
Ooh! This is a superb throwback piece from Rozalita, who used to be Rosalita, and now prefers the moniker Rohzi. I shall continue to use the name Rozalita. I say this is a throwback piece, because her earlier works were almost entirely influenced by circus or carnival characters, but this is the first one I have seen for a while.

As always with stage makeup, one always wants to know what is going on behind the smiling facade, and Rozalita has captured this duality perfectly in this stunning portrait. I am looking at it and trying to examine the face behind the mask, is she happy, is she sad? The stylised hair adds to the deceit. What a wonderful portrait piece, and one of my favourites of the year so far.