1219. Stucley Place, London (3)

Immediately adjacent to Gnasher’s chimpanzee in Stucley Place there is a door with a couple of wheatpastes on it. The higher of the two is by Face the Strange and features four brightly coloured suited gentlemen with half fruits or vegetables for faces. I am guessing that this has been around for a while. The piece is actually made up of four individual strips.

Face the Strange, Stucley Place, London, November 2017
Face the Strange, Stucley Place, London, November 2017

The lower pasteup is by Codefc featuring one of his characters with a camera head. Both pieces have similar themes and yet the individual style of the artists shines through.

Face the Strange and Codefc, Stucley Place, London, November 2017ERA PICTURES
Face the Strange and Codefc, Stucley Place, London, November 2017ERA PICTURES

I posted a piece by Codefc from Upfest 2016, but it seems that more recently he has favoured freestyle spraying, judging by his Instagram feed. I enjoy seeing artists moving through different techniques and expressing their work in different ways. This is a nice door.

1218. Stucley Place, London (2)

I was lucky enough to pass by this wonderful abstract piece while it was being sprayed by Mr Jiver, a London artist who told me he had his roots in wildstyle writing and that there are echoes of that in his current abstract works.

Mr Jiver, Stucley Place, London, November 2017
Mr Jiver, Stucley Place, London, November 2017

The intention for this piece was that it was meant to be a collaboration, but there was a ‘no show’ from the other artist which accounts for the gaps that have been left.

Mr Jiver, Stucley Place, London, November 2017
Mr Jiver, Stucley Place, London, November 2017

I would guess that artwork like this is at risk of being criticised in the same way that art by Jackson Pollock has been criticised…that old chestnut ‘I could probably do that with my eyes shut’ kind of thing. The retort might be ‘well go ahead then’. Mr Jiver has created a thought out piece with deliberate colour selections, shapes and shading and I celebrate it.

Mr Jiver, Stucley Place, London, November 2017
Mr Jiver, Stucley Place, London, November 2017

I enjoy meeting artists when they are at work and trying to understand a little bit more about what motivates them. Insight certainly helps with interpretation. Mr Jiver – nice bloke, great work.

1217. Stucley Place, London (1)

Not too far away from Camden Town tube station and in the direction of Camden Lock Market is an absolute jewel of a street – Stucley Place. There are a few walls here that have some lovely work, and this is the first of three posts from my visit to Camden Town in November.

Gnasher, Stucley Place, London, November 2017
Gnasher, Stucley Place, London, November 2017

Gnasher (David Nash) is an extraordinary artist who seems to be able to produce amazing photorealistic pieces with consummate ease. Last July I posted a work he produced in Leake Street tunnel featuring Guardians of the Galaxy characters. In this piece he has produced a stunning portrait of a chimpanzee that conveys a sadness and wisdom that seems to be nature’s lot in today’s world.

Gnasher, Stucley Place, London, November 2017
Gnasher, Stucley Place, London, November 2017

It is a difficult piece to photograph because of the glare, but even with these slightly dodgy pictures it is possible to see what a truly classy piece this is. So definitely worth a visit if you find yourself in the area.

Thursday Doors

Door Nine

3 Hawley Mews, Camden Town, London, Thursday Doors
3 Hawley Mews, Camden Town, London, Thursday Doors

Hawley Mews in Camden Town is a famous spot for street art.

Artist: Void

by Scooj

 

Thursday Doors – Norm 2.0

1145. Camden Town, London

I knew where to look first when I emerged from the tube station in Camden Town, and on locating my first spot, I was rewarded with a small parking yard which had been pretty much resprayed since I was here a year ago. Unfortunately the gates were closed, which made photographing the side walls a little tricky, but this end wall, a gateway to an inner yard, was thankfully unobstructed and face on. The piece is of course by Stinkfish, who is also responsible for the most iconic piece in Stokes Croft, Bristol.

Stinkfish, Camden Town, London, November 2017
Stinkfish, Camden Town, London, November 2017

Stinkfish specialises in painting yellow portraits from photographs that he takes of people he meets, and adorns them with vibrant patterns of colour and light, creating a magical movement all around the piece. These characteristics make his work easy to identify.

Stinkfish, Camden Town, London, November 2017
Stinkfish, Camden Town, London, November 2017

His pieces are always great to look at and seem to ask many questions about who these characters are. I am not sure about the background, which looks like it is by another artist. In my view, the pieces fight for attention instead of complementing one another, so I would suggest that this was not a collaboration, but I am usually wrong about these things.

 

1144. Camden Town, London

Anyone familiar with Bladerunner (the original) will be familiar with the Tyrell quote: ‘The light that burns twice as bright burns half as long – and you have burned so very, very brightly, Roy’.

Pegasus, Camden Town, London, November 2017
Pegasus, Camden Town, London, November 2017

This quote could equally well be applied to the extraordinary vocalist Amy Winehouse who died of a drugs overdose in July 2011. In the UK, and especially in North London there is a terrific fondness for this amazingly talented young woman whose moment in the spotlight was so short and fragmented. This wonderful stencil, by Pegasus, is a fine tribute to the singer.

Pegasus, Camden Town, London, November 2017
Pegasus, Camden Town, London, November 2017

I have featured a couple of Pegasus pieces in previous posts, this one of Mother Teresa from last year’s upfest, and this one of Donald Trump. Pegasus is fond of creating works of iconic public figures and is not afraid of controversy.

1143. Camden Town, London

On a recent trip to Camden Town, I visited a few of the streets I had been to a year previously. This particular hot spot for street art was rather annoyingly obstructed by this hoarding, which rendered any photography pretty useless, along the narrow passage where the best walls are. However, it was an ill wind really, as the hoarding has become the canvass for this fine and rather haunting piece by Irony.

Irony, Camden Town, London, November 2017
Irony, Camden Town, London, November 2017

I could tell, the minute I saw this portrait piece, that is was by an established and talented artist, but it wasn’t until I got home and properly looked at the pictures (and started seeing the image appearing on Instagram) that I realised it was by Irony. I am guessing that it is a reasonably new piece, and feel quite lucky to have ‘bumped into it’.

1127. Camden Town, London.

Somewhat reminiscent of Banksy’s work or Unify or JPS, this lovely piece by Dotmaster Is just about perfect for this wall. Situated under a camden council sign stating ‘bill stickers will be prosecuted’. The corny old joke suggests that graffiti under the sign should read ‘Bill Stickers is innocent’ but the joke is a hundred years old.

Dotmaster, Camden Town, London, September 2016
Dotmaster, Camden Town, London, September 2016

This beautifully executed piece presents us with a naughty child spraying that most sacred of images, a heart, on the wall. A picture within a picture. I love this and pretty much everything about it, but I know little or nothing about the artist, but his biography on his website gives you a flavour. I love his comment:

There is NO subculture ONLY subversion.

Clowns

 

Beneath the costume

we are not so different

you the clown and I.

 

by Scooj