with great design, colour and a spectacular Minnie Mouse.
There is a lot to like here, made all the more admirable for being on a shutter, which are notoriously difficult to paint. Captured and catalogued at last.
4465. Cumberland Basin
I was lucky enough to be visiting Cumberland Basin on a dog walk at the same time as Roo and SkyHigh were painting next to one another on the long wall by the corner. I stopped for a chat and discovered that regrettably they weren’t going to be painting at Upfest this year, due to a clash of diary commitments – they will be missed. However, on this particular visit, they left three rather nice pieces between them for us to enjoy. This is a small giraffe piece from Roo.
There is something about the simplicity of Roo’s animal characters that makes them both cute and very easy on the eye. The fills are nice and solid and the lines crisp and sharp. Roo has also injected some humour into this piece with the suggestion that the giraffe’s head is above the clouds on account of its height.
There is a subtle difference between the two pictures in the body of the text here, that demonstrate the importance of properly finishing a piece with lines and details. You can see also how quickly a piece can get tagged (naughty boy Asre). It is always a pleasure to welcome Roo to Bristol.
4464. M32 Cycle path (176)
It seems that barely a week goes by without seeing another artist new to the Bristol scene. These artists might be visiting the city, newly moved here, or starting to paint walls for the first time. All are welcome, even if it makes my job of keeping on top of it all even more difficult. This rather refreshing piece was recently painted by Sprat, and I have to say I really rather like it (and not just because of my marine biology background!).
Sprat, making his debut on Natural Adventures, has painted a rather interesting crocodile/fish thing chasing after a sprat with legs. What is happening here, you might wonder, and I am not sure that I can be of much help with that. The pink backdrop works well with the greeny blue colours of the crocofish. The whole thing is really well painted, with great proportions and anatomical details. A very welcome start for Sprat.
Liar
.
I don’t believe you
complete insincerity
oozes from your lips
.
by Scooj
.
Boris Johnson must go. Every minute he remains he erodes the credibility of our government and the reputation of our country.
4463. Upfest 2022 (5)
This fabulous piece on one of my favourite Upfest walls is a great way to round off the first five pieces from Upfest 2022. As you can imagine, there will be hundreds of pieces to post by the time the festival ends, so please bear with me as I try to write about them in batches, alongside all the other wonderful street art that we are blessed to see in Bristol. This is by an artist I haven’t heard of before, Derm, and features what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art.
The lizard in this piece is riding what looks like a half-track motor cycle, complete with flat tyres. A classic cartoon-style piece of urban culture street art that really stands out on this wall. One of the great pleasures of Upfest is being exposed to the talents of new artists from around the country, Europe and the world. A great piece of work.
4462. Upfest 2022 (4)
I was hoping that there would be some Ukraine pieces at this year’s Upfest, and Karl Read has delivered handsomely with this fabulous stencil piece featuring Volodymir Zelensky. The concept is simple and powerful, as the president of Ukraine reveals his true identity as Superman. I am reminded, each time I see President Zelensky of the Shakespearean quote from Twelfth Night that “Some are born great, some achieve greatness and some have greatness thrust upon them”. The middle one of these might apply in this instance.
Karl Read, an Upfest veteran, has cleverly worked on the colour scheme for the piece, with Zelensky painted in black and white and his Superman outfit blasting out in Ukraine’s blue and yellow colours. An additional nice touch is the little lapel badge worn by the president. This is a great contemporary commentary piece, deserving of this high profile wall in Bedminster.
4461. Upfest 2022 (3)
This year, Upfest is in two parts. The first part, which has been running for about three weeks now, has been to paint as many of the feature semi-permanent walls as possible before the festival weekend (May 28-29). The second part will be the remaining 350 or so artists painting on boards ‘live’ at various venues. This piece from My Dog Sighs falls into the former category.
There are positives and negatives to this new approach (change is never easy). On the upside, there will be plenty of completed new works for visitors to enjoy, without the eyesore of scaffolding on the other hand, that wonderful interaction with some of the greatest artists on the circuit is lost. It can feel a little bit like ‘rent an artist’, without the opportunity to watch them at work. On balance I can see that it makes sense, and as a resident of Bristol I have been able to meet a lot of artists over the last week or two.
Unfortunately I missed My Dog Sighs this time, which is a pity. I think he was in and out very quickly. Such are the demands on some of the bigger names during festival season. This piece is one of his pigeon pieces, similar to the one he painted for the Cheltenham festival last year. The characters and colours are magnificent, and his work so totally on point. It might have been nice to see another one of his eyes for this festival, but I might just be being picky.
Pigeons are something of a favourite theme for street artists, and I guess that perhaps there is something unconscious going on, in that these artists being on the streets probably see a great many of these urban birds. A fine addition to the Upfest 22 collection.
One week
.
Only seven days
then a change in the routine
mini holiday
.
by Scooj
Natural adventures 