Ever flooding tide
always lapping at my heels
longing for the ebb.
by Scooj
Ever flooding tide
always lapping at my heels
longing for the ebb.
by Scooj
This is another fine piece of wildstyle writing from Soge on the long wall at Dean Lane. I believe that Soge is a friend and neighbour to Hire, and is another of the Polish contingent of artists that is making a big impression on the Bristol graffiti art scene at the moment.

It is interesting that both Soge and Hire have a style that feels rather gothic and jagged – it is different from most of what you see from the established Bristol artists. This piece is vibrant and colourful and fun too – there is a boar’s head lurking between the S and O.

I expect to see more from Soge – probably at Dean Lane, which seems to be a favoured spot for these artists.
Not long after Upfest was over, and just as the dust was settling, this wonderful piece from Bristol’s Cheo appeared in North Street Green. It is a very strong piece, and in my view, far superior to the Morph characters he produced for Upfest.

In this piece he has sprayed a couple of very cool frogs appearently chewing the fat and puffing away on a cigar and cigarette. It is an incredibly neat and crisp piece and in my view shows Cheo at his absolute best.

I’m not too sure how long this would have taken him, but it looks like he took care with it. Yet another great piece from the master.
Anger on the streets
as domestic argument
spills out; I look on.
by Scooj
What a wonderful bit of creative painting that works towards urban regeneration and cohesion. Three drab utility boxes on the M32 roundabout were recently given a makeover by the Sheffield artist Color.

I met Color when he was spraying some pillars in East Street for Upfest and we had a chat about the work he does with incorporating the surrounding street furniture into his work and transforming the ‘drab’ into the ‘vibrant’ and the social benefits this brings about. I can say with some certainty that these cheese houses and mouse have brought a smile to many faces in an area that can at times be quite intimidating. Upfest work to follow sometime soon…I hope.
On the north steps dropping down into The Bearpit there is this wonderful new piece from Lemak. It is a wheatpaste of a complex multi-layered stencil. I love the original work Lemak is producing at the moment, confining partial images within geometric shapes, with much of the image hidden beyond the confines of the boundaries, leaving much to the imagination.

It is a piece that is in a similar vein to the one he produced for Upfest this year (to follow). I am sure that many busy pedestrians miss this, as they trundle into The Bearpit buried in their thoughts or mobile phones. It is a little bit camouflaged by all the scrawls and tags around it, and only seems to jump out at you once you have spotted it.

Another fine piece from the brilliant Lemak.
Researching this piece has revealed more than I might have expected, which is always most fulfilling. The chimpanzee, so full of expression, was sprayed by Skie One, and the leaves and portrait (to follow) on the right by Nesr both from High Pressure Murals. The discovery was to put names to a piece that I photographed at Upfest 2016, and one which I can post when I do a bit of a catchn up of left-overs from last year.

This is a fine mural (I guess I can safely call it that) and has a stencil-like look about it, although it is freestyled. I am interested by just how many apes and monkeys are painted by street artists, Parrots have a pretty high head-count too. I guess they are groups of animals/birds that are close to us and therefor of interest.

Once again it is great to see the artists at work to see how they create the piece, here it looks like a process of adding layers, maybe in a more conventional fine art way…not that I really have any idea what I’m talking about. I do know I like this piece though.
Tucked away in the garden of The Rising Sun was this rather provocative and surreal piece by EdF*ck. I can’t find out much about the artist, so I include his Upfest programme biography:
‘Hi my name is Edf*ck, my work mainly consists of spray paint and de-collage but extends to illustration and character design, often encapsulating dark imagery captioned with playful slogans and vicious characters.’

This great piece which was located at The Rising Sun pub, is by Mind Control who was probably the youngest artist at Upfest this year at a youthful 16. He has been spraying since he was 12 and has already found himself on the festival circuit. A precocious talent indeed, and one to look out for.

One of my favourite artists from Upfest 2016 was DinDin who produced this official piece and left a couple of wheatpastes in the Moon Street area of Stokes Croft before she left Bristol. This year she excelled with this beautiful stencil featuring a street dancer in what looks like a fairly stark wasteland.

