.
Four minutes only
seventeen syllables to
contrive; here we go.
.
by Scooj
.
Four minutes only
seventeen syllables to
contrive; here we go.
.
by Scooj
One of the best things about my personal journey into the world of graffiti art and street art has been the discovery and continuing observation of Tom Miller. Tom is a fine artist who has turned his hand, like many others, to the street and with stunning results.

This work was produced for Upfest, and I managed to catch him just as he was signing the piece. Some great shots, but my intrusion came at the expense of a film maker who has been following Tom for a couple of years…I got in the way a bit…oops.

All was ok though as we have a mutual interest in Tom,’s work, and my accidental ‘photobomb’ was forgiven.

Tom’s work is centered around his construct of ‘imaginite’ which is, I think, the idea of capturing the mind’s thoughts in art. A fabulous concept, and one that draws heavily on the Surrealist movement. I just love his work and this is a beauty.
This stubborn Summer
reluctant to relinquish
its tenuous grip.
by Scooj
There are some pieces that you just fall in love with. It is difficult to explain why, it just happens. This is one such piece, and I have been waiting a little while to post it because I wasn’t too sure who the artist was. It is by Acid Collapse, and one of my favourite pieces of the year.

I can find out very little about Acid (Juanito) Collapse other than that he is probably from Colombia, that he has a Facebook Page and that he visited Bristol Earlier this year. The rest is a mystery.

This piece seems to cross seamlessly from graffiti art to street art and back again. Amazing colour palette, stunning writing and the face is just the best. It would be grate to see him return some time.
Directly opposite the Stokes Croft open air gallery is a house which received an unusual makeover by Cheba a few months back. The building was badly tagged and getting a bit grotty, but the unusual pink stellar Cheba work kind of put an end to that.

I have walked past the mural many times but only very recently become aware of the brightly coloured ceramic pony above the window. It is by China Girl Tile, and so incredibly kitcsh that it is just bloody brilliant. Small and unnoticed by most passers-by it really made me laugh when I saw it.

This is almost certainly an ‘extra’ left behind by China Girl Tile after installing her brilliant foxes for Upfest in July. It also works so well with Cheba’s pink ‘number’. So utterly worth seeking out.
This large work has been here for well over a year now, but I simply haven’t got round to sharing it until now. Cheba is making something of a name for himself with painting these large scale, full building interstellar galactic murals.

This particular piece is a bit of a landmark at the centre of a cultural hub in Bristol. Cheba produces these amazing works and he produces them so very well. His technique is recognisable and I would say ‘best in class’ of this king of work.

I recently saw another large piece by Cheba in Camden Town, not dissimilar to this one. Of course I will write about it one day…maybe in a light year or two.
Laic 217 is rather a prolific artist in Bristol and this is one of his pieces from earlier this year. It seems I can hardly look anywhere and not see one of his works. As I write this, I found another of his pieces in St Werberghs Tunnel today which I’ll get round to writing about sometime.

Here he has collaborated with Cort, about whom I know absolutely nothing, so if anyone has something to add about him, please let me know. As is often seen with Laic 217’s work, he has sprayed his name and a character alongside. The character bears all the branding and look of acid house.

I have said many times in my posts, that this kind of work is what Bristol is all about and Laic 217 is one of those rare artists who seems to spray all around the City…here in Stokes Croft, at Deaners, at the M32 and in St Werberghs. Just gotta like him.

Fiery furnace
compassionate to the core
a golden heart forged.
by Scooj
For my manager who leaves this week. She’s simply the best.
From one of the hot spots for graffiti art in Bristol, I recently found this quick piece in chrome by Soker. Any artist that paints this wall knows that their work will be gone in a matter of days, so knowing that, one can’t help thinking that they do this because they just love doing it.

What a wonderful way to be. To use one’s creative talents and produce things because you enjoy it. Surely this is what life is about? I think that what street art gives us all is a reminder that creativity is something we all have capacity for and can all celebrate. Even people like me who spend their lives chained to a desk. Street art is liberating and can set us all free if only for a moment. Soker sets me free.

This amazing Tiger is no longer there; the wall has since been painted by Jody for Upfest 2016 (more on this to come). The tiger was painted for the Upfest 2015 festival and I never really got round to posting about it.

It is funny how things come about. I didn’t really know the artist, Osch (Otto Schade), until fairly recently and now I seem to be coming across his work all over the place in London. In fact I think I mentioned in a recent post that he hadn’t done much in Bristol. I was wrong, he did this.

The tiger is captivating and uses Osch’s unraveling bandage style of artwork. This work was something of a landmark on North Street and was part of a campaign to raise awareness for the Save Wild Tigers charity.
On the downside, this is one of the most difficult Upfest walls to photograph. It is very high and in a narrow lane and the best views are from a privately accessed roof. I’m afraid I didn’t have access, so my pictures are a little distorted.